Every reference with a DOI in the deposited reference list resolved to a known
work in Crossref or DataCite at the dated check, and none carried a retraction,
withdrawal, or removal notice.
The 21 checked references that resolve
resolves10.1007/BFb0034121Musical rhythm: A formal model for determining local boundaries, accents and metre in a melodic surface
resolves10.2307/40285378Grouping Conditions in Listening to Music: An Approach to Lerdahl & Jackendoff's Grouping Preference Rules
resolves10.1177/0305735690181003Mechanisms of Cue Extraction in Musical Groupings: A Study of Perception on Sequenza VI for Viola Solo by Luciano Berio
resolves10.2307/40285715Musical Schemata in Real-Time Listening to a Piece of Music
resolves10.2307/40285794The Perception of Structural Stability in Atonal Music: The Influence of Salience, Stability, Horizontal Motion, Pitch Commonality, and Dissonance
resolves10.1525/mp.2004.21.4.499Parsing of Melody: Quantification and Testing of the Local Grouping Rules of Lerdahl and Jackendoff's A Generative Theory of Tonal Music
resolves10.2307/40286177A Perceptual Analysis of Mozart's Piano Sonata K. 282: Segmentation, Tension, and Musical Ideas
resolves10.1037/0033-295X.89.4.334Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys.
resolves10.1007/s004260050022Local versus global processing of harmonic cadences in the solution of musical puzzles
The 13 references without a DOI — listed, not checked
no DOI — not checkedBruderer M. J. (2008). The perception and modeling of segment boundaries in popular music. Technische Universiteit Eindhoven, NL: Doctoral Dissertation.
no DOI — not checkedCambouropoulos E. (2001). The local boundary detection model (LBDM) and its application in the study of expressive timing. In
Proceedings of the International Computer Music Conference (ICMC2001)
. Havana, Cuba.
no DOI — not checkedFerrand M. (2004). Data-driven, memory-based computational models of human segmentation of musical melody. unpublished doctoral dissertation, School of Arts, Culture and Environment, University of Edinburgh, UK.
no DOI — not checkedGoto M., Hashiguchi H., Nishimura T., Oka R. (2002). RWC music database: Popular, classical, and jazz music databases. In
Proceedings of the 3rd International Conference on Music Information Retrieval (ISMIR 2002)
(p. 287–88). Paris, France.
no DOI — not checkedCognitive foundations of musical pitch.
no DOI — not checkedA generative theory of tonal music.
no DOI — not checkedEmotion and meaning in music.
no DOI — not checkedSchaefer R. S., Murre J. M., Bod R. (2004). Limits to universality in segmentation of simple melodies. In
Proceedings of the 8th International Conference on Music Perception & Cognition (ICMPC8)
(p. 247–50). Evanston, USA.
no DOI — not checkedNeue Musikalische Theorien und Phantasien, Vol. III: Der Freie Satz.
no DOI — not checkedSpiro N. (2007). What contributes to the perception of musical phrases in western classical music? Universiteit van Amsterdam, NL: Doctoral Dissertation.
no DOI — not checkedSpiro N., Klebanov B. B. (2006). Application of a new method for consistency assessment and grouping of listeners real-time identification of musical phrase parts. In Baroni M., Addessi A. R., Caterina R., Costa M. (eds),
Proceedings of the 9th International Conference on Music Perception & Cognition (ICMPC9)
. Bologna, Italy.
no DOI — not checkedThe Cognition of Basic Musical Structure.
no DOI — not checkedWeyde T. (2004). On the influence of pitch on melodic segmentation. In
Proceedings of the 5th International Conference on Music Information Retrieval (ISMIR 2004)
. Barcelona, Spain.
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