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When multiple creators are worse than one: The bias toward single authors in the evaluation of art.
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Inferred edges come from two machine sources: sweeps of open repository metadata (mostly SSRN and Zenodo), and a bulk OpenAlex citation snapshot. Every row below is labelled with the one it came from. Neither is a complete citation index — absence here is not evidence of absence.
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What this work says
Outgoing claims: the papers this work cites, builds on, or argues with.
inferredcites →https://doi.org/10.1002/bdm.492openalex-snapshot
The “identified victim” effect: an identified group, or just a single individual?
inferredcites →https://doi.org/10.1002/bdm.507openalex-snapshot
The devil you know: the effects of identifiability on punishment
inferredcites →https://doi.org/10.1006/jmla.1993.1015openalex-snapshot
Inferences during Reading: Converging Evidence from Discourse Analysis, Talk-Aloud Protocols, and Recognition Priming
inferredcites →https://doi.org/10.1016/j.jcps.2008.04.009openalex-snapshot
Of great art and untalented artists: Effort information and the flexible construction of judgmental heuristics
inferredcites →https://doi.org/10.1017/s0140525x12000489openalex-snapshot
The artful mind meets art history: Toward a psycho-historical framework for the science of art appreciation
inferredcites →https://doi.org/10.1023/a:1022299422219openalex-snapshot
Helping a Victim or Helping the Victim: Altruism and Identifiability
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Teams embedded in organizations: Some implications.
inferredcites →https://doi.org/10.1037//1089-2699.1.1.7openalex-snapshot
Small group research, that once and future field: An interpretation of the past with an eye to the future.
inferredcites →https://doi.org/10.1037/a0026035openalex-snapshot
Art and authenticity: The importance of originals in judgments of value.
inferredcites →https://doi.org/10.1093/acprof:oso/9780195147308.001.0001openalex-snapshot
Group Creativity
inferredcites →https://doi.org/10.1111/tops.12111openalex-snapshot
Are Artworks More Like People Than Artifacts? Individual Concepts and Their Extensions
inferredcites →https://doi.org/10.1177/0146167294205013openalex-snapshot
A Collective Fear of the Collective: Implications for Selves and Theories of Selves
inferredcites →https://doi.org/10.1521/soco.1982.1.1.83openalex-snapshot
Book Review Nisbett, R. , & Ross, L.Human inference: Strategies and shortcomings of social judgment.Englewood Cliffs, N.J.: Prentice-Hall, 1980.
inferredcites →https://doi.org/10.2307/2184495openalex-snapshot
Human Inference: Strategies and Shortcomings of Social Judgment.
inferredcites →https://doi.org/10.2307/41166325openalex-snapshot
A Garage and an Idea: What More Does an Entrepreneur Need?
inferredcites →https://doi.org/10.3758/bf03193368openalex-snapshot
When goals collide: Monitoring the goals of multiple characters
inferredcites →https://doi.org/10.3758/bf03206553openalex-snapshot
SPSS and SAS procedures for estimating indirect effects in simple mediation models
inferredcites →https://doi.org/10.5465/ambpp.2010.54497844openalex-snapshot
A SPATIAL ECOLOGY OF STRUCTURAL HOLES: SCIENTISTS AND COMMUNICATION AT A BIOTECHNOLOGY FIRM.
inferredcites →https://doi.org/10.5860/choice.37-0084openalex-snapshot
The religious art of Andy Warhol
What points at this work
Incoming claims: where this work appears in other papers’ reference lists and arguments.
