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Algorithmic Composition: Paradigms of Automated Music Generation

https://doi.org/10.1007/978-3-211-75540-2
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JamSketch: Improvisation Support System with GA-Based Melody Creation from User’s Drawing
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k-Best Unit Selection Strategies for Musical Concatenative Synthesis
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Results of Using Neural Networks to Automatically Creation Musical Compositions Based on Color Image
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Automatic Music Composition with Evolutionary Algorithms: Digging into the Roots of Biological Creativity
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A Real-Time EEG Music Assisted Safe-Driving System
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Using a Bi-Directional Long Short-Term Memory Model with Attention Mechanism Trained on MIDI Data for Generating Unique Music
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Machine Learning Applied to Harmonic Functions in Music Composition
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Music Composition with Deep Learning: A Review
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Dynamic Music Generation: Audio Analysis-Synthesis Methods
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GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with Transformers
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Dynamic Music Generation, Audio Analysis-Synthesis Methods
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Seminatural Composition
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A Genetic Programming Approach to Generating Musical Compositions
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Exact Sampling for Regular and Markov Constraints with Belief Propagation
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Assisted Lead Sheet Composition Using FlowComposer
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The Musical-Mathematical Mind
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A Fuzzy Rule Model for High Level Musical Features on Automated Composition Systems
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Generating Polyphonic Music Using Tied Parallel Networks
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A Hybrid Swarm Composition for Chinese Music
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Automated Music Composition Using Heart Rate Emotion Data
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MDDs: Sampling and Probability Constraints
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Identification and Evolution of Musical Style I: Hierarchical Transition Networks and Their Modular Structure
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Models of Musical Meter, Temporal Perception and Onset Quantization
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Constraint-Muse: A Soft-Constraint Based System for Music Therapy
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Using Raga as a Cryptographic Tool
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Musical Virtuosity and Creativity
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The Extended Composer
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Music Learning: Automatic Music Composition and Singing Voice Assessment
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Towards a Rational Practice of Arithmetic. A Model for Musical (and Multimedia) Composition
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Elisabeth Harnik/Improvisational Re-assemblies
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Symbolic Melody Phrase Segmentation Using Neural Network with Conditional Random Field
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Machine that Computes the Meaning of Music
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Composing Music by Machine Using Particle Swarm Optimization
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Can machines truly create music? Toward a redefinition of creativity in the age of generative AI
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Conditional neural sequence learners for generating drums’ rhythms
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This time with feeling: learning expressive musical performance
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Towards a Deep Improviser: a prototype deep learning post-tonal free music generator
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Deep learning for music generation: challenges and directions
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From artificial neural networks to deep learning for music generation: history, concepts and trends
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Collaborative creativity: The Music Room
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A fourth law of robotics? Copyright and the law and ethics of machine co-production
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Markov constraints: steerable generation of Markov sequences
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Deep learning’s shallow gains: a comparative evaluation of algorithms for automatic music generation
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Automatic composition of happy melodies based on relations
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An innovative method of algorithmic composition using musical tension
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Perspectives on roles and rewards in new cocreative systems for music-making
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Computing melodic templates in oral music traditions
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Automated musical transitions through rule-based synthesis using musical properties
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A new cloud computing architecture for music composition
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Modeling perceptual categories of parametric musical systems
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Quantifying the generalization capacity of Markov models for melody prediction
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Diversity of Rhythm from Oral Speech to Music
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Teaching Computational Creativity
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The Cambridge Companion to Music in Digital Culture
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Introduction
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Digital Technology and Cultural Practice
inferred← citeshttps://doi.org/10.1017/9781316676639.003openalex-snapshot
Whatever Happened to Tape-Trading?
