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On serlio’s constructions of ovals

https://doi.org/10.1007/bf03024523
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What this work says

Outgoing claims: the papers this work cites, builds on, or argues with.

inferredcites →https://doi.org/10.1006/gmip.1998.0471openalex-snapshot
Ellipse Fitting Using Orthogonal Hyperbolae and Stirling's Oval
inferredcites →https://doi.org/10.1007/978-94-017-6203-8openalex-snapshot
Galileo as a Critic of the Arts
inferredcites →https://doi.org/10.1016/s0167-8396(98)00049-1openalex-snapshot
A survey and comparison of traditional piecewise circular approximations to the ellipse
inferredcites →https://doi.org/10.1080/00043079.1942.11408955openalex-snapshot
The Literary Remains of Sebastiano Serlio
inferredcites →https://doi.org/10.11588/rjbh.1955.1.89881openalex-snapshot
Die ovalen Kirchenräume des Cinquecento
inferredcites →https://doi.org/10.2307/1577951openalex-snapshot
The Dynamics of Architectural Form
inferredcites →https://doi.org/10.2307/1847677openalex-snapshot
The Mediaeval Architect
inferredcites →https://doi.org/10.2307/3046800openalex-snapshot
The Literary Remains of Sebastiano Serlio
inferredcites →https://doi.org/10.2307/3103766openalex-snapshot
Problems in the Cultural History of the Ellipse
inferredcites →https://doi.org/10.2307/3620465openalex-snapshot
The ellipse and the five-centred arch
inferredcites →https://doi.org/10.5951/mt.63.3.0209openalex-snapshot
Quadrarcs, St. Peter's, and the Colosseum

What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

inferred← citeshttps://doi.org/10.5281/zenodo.3908972openalex-extracted
Light and Shadows in Bernini's Oval of Saint Peter's Square
inferred← citeshttps://doi.org/10.1007/3-540-26443-4_5openalex-snapshot
Ovals in Borromini’s Geometry
inferred← citeshttps://doi.org/10.1007/978-3-030-28810-5_1openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1007/978-3-030-28810-5_6openalex-snapshot
Remarkable Four-Centre Oval Shapes
inferred← citeshttps://doi.org/10.1007/978-3-319-00143-2_36openalex-snapshot
The Compass, the Ruler and the Computer: An Analysis of the Design of the Amphitheatre of Pompeii
inferred← citeshttps://doi.org/10.1007/978-3-319-05998-3_4openalex-snapshot
Practical Mathematics in the Drawings of Baldassarre Peruzzi and Antonio da Sangallo the Younger
inferred← citeshttps://doi.org/10.1007/978-3-319-39375-9_1openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1007/978-3-319-39375-9_6openalex-snapshot
Remarkable Four-Centre Oval Shapes
inferred← citeshttps://doi.org/10.1007/978-3-7643-8699-3_4openalex-snapshot
Oval Domes: History, Geometry and Mechanics
inferred← citeshttps://doi.org/10.1007/s00004-014-0211-yopenalex-snapshot
The Ellipse and the Oval in the Design of Spanish Military Defence in the Eighteenth Century
inferred← citeshttps://doi.org/10.1007/s00004-017-0342-zopenalex-snapshot
The Church of Clérigos in Porto as a Baroque Musical Instrument
inferred← citeshttps://doi.org/10.1007/s00004-019-00465-0openalex-snapshot
Oval Domes. The Case of the Basílica de la Virgen de los Desamparados of Valencia
inferred← citeshttps://doi.org/10.1007/s00283-018-9840-4openalex-snapshot
All Sides to an Oval: Properties, Parameters, and Borromini’s Mysterious Construction By Angelo Alessandro Mazzotti
inferred← citeshttps://doi.org/10.1007/s00283-019-09946-zopenalex-snapshot
Perimeter Determination of the Eight-Centered Oval
inferred← citeshttps://doi.org/10.1007/s10439-010-0064-9openalex-snapshot
Automating Analyses of the Distal Femur Articular Geometry Based on Three-Dimensional Surface Data
inferred← citeshttps://doi.org/10.1016/j.crma.2018.10.009openalex-snapshot
Sur la détermination du périmètre de l'ovale à huit centres
inferred← citeshttps://doi.org/10.1016/j.culher.2015.09.002openalex-snapshot
Quaestiones geometriae in the Amphitheatre of Tarragona
inferred← citeshttps://doi.org/10.1016/j.culher.2018.01.012openalex-snapshot
Mathematical modeling of oval arches. A study of the George V and Neuilly Bridges
inferred← citeshttps://doi.org/10.1016/j.jas.2006.11.007openalex-snapshot
Determination of the parameters of the Guildhall amphitheatre ellipse in London
inferred← citeshttps://doi.org/10.1061/(asce)su.1943-5428.0000129openalex-snapshot
Determination of the Geometric Form of Hierapolis Theater in Pamukkale, Turkey
inferred← citeshttps://doi.org/10.1080/00396265.2019.1687224openalex-snapshot
The determination of the true geometrical form of Great Ephesus theater, Turkey by using field surveys
inferred← citeshttps://doi.org/10.1080/15583058.2021.1896820openalex-snapshot
Geometrical Analysis of Oval Domes through Architectural and Mathematical Methods. The Case of the Dome of the Camarín of the Virgin of El Puig (Valencia, Spain)
inferred← citeshttps://doi.org/10.1136/bjo.2006.094888openalex-snapshot
Topographical changes of biconvex objects during equatorial traction: an analogy for accommodation of the human lens
inferred← citeshttps://doi.org/10.1142/s0218654302000133openalex-snapshot
A FAMILY OF CONSTRUCTIONS OF APPROXIMATE ELLIPSES
inferred← citeshttps://doi.org/10.1145/1841317.1841318openalex-snapshot
Image and pattern analysis for the determination of the method of drawing celebrated thera wall-paintings circa 1650 B.C.
inferred← citeshttps://doi.org/10.1515/cee-2017-0004openalex-snapshot
Ellipse and Oval in Baroque Sacral Architecture in Slovakia
inferred← citeshttps://doi.org/10.15421/021915openalex-snapshot
Mathematical interpretation of artificial ovoids and avian egg shapes (part I)
inferred← citeshttps://doi.org/10.21203/rs.3.rs-10455562/v1openalex-snapshot
On the Design of St. Peter’s Square in Rome
inferred← citeshttps://doi.org/10.2495/dshf140041openalex-snapshot
Layout and shape of Dürer’sGeschützrondellenin the Spanish defensive architecture: the horseshoe pattern in the Enlightenment
inferred← citeshttps://doi.org/10.37828/em.2020.38.9openalex-snapshot
Mathematical interpretation of avian egg shapes
inferred← citeshttps://doi.org/10.4018/978-1-60960-786-9.ch003openalex-snapshot
A Digital Investigation Manifesting use of Geometric Stencils for the Drawing of Akrotiri Thera Prehistoric Wall Paintings
inferred← citeshttps://doi.org/10.5281/zenodo.4288185openalex-snapshot
A Mathematical Study of a Symbol: The Vesica Piscis of Sacred Geometry
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