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The perception of structural boundaries in melody lines of Western popular music

https://doi.org/10.1177/102986490901300204
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21/21 checkable references clean · checked 2026-08-03

Every reference with a DOI in the deposited reference list resolved to a known work in Crossref or DataCite at the dated check, and none carried a retraction, withdrawal, or removal notice.

13 without a DOI — not checked. A reference deposited without a DOI is never matched by title or guessed at; it stays outside the checked set, and this line discloses that.

The 21 checked references that resolve
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Are we “experienced listeners”? A review of the musical capacities that do not depend on formal musical training
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Musical rhythm: A formal model for determining local boundaries, accents and metre in a melodic surface
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Musical Parallelism and Melodic Segmentation
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Perceiving Musical Time
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Grouping Conditions in Listening to Music: An Approach to Lerdahl & Jackendoff's Grouping Preference Rules
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Mechanisms of Cue Extraction in Musical Groupings: A Study of Perception on Sequenza VI for Viola Solo by Luciano Berio
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Musical Schemata in Real-Time Listening to a Piece of Music
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Grouping Mechanisms in Music
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The internal representation of pitch sequences in tonal music.
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The Perception of Structural Stability in Atonal Music: The Influence of Salience, Stability, Horizontal Motion, Pitch Commonality, and Dissonance
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Parsing of Melody: Quantification and Testing of the Local Grouping Rules of Lerdahl and Jackendoff's A Generative Theory of Tonal Music
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A Perceptual Analysis of Mozart's Piano Sonata K. 282: Segmentation, Tension, and Musical Ideas
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Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys.
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Independent temporal and pitch structures in determination of musical phrases.
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The Place of Musical Novices in Music Science
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Harmonic structure as a determinant of melodic organization
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Temporal Gestalt Perception in Music
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Untersuchungen zur Lehre von der Gestalt. II
The 13 references without a DOI — listed, not checked
no DOI — not checkedBruderer M. J. (2008). The perception and modeling of segment boundaries in popular music. Technische Universiteit Eindhoven, NL: Doctoral Dissertation.
no DOI — not checkedCambouropoulos E. (2001). The local boundary detection model (LBDM) and its application in the study of expressive timing. In Proceedings of the International Computer Music Conference (ICMC2001) . Havana, Cuba.
no DOI — not checkedFerrand M. (2004). Data-driven, memory-based computational models of human segmentation of musical melody. unpublished doctoral dissertation, School of Arts, Culture and Environment, University of Edinburgh, UK.
no DOI — not checkedGoto M., Hashiguchi H., Nishimura T., Oka R. (2002). RWC music database: Popular, classical, and jazz music databases. In Proceedings of the 3rd International Conference on Music Information Retrieval (ISMIR 2002) (p. 287–88). Paris, France.
no DOI — not checkedCognitive foundations of musical pitch.
no DOI — not checkedA generative theory of tonal music.
no DOI — not checkedEmotion and meaning in music.
no DOI — not checkedSchaefer R. S., Murre J. M., Bod R. (2004). Limits to universality in segmentation of simple melodies. In Proceedings of the 8th International Conference on Music Perception & Cognition (ICMPC8) (p. 247–50). Evanston, USA.
no DOI — not checkedNeue Musikalische Theorien und Phantasien, Vol. III: Der Freie Satz.
no DOI — not checkedSpiro N. (2007). What contributes to the perception of musical phrases in western classical music? Universiteit van Amsterdam, NL: Doctoral Dissertation.
no DOI — not checkedSpiro N., Klebanov B. B. (2006). Application of a new method for consistency assessment and grouping of listeners real-time identification of musical phrase parts. In Baroni M., Addessi A. R., Caterina R., Costa M. (eds), Proceedings of the 9th International Conference on Music Perception & Cognition (ICMPC9) . Bologna, Italy.
no DOI — not checkedThe Cognition of Basic Musical Structure.
no DOI — not checkedWeyde T. (2004). On the influence of pitch on melodic segmentation. In Proceedings of the 5th International Conference on Music Information Retrieval (ISMIR 2004) . Barcelona, Spain.
What this badge says. CiteStamped means the CHECKABLE references of this work were clean at the dated check: each resolved to a known work in a public registry, and none carried a retraction notice at that time. It says nothing about the quality, findings, or importance of the work itself, and nothing about references deposited without a DOI.

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