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Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes
inferred← citeshttps://doi.org/10.1017/9781316676639.005openalex-snapshot
On Serving as an Expert Witness in the ‘Blurred Lines’ Case
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Shaping the Stream: Techniques and Troubles of Algorithmic Recommendation
inferred← citeshttps://doi.org/10.1017/9781316676639.007openalex-snapshot
Being a Curator
inferred← citeshttps://doi.org/10.1017/9781316676639.008openalex-snapshot
Can Machines Have Taste?
inferred← citeshttps://doi.org/10.1017/9781316676639.009openalex-snapshot
Technologies of the Musical Selfie
inferred← citeshttps://doi.org/10.1017/9781316676639.010openalex-snapshot
Vaporwave is Dead, Long Live Vaporwave!
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Witnessing Race in the New Digital Cinema
inferred← citeshttps://doi.org/10.1017/9781316676639.012openalex-snapshot
Giving History a Voice
inferred← citeshttps://doi.org/10.1017/9781316676639.013openalex-snapshot
Digital Devotion: Musical Multimedia in Online Ritual and Religious Practice
inferred← citeshttps://doi.org/10.1017/9781316676639.014openalex-snapshot
Technicians of Ecstasy
inferred← citeshttps://doi.org/10.1017/9781316676639.015openalex-snapshot
Live Coded Mashup with the Humming Wires
inferred← citeshttps://doi.org/10.1017/9781316676639.016openalex-snapshot
Algorave: Dancing to Algorithms
inferred← citeshttps://doi.org/10.1017/9781316676639.017openalex-snapshot
Rethinking Liveness in the Digital Age
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Augmenting Musical Performance
inferred← citeshttps://doi.org/10.1017/9781316676639.019openalex-snapshot
Digital Demons, Real and Imagined
inferred← citeshttps://doi.org/10.1017/9781316676639.020openalex-snapshot
Composing with Sounds as Images
inferred← citeshttps://doi.org/10.1017/9781316676639.021openalex-snapshot
Compositional Approaches to Film, TV and Video Games
inferred← citeshttps://doi.org/10.1017/9781316676639.022openalex-snapshot
Virtual Worlds from Recording to Video Games
inferred← citeshttps://doi.org/10.1017/9781316676639.023openalex-snapshot
Digital Voices: Posthumanism and the Generation of Empathy
inferred← citeshttps://doi.org/10.1017/9781316676639.024openalex-snapshot
In the Wake of the Virtual
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Digital Inequalities and Global Sounds
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The Political Economy of Streaming
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Bibliography
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Index
inferred← citeshttps://doi.org/10.1017/cbo9781316339633.005openalex-snapshot
Interactive and generative music: a quagmire for the musical analyst
inferred← citeshttps://doi.org/10.1017/s0890060414000687openalex-snapshot
Developing and evaluating computational models of musical style
inferred← citeshttps://doi.org/10.1017/s1355771826101277openalex-snapshot
Vibrant algorithms: Sonic collaborations with the living environment
inferred← citeshttps://doi.org/10.1017/s1355771826101447openalex-snapshot
The work of music in the age of commercial GenAI: Politicisation, prophecy, and participation
inferred← citeshttps://doi.org/10.1017/s1355771826101496openalex-snapshot
Telling life stories through algorithms embedded in compositional processes
inferred← citeshttps://doi.org/10.1063/1.4977359openalex-snapshot
An automatic composition model of Chinese folk music
inferred← citeshttps://doi.org/10.1063/5.0165678openalex-snapshot
A review on evolution of automatic music generation using machine learning techniques
inferred← citeshttps://doi.org/10.1080/07494467.2010.587317openalex-snapshot
From Strange to Impossible: Interactive Attractor Music
inferred← citeshttps://doi.org/10.1080/09298210903581566openalex-snapshot
Predicting Timbre Features of Instrument Sound Combinations: Application to Automatic Orchestration
inferred← citeshttps://doi.org/10.1080/09298215.2014.911917openalex-snapshot
Four-part Harmonization Using Bayesian Networks: Pros and Cons of Introducing Chord Nodes
inferred← citeshttps://doi.org/10.1080/09298215.2017.1303519openalex-snapshot
