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Misogyny in Rap Music

https://doi.org/10.1177/1097184x08327696
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What this work says

Outgoing claims: the papers this work cites, builds on, or argues with.

inferredcites →https://doi.org/10.1007/978-1-349-62397-6_9openalex-snapshot
The Symbolic Annihilation of Women by the Mass Media
inferredcites →https://doi.org/10.1007/bf00993540openalex-snapshot
What is hegemonic masculinity?
inferredcites →https://doi.org/10.1007/bf01544683openalex-snapshot
Differential gender effects of exposure to rap music on African American adolescents' acceptance of teen dating violence
inferredcites →https://doi.org/10.1007/s10611-005-1735-6openalex-snapshot
New directions in research on prostitution
inferredcites →https://doi.org/10.1017/s0021875899006295openalex-snapshot
“Who's The Mack?”: The Performativity and Politics of the Pimp Figure in Gangsta Rap
inferredcites →https://doi.org/10.1017/s0261143004000261openalex-snapshot
Pop goes the rapper: a close reading of Eminem's genderphobia
inferredcites →https://doi.org/10.1037/e523642011-001openalex-snapshot
Hip-Hop: Beyond Beats and Rhymes
inferredcites →https://doi.org/10.1080/00497878.1994.9979008openalex-snapshot
“Movin’ closer to an independent funk”: Black Feminist Theory, Standpoint, and Women in Rap
inferredcites →https://doi.org/10.1080/095023899335194openalex-snapshot
THE MUSIC BUSINESS AND RAP: BETWEEN THE STREET AND THE EXECUTIVE SUITE
inferredcites →https://doi.org/10.1080/10714420109359475openalex-snapshot
A nation of millions: Hip hop culture and the legacy of black nationalism
inferredcites →https://doi.org/10.1080/13504639751952openalex-snapshot
Method in the Madness: Exploring the Boundaries of Identity in Hip-Hop Performativity
inferredcites →https://doi.org/10.1080/13511610.1993.9968358openalex-snapshot
Two Minute brother: Contestation through gender, ‘race’ and sexuality
inferredcites →https://doi.org/10.1086/221800openalex-snapshot
Conditions of Successful Degradation Ceremonies
inferredcites →https://doi.org/10.1093/oxfordjournals.bjc.a014103openalex-snapshot
IN SEARCH OF MASCULINITY: Violence, Respect and Sexuality among Puerto Rican Crack Dealers in East Harlem
inferredcites →https://doi.org/10.1111/1467-954x.00160openalex-snapshot
Rappin' on the Tyne: White Hip Hop Culture in Northeast England – An Ethnographic Study
inferredcites →https://doi.org/10.1111/j.1460-2466.1999.tb02782.xopenalex-snapshot
Country Music Video in Country's Year of the Woman
inferredcites →https://doi.org/10.1111/j.1468-2885.1998.tb00217.xopenalex-snapshot
Theorizing Masculinity With/In the Media
inferredcites →https://doi.org/10.1111/j.1471-6402.1995.tb00287.xopenalex-snapshot
The Influence Of Misogynous Rap Music On Sexual Aggression Against Women
inferredcites →https://doi.org/10.1111/j.1471-6402.1997.tb00127.xopenalex-snapshot
The Influence of Sexually Violent Rap Music on Attitudes of Men with Little Prior Exposure
inferredcites →https://doi.org/10.1111/j.1745-9125.2003.tb01018.xopenalex-snapshot
GENDER AND ADOLESCENT RELATIONSHIP VIOLENCE: A CONTEXTUAL EXAMINATION*
inferredcites →https://doi.org/10.1163/9789004456631_013openalex-snapshot
“Sometimes We Wonder Who the Real Men Are” — Masculinity and Contemporary Popular Music
inferredcites →https://doi.org/10.1177/0021934704273445openalex-snapshot
“The Streets”
inferredcites →https://doi.org/10.1177/002193479602600305openalex-snapshot
Black Nationalism and Rap Music
inferredcites →https://doi.org/10.1177/002193479702800101openalex-snapshot
“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation
inferredcites →https://doi.org/10.1177/016344399021001004openalex-snapshot
Hip hop am Main: the localization of rap music and hip hop culture
inferredcites →https://doi.org/10.1177/0891243202016001007openalex-snapshot
“Where My Girls At?”
