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Spatial Composition Techniques and Sound Spatialisation Technologies

https://doi.org/10.1017/s1355771810000245
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Inferred edges come from two machine sources: sweeps of open repository metadata (mostly SSRN and Zenodo), and a bulk OpenAlex citation snapshot. Every row below is labelled with the one it came from. Neither is a complete citation index — absence here is not evidence of absence.

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What this work says

Outgoing claims: the papers this work cites, builds on, or argues with.

inferredcites →https://doi.org/10.1001/archotol.1977.00780290081022openalex-snapshot
Introduction to the Psychology of Hearing
inferredcites →https://doi.org/10.1007/978-3-540-85035-9_8openalex-snapshot
The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and Auditory Spatial Schemata
inferredcites →https://doi.org/10.1017/s1355771802003114openalex-snapshot
Spatio-musical composition strategies
inferredcites →https://doi.org/10.1163/9789004658820openalex-snapshot
An Introduction to the Psychology of Hearing
inferredcites →https://doi.org/10.1259/jrs.1920.0071openalex-snapshot
Traité de la Lumière
inferredcites →https://doi.org/10.14279/depositonce-1883openalex-snapshot
On Wave Field Synthesis and electro-acoustic music, with a particular focus on the reproduction of arbitrarily shaped sound sources
inferredcites →https://doi.org/10.17743/jaesopenalex-snapshot
Journal of the Audio Engineering Society
inferredcites →https://doi.org/10.2307/3680991openalex-snapshot
3-D Sound Spatialization using Ambisonic Techniques
inferredcites →https://doi.org/10.2307/3680992openalex-snapshot
The Decorrelation of Audio Signals and Its Impact on Spatial Imagery
inferredcites →https://doi.org/10.5072/zenodo.205243openalex-snapshot
Characterizing and controlling musical material intuitively with geometric models