The CrossSong Puzzle: Developing a Logic Puzzle for Musical Thinking
inferred← citeshttps://doi.org/10.1080/09298215.2018.1515233openalex-snapshot
Machine learning research that matters for music creation: A case study
inferred← citeshttps://doi.org/10.1080/09298215.2024.2311651openalex-snapshot
The aesthetics of deconstruction: neural synthesis of transformation matrices using GANs on multichannel polyphonic MIDI data
inferred← citeshttps://doi.org/10.1080/09298215.2026.2739211openalex-snapshot
A diffusion model for generating unknown Pinax data of Athanasius Kircher's Arca Musarithmica
inferred← citeshttps://doi.org/10.1080/17459737.2016.1188171openalex-snapshot
Data-based melody generation through multi-objective evolutionary computation
inferred← citeshttps://doi.org/10.1080/17459737.2020.1732490openalex-snapshot
Symbolic structures in music theory and composition, binary keyboards, and the Thue–Morse shift
inferred← citeshttps://doi.org/10.1080/17513472.2012.738554openalex-snapshot
Composing first species counterpoint with a variable neighbourhood search algorithm
inferred← citeshttps://doi.org/10.1086/671751openalex-snapshot
From Media Technologies That Reproduce Seconds to Media Technologies That Reproduce Thirds: A Peircean Perspective on Stylistic Fidelity and Style-Reproducing Computerized Algorithms
inferred← citeshttps://doi.org/10.1086/673321openalex-snapshot
Toward an Anthropology of Computer-Mediated, Algorithmic Forms of Sociality
inferred← citeshttps://doi.org/10.1093/9780197514504.001.0001openalex-snapshot
Sound & Music Projects for Eurorack and Beyond
inferred← citeshttps://doi.org/10.1093/9780197514504.002.0005openalex-snapshot
Preface
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0002openalex-snapshot
Light Synth
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0003openalex-snapshot
Wavetable Synthesis
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0004openalex-snapshot
Creating a Synthesizer User Interface
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0005openalex-snapshot
FM Synthesis
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0006openalex-snapshot
Additive Synthesis
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0007openalex-snapshot
Granular Synthesis
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0008openalex-snapshot
Digital Signal Processing
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0010openalex-snapshot
MIDI I/O
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0011openalex-snapshot
Polyphony
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0012openalex-snapshot
Interactive MIDI Arpeggiator
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0013openalex-snapshot
Genetic Step Sequencer
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0015openalex-snapshot
Making Connections
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0016openalex-snapshot
Powering Eurorack Modules
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0017openalex-snapshot
Building Eurorack Modules
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0018openalex-snapshot
Building Eurorack Modules with PCBs
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0019openalex-snapshot
Voltage Control, Gates, and Triggers
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0021openalex-snapshot
Building a Eurorack Effects Unit
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0022openalex-snapshot
MIDI to Control-Voltage Converter
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0023openalex-snapshot
Building Eurosynth
inferred← citeshttps://doi.org/10.1093/9780197514504.003.0024openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.1093/9780197514504.005.0001openalex-snapshot
Data Types
inferred← citeshttps://doi.org/10.1093/9780197514504.005.0002openalex-snapshot
Primary Audio Objects
inferred← citeshttps://doi.org/10.1093/9780197514504.005.0003openalex-snapshot
Using Polyphone to Create Custom Wavetables
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780190226992.013.6openalex-snapshot
Linking Sonic Aesthetics with Mathematical Theories
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780190636197.013.27openalex-snapshot
On Composers and Computers