inferredcites →https://doi.org/10.1177/0891243205278639openalex-snapshot
Hegemonic Masculinity
inferredcites →https://doi.org/10.1177/107769908706400410openalex-snapshot
Sexism on MTV: The Portrayal of Women in Rock Videos
inferredcites →https://doi.org/10.1353/book.126390openalex-snapshot
The 'Hood Comes First
inferredcites →https://doi.org/10.1353/sof.2006.0131openalex-snapshot
Social Context and Musical Content of Rap Music, 1979-1995
inferredcites →https://doi.org/10.1525/ohr.2006.33.2.120openalex-snapshot
Promises I Can Keep: Why Poor Women Put Motherhood Before Marriage
inferredcites →https://doi.org/10.1525/sop.2005.48.4.433openalex-snapshot
“I See Death around the Corner”: Nihilism in Rap Music
inferredcites →https://doi.org/10.1525/sp.2003.50.2.157openalex-snapshot
Retaliatory Homicide: Concentrated Disadvantage and Neighborhood Culture
inferredcites →https://doi.org/10.1525/sp.2005.52.3.360openalex-snapshot
Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music
inferredcites →https://doi.org/10.1542/peds.2006-0131openalex-snapshot
Exposure to Degrading Versus Nondegrading Music Lyrics and Sexual Behavior Among Youth
inferredcites →https://doi.org/10.2307/1318956openalex-snapshot
Code of the Street: Decency, Violence, and the Moral Life of the Inner City
inferredcites →https://doi.org/10.2307/1389525openalex-snapshot
Popular Culture as Oppositional Culture: Rap as Resistance
inferredcites →https://doi.org/10.2307/2069272openalex-snapshot
Honor and the American Dream: Culture and Identity in a Chicano Community.
inferredcites →https://doi.org/10.2307/2077299openalex-snapshot
In Search of Respect: Selling Crack in El Barrio.
inferredcites →https://doi.org/10.2307/2095949openalex-snapshot
Constructing Racial Rhetoric: Media Depictions of Harm in Heavy Metal and Rap Music
inferredcites →https://doi.org/10.2307/2295480openalex-snapshot
Rap Music: An Education with a Beat from the Street
inferredcites →https://doi.org/10.2307/3042161openalex-snapshot
Black Noise: Rap Music and Black Culture in Contemporary America.
inferredcites →https://doi.org/10.4135/9781412952538.n67openalex-snapshot
Black Feminist Thought
inferredcites →https://doi.org/10.4135/9781529691627openalex-snapshot
Black Feminist Thought
inferredcites →https://doi.org/10.4324/9780203793206openalex-snapshot
The Discovery of Grounded Theory
inferredcites →https://doi.org/10.4324/9780203793206-1openalex-snapshot
The Discovery of Grounded Theory
inferredcites →https://doi.org/10.4324/9781410613912openalex-snapshot
Black Education
inferredcites →https://doi.org/10.4324/9781410613912-13openalex-snapshot
Intervention Research Based on Current Views of Cognition and Learning
inferredcites →https://doi.org/10.5860/choice.31-2032openalex-snapshot
Running with the devil: power, gender, and madness in heavy metal music
inferredcites →https://doi.org/10.5860/choice.32-1608openalex-snapshot
Feminist media studies
inferredcites →https://doi.org/10.5860/choice.33-4805openalex-snapshot
In search of respect: selling crack in El Barrio
inferredcites →https://doi.org/10.5860/choice.37-2223openalex-snapshot
Code of the street: decency, violence, and the moral life of the inner city
inferredcites →https://doi.org/10.5860/choice.38-2075openalex-snapshot
Rap music and the poetics of identity
inferredcites →https://doi.org/10.5860/choice.40-2494openalex-snapshot
The hip hop generation: young blacks and the crisis in African American culture
inferredcites →https://doi.org/10.5860/choice.40-5128openalex-snapshot
Rap music and street consciousness
inferredcites →https://doi.org/10.5860/choice.42-2411openalex-snapshot
Check it while I wreck it: black womanhood, hip hop culture, and the public sphere
inferredcites →https://doi.org/10.5860/choice.42-6399openalex-snapshot
Nuthin' but a "G" thang: the culture and commerce of gangsta rap
inferredcites →https://doi.org/10.5860/choice.43-3090openalex-snapshot
Promises I can keep: why poor women put motherhood before marriage

What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

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Rap on Trial
inferred← citeshttps://doi.org/10.2139/ssrn.2372209openalex-extracted