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The Tortured Artist Effect: The Impact of Tragic Artist Biography on Artwork Evaluation
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Overconfidence in the art market: a bargaining pricing model with asymmetric disinformation
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Who (and how many) made this? How crediting authorship affects creativity evaluations
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Contract Design for Adoption of Agrienvironmental Practices: A Meta-analysis of Discrete Choice Experiments
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Art as revelation: Why AI art moves us less
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The effort heuristic in little-c evaluations: An effort-derogation effect
inferred← citeshttps://doi.org/10.1086/702545openalex-snapshot
Meta-ideologies of Textuality: Authorship, Plagiarism, Copyright
inferred← citeshttps://doi.org/10.1093/oso/9780190863357.003.0001openalex-snapshot
Perennial Questions
inferred← citeshttps://doi.org/10.1093/oso/9780190863357.003.0004openalex-snapshot
Feeling From Music
inferred← citeshttps://doi.org/10.1093/oso/9780190863357.003.0006openalex-snapshot
Emotions in the Art Museum
inferred← citeshttps://doi.org/10.1093/oso/9780190863357.003.0008openalex-snapshot
Is It Good? Or Just Familiar?
inferred← citeshttps://doi.org/10.1093/oso/9780190863357.003.0009openalex-snapshot
Too Easy to Be Good?
inferred← citeshttps://doi.org/10.1093/oso/9780190863357.003.0011openalex-snapshot
“But My Kid Could Have Done That!”
inferred← citeshttps://doi.org/10.1093/oso/9780190863357.003.0013openalex-snapshot
The Lives of Others
inferred← citeshttps://doi.org/10.1093/oso/9780190863357.003.0014openalex-snapshot
Does Making Art Improve Well-Being?
inferred← citeshttps://doi.org/10.1093/oso/9780190863357.003.0015openalex-snapshot
Who Makes Art and Why?
inferred← citeshttps://doi.org/10.1108/aam-10-2019-0030openalex-snapshot
Buy one painting, get two names. On the valuation of artist collaborations in the art market
inferred← citeshttps://doi.org/10.1111/josi.12368openalex-snapshot
Lay Concepts of Art, Craft, and Manufacture and the Implications for Sustainable Consumption
inferred← citeshttps://doi.org/10.1111/phc3.12271openalex-snapshot
Experimental Philosophy of Aesthetics
inferred← citeshttps://doi.org/10.1145/3600211.3604716openalex-snapshot
Diffusing the Creator: Attributing Credit for Generative AI Outputs
inferred← citeshttps://doi.org/10.1177/01461672211063750openalex-snapshot
Unintentional Inception: When a Premium Is Offered to Unintentional Creations
inferred← citeshttps://doi.org/10.1177/01461672221149815openalex-snapshot
Who Made This? Algorithms and Authorship Credit
inferred← citeshttps://doi.org/10.1177/09567976231214739openalex-snapshot
Personal Misconduct Elicits Harsher Professional Consequences for Artists (vs. Scientists): A Moral-Decoupling Process
inferred← citeshttps://doi.org/10.1177/1088868320905763openalex-snapshot
Folk Theories of Artifact Creation: How Intuitions About Human Labor Influence the Value of Artifacts
inferred← citeshttps://doi.org/10.1177/1474022219885791openalex-snapshot
Ensemble practices in the arts: A reflective matrix to enhance team work and collaborative learning in higher education
inferred← citeshttps://doi.org/10.1177/1948550619849108openalex-snapshot
Perceptions of Collaborations: How Many Cooks Seem to Spoil the Broth?
inferred← citeshttps://doi.org/10.1515/ctra-2019-0011openalex-snapshot
If I knew they were the expression of creativity in people with blindness, I would rate them higher - Bias in Evaluating the Work of People with Blindness
inferred← citeshttps://doi.org/10.2139/ssrn.6302659openalex-snapshot
Art and the Machine: Why People Devalue AI-Generated Creative Work
inferred← citeshttps://doi.org/10.3390/jintelligence14080155openalex-snapshot
Exploring College Students’ AI Dependence in Human–AI Collaborative Creation: Development and Validation of the CC-PACE Model
inferred← citeshttps://doi.org/10.55877/cc.vol21.273openalex-snapshot
THEATER ARTISTS BETWEEN THE CITY AND THE NON-CITY: THE SPRING OF WITHDRAWALS AND RETURNS
inferred← citeshttps://doi.org/10.5709/acp-0292-zopenalex-snapshot
How Does Knowledge About an Artist’s Disability Change the Aesthetic Experience?
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