inferred← citeshttps://doi.org/10.1098/rsos.171282openalex-snapshot
Multiple scaling behaviour and nonlinear traits in music scores
inferred← citeshttps://doi.org/10.1108/ijilt-08-2017-0081openalex-snapshot
Investigating TPCK through music focusing on affect
inferred← citeshttps://doi.org/10.1109/access.2022.3225689openalex-snapshot
Toward Interactive Music Generation: A Position Paper
inferred← citeshttps://doi.org/10.1109/access.2024.3419050openalex-snapshot
Development Status, Frontier Hotspots, and Technical Evaluations in the Field of AI Music Composition Since the 21st Century: A Systematic Review
inferred← citeshttps://doi.org/10.1109/aciiw.2019.8925275openalex-snapshot
An investigation on the automatic generation of music and its application into video games
inferred← citeshttps://doi.org/10.1109/ccaa.2018.8777732openalex-snapshot
Algorithmic Music Generation for the stimulation of Musical Memory in Alzheimer’s
inferred← citeshttps://doi.org/10.1109/cec.2010.5586210openalex-snapshot
An emotional harmony generation system
inferred← citeshttps://doi.org/10.1109/cec.2016.7743940openalex-snapshot
A methodological approach for algorithmic composition systems' parameter spaces aesthetic exploration
inferred← citeshttps://doi.org/10.1109/ciact.2017.7977295openalex-snapshot
Chinese folk music composition based on genetic algorithm
inferred← citeshttps://doi.org/10.1109/cicac.2013.6595220openalex-snapshot
FuX, an Android app that generates counterpoint
inferred← citeshttps://doi.org/10.1109/fuzz-ieee.2015.7337968openalex-snapshot
A Fuzzy Inductive approach for rule-based modelling of high level structures in algorithmic composition systems
inferred← citeshttps://doi.org/10.1109/icassp.2019.8682331openalex-snapshot
Unsupervised Melody Style Conversion
inferred← citeshttps://doi.org/10.1109/icce-asia59966.2023.10326362openalex-snapshot
A Comparative Evaluation on Melody Generation of Large Language Models
inferred← citeshttps://doi.org/10.1109/icde.2013.6544937openalex-snapshot
T-Music: A melody composer based on frequent pattern mining
inferred← citeshttps://doi.org/10.1109/icdim.2015.7381853openalex-snapshot
Generating music from natural language text
inferred← citeshttps://doi.org/10.1109/icdmw.2015.165openalex-snapshot
Trend-MC: A Melody Composer by Constructing from Frequent Trend-Based Patterns
inferred← citeshttps://doi.org/10.1109/icicct.2018.8473121openalex-snapshot
A Comparative Analysis of Algorithmic Music Generation on GPUs and FPGAs
inferred← citeshttps://doi.org/10.1109/icmew56448.2022.9859441openalex-snapshot
DAMUS: A Collaborative System for Choreography and Music Composition
inferred← citeshttps://doi.org/10.1109/icosp.2014.7015074openalex-snapshot
AutoLeadGuitar: Automatic generation of guitar solo phrases in the tablature space
inferred← citeshttps://doi.org/10.1109/icses52305.2021.9633906openalex-snapshot
Music Generation for Novices Using Recurrent Neural Network (RNN)
inferred← citeshttps://doi.org/10.1109/ines59282.2023.10297645openalex-snapshot
Markov-Chain-Based Musical Creative Intelligent Agent Passing Successfully the Turing Test
inferred← citeshttps://doi.org/10.1109/neurel.2012.6419972openalex-snapshot
Automatic melody generation using Neural Networks and Cellular Automata
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An adaptive music generation architecture for games based on the deep learning Transformer model
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Harmonycloak: Making Music Unlearnable for Generative AI
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AutoGuitarTab: Computer-aided Composition of Rhythm \& Lead Guitar Parts in the Tablature Space
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Experience-Driven Procedural Music Generation for Games
inferred← citeshttps://doi.org/10.1109/te.2023.3313394openalex-snapshot
Integrating Computational Thinking With the Curriculum of Future Professional Musicians
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Computational Intelligence in Music Composition: A Survey
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Leander: Navigating Musical Possibility Space Through Color Data Sonification