What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

inferred← citeshttps://doi.org/10.5281/zenodo.1176297openalex-extracted
Satie: A Live And Scalable 3D Audio Scene Rendering Environment For Large Multi-Channel Loudspeaker Configurations
inferred← citeshttps://doi.org/10.5281/zenodo.1415595openalex-extracted
Specter: Combining Music Information Retrieval With Sound Spatialization.
inferred← citeshttps://doi.org/10.5281/zenodo.850696openalex-extracted
Immlib - A New Library For Immersive Spatial Composition
inferred← citeshttps://doi.org/10.1007/978-3-030-70210-6_33openalex-snapshot
Kinetic Design
inferred← citeshttps://doi.org/10.1007/978-3-031-57892-2_10openalex-snapshot
Sonic Design and Spatial Features
inferred← citeshttps://doi.org/10.1007/978-3-032-02042-0_12openalex-snapshot
VERSNIZ Audiovisual Worldbuilding Through Live Coding as a Performance Practice in the Metaverse
inferred← citeshttps://doi.org/10.1007/978-3-032-02042-0_4openalex-snapshot
Emotional Impact of Source Localization in Music Using Machine Learning and EEG
inferred← citeshttps://doi.org/10.1007/978-981-10-2951-6_18openalex-snapshot
Instruments for Spatial Sound Control in Real Time Music Performances. A Review
inferred← citeshttps://doi.org/10.1016/j.dt.2020.04.007openalex-snapshot
Decision support model for effects estimation and proportionality assessment for targeting in cyber operations
inferred← citeshttps://doi.org/10.1017/s1355771811000380openalex-snapshot
Sound, Listening and Place: The aesthetic dilemma
inferred← citeshttps://doi.org/10.1017/s1355771815000126openalex-snapshot
Investigating Sound in Space: Five meanings of space in music and sound art
inferred← citeshttps://doi.org/10.1017/s1355771819000037openalex-snapshot
Sound Objects and Spatial Morphologies
inferred← citeshttps://doi.org/10.1017/s1355771825000056openalex-snapshot
Navigating an Urban Archive : An exploration of wavefield synthesis as soundscape composition
inferred← citeshttps://doi.org/10.1017/s1355771825100423openalex-snapshot
Understanding and Analysing ‘Organised Space’
inferred← citeshttps://doi.org/10.1017/s1355771825101039openalex-snapshot
A spherical microphone prototype for multichannel recording: Technological design, artistic applications and compositional implications
inferred← citeshttps://doi.org/10.1017/s1355771826101149openalex-snapshot
Waste Whisperer: How salvaged loudspeakers and ‘e-waste’ invite creativity in spatialisation and sound installation design
inferred← citeshttps://doi.org/10.1017/s1355771826101459openalex-snapshot
Sonic Movement: the perception of movement through sound as a case of multimodality integration in Spatial Audio Composition
inferred← citeshttps://doi.org/10.1080/09298215.2016.1230632openalex-snapshot
Interactive-compositional Authoring of Sound Spatialization
inferred← citeshttps://doi.org/10.1080/14626268.2018.1459731openalex-snapshot
Using mobile sound to explore spatial relationships between dance and music performance
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780190226992.013.12openalex-snapshot
Algorithmic Spatialization
inferred← citeshttps://doi.org/10.1109/3dui.2015.7131745openalex-snapshot
Towards interactive authoring tools for composing spatialization
inferred← citeshttps://doi.org/10.1109/i3da57090.2023.10289287openalex-snapshot
Immersive spatialized live music composition with performers: a case study, Le vent qui hurle
inferred← citeshttps://doi.org/10.1109/ieeeconf59510.2023.10335358openalex-snapshot
Live Coding in the Metaverse
inferred← citeshttps://doi.org/10.1109/is262782.2024.10704079openalex-snapshot
“It Takes Two” - Shared and Collaborative Virtual Musical Instruments in the Musical Metaverse
inferred← citeshttps://doi.org/10.1109/vrw52623.2021.00024openalex-snapshot
First Steps Towards Augmented Reality Interactive Electronic Music Production
inferred← citeshttps://doi.org/10.1145/2632048.2636077openalex-snapshot
Mobile maestro
inferred← citeshttps://doi.org/10.1145/2820619.2820624openalex-snapshot
Trajectoires
inferred← citeshttps://doi.org/10.1145/2851581.2890246openalex-snapshot
Trajectoires
inferred← citeshttps://doi.org/10.1145/3411109.3411119openalex-snapshot
Effect of various spatial auditory cues on the perception of threat in a first-person shooter video game
inferred← citeshttps://doi.org/10.1145/3483529.3483655openalex-snapshot
Projeto: Cerrado: Unfolding Spaces
inferred← citeshttps://doi.org/10.1145/3527927.3531198openalex-snapshot
Sonic Coexistence
inferred← citeshttps://doi.org/10.1145/3678299.3678356openalex-snapshot
A diasporic sound immersion experience on board a slave ship
inferred← citeshttps://doi.org/10.11606/t.27.2022.tde-26092022-113044openalex-snapshot
Estudos Ecos e vislumbres de uma performance musical ecossistêmica: uma investigação sobre estratégias de controle de estruturas emergentes em ecossistemas audíveis
inferred← citeshttps://doi.org/10.1162/comj_a_00470openalex-snapshot
Multichannel Works for Nonstationary Audiences
inferred← citeshttps://doi.org/10.1162/comj_a_00696openalex-snapshot
Sound Entities: A Practice in Spatial Composition
inferred← citeshttps://doi.org/10.1162/lmj_a_00150openalex-snapshot
Move That Sound There: Exploring Sound in Space with a Markerless Gestural Interface
inferred← citeshttps://doi.org/10.1162/lmj_a_01058openalex-snapshot
Algorithmic Spatialization Using Object-Based Audio and Indoor Positioning System
inferred← citeshttps://doi.org/10.17743/jaes.2022.0096openalex-snapshot
Orchestra: A Toolbox for Live Music Performances in a Web-Based Metaverse
inferred← citeshttps://doi.org/10.17743/jaes.2022.0130openalex-snapshot
Spatial Matrix Synthesis
inferred← citeshttps://doi.org/10.2139/ssrn.7483109openalex-snapshot
Listening Test Evaluation of Sounds and Vibrations generated by Impact Sources in Buildings
inferred← citeshttps://doi.org/10.25144/16242openalex-snapshot
TISSUE-CONDUCTED SPATIAL SOUND FIELDS
inferred← citeshttps://doi.org/10.33871/23179937.2021.9.3.3openalex-snapshot
Sound feedback control model for live electronic performance in the Ecos Study
inferred← citeshttps://doi.org/10.34626/seke-gr56openalex-snapshot
Abordagem à espacialização de um ensemble de percissão no palco sonoro : estudo de caso Drumming GP
inferred← citeshttps://doi.org/10.35699/2317-6377.2021.20035openalex-snapshot
Música eletroacústica audiovisual para VR
inferred← citeshttps://doi.org/10.36227/techrxiv.21789866openalex-snapshot
Emotional Impact of Source Localization in Music Using Machine Learning and EEG: a proof-of-concept study
inferred← citeshttps://doi.org/10.36227/techrxiv.21789866.v1openalex-snapshot
Emotional Impact of Source Localization in Music Using Machine Learning and EEG: a proof-of-concept study
inferred← citeshttps://doi.org/10.36227/techrxiv.21789866.v2openalex-snapshot
Emotional Impact of Source Localization in Music Using Machine Learning and EEG: a proof-of-concept study
inferred← citeshttps://doi.org/10.36253/music_tec-15195openalex-snapshot
Artistic approach to the WFS system
inferred← citeshttps://doi.org/10.47749/t/unicamp.2015.959022openalex-snapshot
Uma breve história da mixagem
inferred← citeshttps://doi.org/10.5281/zenodo.3725835openalex-snapshot
Exploring 3D Audio as a New Musical Language
inferred← citeshttps://doi.org/10.5281/zenodo.850698openalex-snapshot
Introducing The Zirkonium Mk2 System For Spatial Composition
inferred← citeshttps://doi.org/10.5525/gla.thesis.7735openalex-snapshot
Sonic autoethnographies: six records of the listening self
inferred← citeshttps://doi.org/10.70675/763081e4z94f5z45a7zb1e6z2562921a073bopenalex-snapshot
Orchestrating a software ecosystem for the creation, manipulation, and distribution of spatial audio
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