The Anti-Informer and Anti-Snitch Discourses in Dancehall and Rap Songs
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Combustible and Electronic Tobacco and Marijuana Products in Hip-Hop Music Videos, 2013-2017
inferred← citeshttps://doi.org/10.1002/9781118701386.ch14openalex-snapshot
Critical Criminology
inferred← citeshttps://doi.org/10.1002/9781119111931.ch120openalex-snapshot
Experimental Evaluation of Rap Music Attitudes
inferred← citeshttps://doi.org/10.1002/acp.3084openalex-snapshot
Influence of Sexually Degrading Music on Men's Perceptions of Women's Dating‐Relevant Cues
inferred← citeshttps://doi.org/10.1002/symb.70011openalex-snapshot
Managing Popular Culture Stigmas: A Comparative Analysis of Managing Stigmas Associated with Country and Hip Hop Fandom
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Introduction
inferred← citeshttps://doi.org/10.1007/978-3-030-65189-3_1openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1007/978-3-030-65189-3_14openalex-snapshot
Chapter 13: Like a Lollipop: Toxic Masculinity and Female Sexual Pleasure in Hip-Hop
inferred← citeshttps://doi.org/10.1007/978-3-030-65189-3_8openalex-snapshot
Chapter 7: Immortal Technique and the Radical Reimagining of Masculinity on the Street
inferred← citeshttps://doi.org/10.1007/978-3-030-76882-9openalex-snapshot
Music as Intangible Cultural Heritage
inferred← citeshttps://doi.org/10.1007/978-3-030-76882-9_5openalex-snapshot
Breaking the Gender Gap in Rap/Hip-Hop Consumption
inferred← citeshttps://doi.org/10.1007/978-3-031-41854-9_11openalex-snapshot
“Mwana waStembeni”: The Ambivalent Representation of Women in Soul Jah Love’s Music
inferred← citeshttps://doi.org/10.1007/978-3-031-51248-3_23openalex-snapshot
Textual and Non-verbal Expressions of Cyberhate in South African Social Media Misconduct Dismissals
inferred← citeshttps://doi.org/10.1007/978-3-031-75372-5_4openalex-snapshot
“F*#k with Us and Your Life Will End”: The Dilemmas of Discerning Local Gang Culture on the Virtual Corner
inferred← citeshttps://doi.org/10.1007/978-3-031-86595-4_1openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1007/978-3-032-16951-8_22openalex-snapshot
Wisdom Foundations for a Civil Democratic Society and its Current Challenge
inferred← citeshttps://doi.org/10.1007/978-3-319-15868-6_8openalex-snapshot
“Come Along and Ride on a Fantastic Voyage”1: My Journey Through Rap Music Lyrics
inferred← citeshttps://doi.org/10.1007/978-3-319-76333-0_11openalex-snapshot
Multiple Masculinities
inferred← citeshttps://doi.org/10.1007/978-981-13-9821-6_3openalex-snapshot
Organizing Japan’s Gender Regime
inferred← citeshttps://doi.org/10.1007/978-981-16-6369-7_41openalex-snapshot
Hip-Hop Culture Incites Criminal Behavior: A Deep Learning Study
inferred← citeshttps://doi.org/10.1007/s00181-023-02444-4openalex-snapshot
Assessing complementarities between live performances and YouTube video streaming
inferred← citeshttps://doi.org/10.1007/s10560-012-0285-xopenalex-snapshot
Rap Music and the Empowerment of Today’s Youth: Evidence in Everyday Music Listening, Music Therapy, and Commercial Rap Music
inferred← citeshttps://doi.org/10.1007/s11199-011-0079-1openalex-snapshot
Social Considerations Related to Adolescent Girls’ Sexual Empowerment: A Response to Lamb and Peterson
inferred← citeshttps://doi.org/10.1007/s11199-012-0145-3openalex-snapshot
Too Sexualized to be Taken Seriously? Perceptions of a Girl in Childlike vs. Sexualizing Clothing
inferred← citeshttps://doi.org/10.1007/s11199-016-0592-3openalex-snapshot
Objectification in Popular Music Lyrics: An Examination of Gender and Genre Differences
inferred← citeshttps://doi.org/10.1007/s11199-020-01120-6openalex-snapshot
“Feeling my Sister’s Pain”: Perceived Victim Suffering Moderates the Impact of Sexualized Music Videos on Fijian Women’s Responses to Men’s Intimate Partner Violence against Women
inferred← citeshttps://doi.org/10.1007/s11199-024-01483-0openalex-snapshot
Status Markers in Popular Music Across Six Countries: A Content Analysis of Gender, Race/Ethnicity, Genre, and Capital in Music Lyrics
inferred← citeshttps://doi.org/10.1007/s12111-010-9150-1openalex-snapshot