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Sociable robots, jazz music, and divination: Contingency as a cultural resource for negotiating problems of intentionality
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Chopin, Mazurkas and Markov
inferred← citeshttps://doi.org/10.1145/2371456.2371468openalex-snapshot
Composing with algorithms
inferred← citeshttps://doi.org/10.1145/2544114.2544124openalex-snapshot
'AIE-studio' - a pragmatist aesthetic approach for procedural sound design
inferred← citeshttps://doi.org/10.1145/2636879.2636906openalex-snapshot
Methodological approaches to the evaluation of game music systems
inferred← citeshttps://doi.org/10.1145/2676467.2676506openalex-snapshot
Linear levels through n-grams
inferred← citeshttps://doi.org/10.1145/2749466openalex-snapshot
Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition
inferred← citeshttps://doi.org/10.1145/2930672openalex-snapshot
An Introduction to Musical Metacreation
inferred← citeshttps://doi.org/10.1145/2967508openalex-snapshot
Collaborating with an Autonomous Agent to Generate Affective Music
inferred← citeshttps://doi.org/10.1145/3036290.3036295openalex-snapshot
Towards Automated Counter-Melody Generation for Monophonic Melodies
inferred← citeshttps://doi.org/10.1145/3108242openalex-snapshot
A Functional Taxonomy of Music Generation Systems
inferred← citeshttps://doi.org/10.1145/3122955.3122964openalex-snapshot
Well-typed music does not sound wrong (experience report)
inferred← citeshttps://doi.org/10.1145/3123514.3123549openalex-snapshot
The Data-Driven Algorithmic Composer
inferred← citeshttps://doi.org/10.1145/3313831.3376514openalex-snapshot
Music Creation by Example
inferred← citeshttps://doi.org/10.1145/3394171.3413721openalex-snapshot
PopMAG
inferred← citeshttps://doi.org/10.1145/3402942.3409785openalex-snapshot
Dynamic Procedural Music Generation from NPC Attributes
inferred← citeshttps://doi.org/10.1145/3471872.3472971openalex-snapshot
Temporal-scope grammars for polyphonic music generation
inferred← citeshttps://doi.org/10.1145/3597493openalex-snapshot
A Survey on Deep Learning for Symbolic Music Generation: Representations, Algorithms, Evaluations, and Challenges
inferred← citeshttps://doi.org/10.1145/3677996.3678291openalex-snapshot
A Progressive-Adaptive Music Generator (PAMG): An Approach to Interactive Procedural Music for Videogames
inferred← citeshttps://doi.org/10.1145/3770761.3777174openalex-snapshot
A New Course in Computational Music Theory
inferred← citeshttps://doi.org/10.11575/prism/24629openalex-snapshot
AAIM: Algorithmically Assisted Improvised Music
inferred← citeshttps://doi.org/10.1162/comj_a_00282openalex-snapshot
Techniques for Generative Melodies Inspired by Music Cognition
inferred← citeshttps://doi.org/10.1162/comj_a_00497openalex-snapshot
Between the Abstract and the Concrete: A Constraint-Based Approach to Navigating Instrumental Space
inferred← citeshttps://doi.org/10.1162/comj_a_00648openalex-snapshot
Computer-Aided Composition Using a Sound-Based Notation
inferred← citeshttps://doi.org/10.1162/leon_a_00164openalex-snapshot
Live Coding of Consequence
inferred← citeshttps://doi.org/10.1162/leon_a_01959openalex-snapshot
How Music AI Is Useful: Engagements with Composers, Performers and Audiences
inferred← citeshttps://doi.org/10.1162/lmj_a_01052openalex-snapshot
The Musical Geometry of Genes: Generating Rhythms from DNA
inferred← citeshttps://doi.org/10.1177/0305735614543282openalex-snapshot
Investigating affect in algorithmic composition systems
inferred← citeshttps://doi.org/10.1177/1029864913514596openalex-snapshot
Graphical interface-based automated music composition use among elementary school students
inferred← citeshttps://doi.org/10.12794/metadc801959openalex-snapshot
Algorithmic Music Analysis: a Case Study of a Prelude From David Cope’s “From Darkness, Light”
inferred← citeshttps://doi.org/10.12794/metadc984210openalex-snapshot
Recent Approaches to Real-Time Notation
inferred← citeshttps://doi.org/10.12988/ams.2013.13119openalex-snapshot
Some ideas on nonlinear musical analysis
inferred← citeshttps://doi.org/10.14361/9783839469224openalex-snapshot
Artificial Intelligence - Intelligent Art?
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