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Shifting Ambiguity, Collapsing Indeterminacy: Designing with Data as Baradian Apparatus
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What this work says
Outgoing claims: the papers this work cites, builds on, or argues with.
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Nonlinear dynamical processes in musical interactions: Investigating the role of nonlinear dynamics in supporting surprise and exploration in interactions with digital musical instruments
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Idiomatic Patterns and Aesthetic Influence in Computer Music Languages
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Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments
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The Importance of Parameter Mapping in Electronic Instrument Design
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Mel Cepstrum & Ann Ova: The Difficult Dialog Between Mir And Music Cognition.
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inferredcites →https://doi.org/10.5281/zenodo.4813464openalex-snapshot
Digital Musical Instruments as Research Products
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Surface Electromyography for Direct Vocal Control
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An Interdisciplinary Review of Music Performance Analysis
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"Raw Data" Is an Oxymoron
What points at this work
Incoming claims: where this work appears in other papers’ reference lists and arguments.
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Entangled musicianship: rethinking music education and digital musical interactions through posthumanist theory
inferred← citeshttps://doi.org/10.1017/s1355771826101228openalex-snapshot
When AI doesn’t sound like AI: Negotiating aesthetic expectations in technology-mediated musical practice
inferred← citeshttps://doi.org/10.1017/s1355771826101320openalex-snapshot
Notes aren’t real: An anti-framework for entangled instrument design
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Maybe yes/maybe no: Negotiating with Instagram’s algorithm in a performance assemblage
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On mapping as a technoscientific practice in digital musical instruments
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Ambiguity as a design resource in self-tracking wearables: A literature review
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Sensory Data Dialogues: A Somaesthetic Exploration of Bordeaux through Five Senses
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Prototyping with Uncertainties: Data, Algorithms, and Research through Design
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How to Design with Ambiguity: Insights from Self-tracking Wearables
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Diffractive Interfaces: Facilitating Agential Cuts in Forest Data Across More-than-human Scales
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inferred← citeshttps://doi.org/10.1145/3715336.3735846openalex-snapshot
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Designing in conversation with dance and movement practice using first-person methods
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