A Case for Including the “Lived Experience” of African American Men in Batterers’ Treatment
inferred← citeshttps://doi.org/10.1007/s12111-010-9155-9openalex-snapshot
Decent Daddy, Imperfect Daddy: Black Male Rap Artists’ Views of Fatherhood and the Family
inferred← citeshttps://doi.org/10.1007/s12111-012-9244-zopenalex-snapshot
Scribblin’ Sinnin’ Sh*t: Narratives of Rape as Masculine Therapeutic Performance in the Strange Case For and Against Tyler, The Creator
inferred← citeshttps://doi.org/10.1007/s12119-014-9259-9openalex-snapshot
Conflicting Paradigms on Gender and Sexuality in Rap Music: A Systematic Review
inferred← citeshttps://doi.org/10.1007/s12119-017-9437-7openalex-snapshot
From “I Want To Hold Your Hand” to “Promiscuous”: Sexual Stereotypes in Popular Music Lyrics, 1960–2008
inferred← citeshttps://doi.org/10.1007/s12119-019-09645-zopenalex-snapshot
A Linguistic Analysis of Sexual Content and Emotive Language in Contemporary Music Genres
inferred← citeshttps://doi.org/10.1007/s12119-022-09943-zopenalex-snapshot
Pornography Use, Gender, and Sexual Objectification: A Multinational study
inferred← citeshttps://doi.org/10.1007/s12119-022-09978-2openalex-snapshot
A Content Analysis of Music Lyrics Exploring the Co-Occurrence of Violence, Sexual Content, and Degrading Terms Toward Women
inferred← citeshttps://doi.org/10.1007/s12119-025-10396-3openalex-snapshot
The Persistence of Sexual Scripts and Compromised Sexual Agency: A Critical Discourse Analysis of the Songs “Baby It’s Cold Outside” and “Blurred Lines”
inferred← citeshttps://doi.org/10.1007/s12119-025-10467-5openalex-snapshot
Gender and Genre: A Comparative Analysis of Peloton Instructors’ Sexualized Genders in Exercise Classes Set to Country and Hip Hop Music
inferred← citeshttps://doi.org/10.1007/s12144-025-08039-9openalex-snapshot
Am I feelin’ myself? A focus group study of African American college students’ attitudes toward gender ideals in commercial rap music videos and their relevance for self-images
inferred← citeshttps://doi.org/10.1007/s41109-022-00485-9openalex-snapshot
“Who run the world?” Gender and the social network of R&B/hip hop collaboration from 2012 to 2020
inferred← citeshttps://doi.org/10.1016/b978-0-323-96023-6.00053-1openalex-snapshot
Music and music listening
inferred← citeshttps://doi.org/10.1016/j.adolescence.2015.03.002openalex-snapshot
Sex, violence, & rock n' roll: Longitudinal effects of music on aggression, sex, and prosocial behavior during adolescence
inferred← citeshttps://doi.org/10.1016/j.avb.2014.04.003openalex-snapshot
Music misuse: A review of the personal and collective roles of “problem music”
inferred← citeshttps://doi.org/10.1016/j.chb.2022.107562openalex-snapshot
Associations between sexual music lyrics and sexting across adolescence
inferred← citeshttps://doi.org/10.1016/j.jcrimjus.2021.101865openalex-snapshot
A sexual frustration theory of aggression, violence, and crime
inferred← citeshttps://doi.org/10.1016/j.poetic.2013.12.001openalex-snapshot
(Un)conscious (popular) underground: Restricted cultural production and underground rap music
inferred← citeshttps://doi.org/10.1016/j.poetic.2023.101804openalex-snapshot
Vulnerable Machos: The Globalization of Hip hop and Changing Gender Regimes in Israeli Rap
inferred← citeshttps://doi.org/10.1016/j.wsif.2023.102847openalex-snapshot
Relationships of modern sexism and misogyny to feminist attitudes and engagement in China
inferred← citeshttps://doi.org/10.1016/j.wsif.2024.102914openalex-snapshot
Unblurring the lines: Exploring the images of women in Ghanaian rap music
inferred← citeshttps://doi.org/10.1017/cco9781139775298openalex-snapshot
The Cambridge Companion to Hip-Hop
inferred← citeshttps://doi.org/10.1017/cco9781139775298.001openalex-snapshot
Introduction: the interdisciplinary world of hip-hop studies
inferred← citeshttps://doi.org/10.1017/cco9781139775298.003openalex-snapshot
MC origins: rap and spoken word poetry
inferred← citeshttps://doi.org/10.1017/cco9781139775298.004openalex-snapshot
Hip-hop dance
inferred← citeshttps://doi.org/10.1017/cco9781139775298.005openalex-snapshot
Hip-hop visual arts
inferred← citeshttps://doi.org/10.1017/cco9781139775298.006openalex-snapshot
DJs and turntablism
inferred← citeshttps://doi.org/10.1017/cco9781139775298.007openalex-snapshot
The fifth element: knowledge
inferred← citeshttps://doi.org/10.1017/cco9781139775298.008openalex-snapshot
Hip-hop and religion: from the mosque to the church
inferred← citeshttps://doi.org/10.1017/cco9781139775298.009openalex-snapshot
Hip-hop theater and performance
inferred← citeshttps://doi.org/10.1017/cco9781139775298.011openalex-snapshot
Lyrics and flow in rap music
inferred← citeshttps://doi.org/10.1017/cco9781139775298.012openalex-snapshot
The musical analysis of hip-hop
inferred← citeshttps://doi.org/10.1017/cco9781139775298.013openalex-snapshot
The glass: hip-hop production
inferred← citeshttps://doi.org/10.1017/cco9781139775298.014openalex-snapshot
Hip-hop and racial identification: an (auto)ethnographic perspective
inferred← citeshttps://doi.org/10.1017/cco9781139775298.015openalex-snapshot
Thirty years of Rapsploitation: hip-hop culture in American cinema
inferred← citeshttps://doi.org/10.1017/cco9781139775298.016openalex-snapshot
Barbz and kings: explorations of gender and sexuality in hip-hop
inferred← citeshttps://doi.org/10.1017/cco9781139775298.017openalex-snapshot
Hip-hop and politics
inferred← citeshttps://doi.org/10.1017/cco9781139775298.018openalex-snapshot
Intertextuality, sampling, and copyright
inferred← citeshttps://doi.org/10.1017/cco9781139775298.020openalex-snapshot
Nerdcore hip-hop
inferred← citeshttps://doi.org/10.1017/cco9781139775298.021openalex-snapshot
Framing gender, race, and hip-hop inBoyz N the Hood,Do the Right Thing, andSlam
inferred← citeshttps://doi.org/10.1017/cco9781139775298.022openalex-snapshot
Japanese hip-hop: alternative stories
inferred← citeshttps://doi.org/10.1017/cco9781139775298.023openalex-snapshot
Council estate of mind: the British rap tradition and London’s hip-hop scene
inferred← citeshttps://doi.org/10.1017/cco9781139775298.024openalex-snapshot
Cuban hip-hop
inferred← citeshttps://doi.org/10.1017/cco9781139775298.025openalex-snapshot
Senegalese hip-hop
inferred← citeshttps://doi.org/10.1017/cco9781139775298.026openalex-snapshot
Off the grid: instrumental hip-hop and experimentalism after the golden age
inferred← citeshttps://doi.org/10.1017/cco9781139775298.027openalex-snapshot
Stylized Turkish German as the resistance vernacular of German hip-hop
inferred← citeshttps://doi.org/10.1017/cco9781139775298.028openalex-snapshot
“Bringin’ ’88 Back”: historicizing rap music’s greatest year
inferred← citeshttps://doi.org/10.1017/cco9781139775298.029openalex-snapshot
“Where ya at?” Hip-hop’s political locations in the Obama era
inferred← citeshttps://doi.org/10.1017/cco9781139775298.030openalex-snapshot
Select bibliography
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Azealia Banks: ‘Chasing Time’, erotics, and body politics
inferred← citeshttps://doi.org/10.1017/s0261143020000410openalex-snapshot
Music and misogyny: a content analysis of misogynistic, antifeminist forums
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Contribution of Demographics, Sociological Factors, and Media Usage to Verbal Aggressiveness
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Sexualization and Emotional Valence in Audience Reactions to Popular Music Video Through Automated Language Analysis
inferred← citeshttps://doi.org/10.1037/ppm0000142openalex-snapshot
Sexual objectification in music videos and acceptance of potentially offensive sexual behaviors.
inferred← citeshttps://doi.org/10.1057/978-1-137-50255-1_2openalex-snapshot
Gendering the Boy Voice
inferred← citeshttps://doi.org/10.1057/978-1-137-50683-2_5openalex-snapshot
Mobile Romance: Tinder and the Navigation of Masculinity
inferred← citeshttps://doi.org/10.1057/9781137385130_7openalex-snapshot
‘Rap on Rap Is Sacred’: The Appropriation of Hip Hop in the Czech Republic
inferred← citeshttps://doi.org/10.1057/9781137430472openalex-snapshot
Black Masculinity in the Obama Era
inferred← citeshttps://doi.org/10.1075/jlac.00065.sagopenalex-snapshot
‘Slut I hate you’
inferred← citeshttps://doi.org/10.1075/lcs.24031.shaopenalex-snapshot
Masculinity and violence in Kathmandu’s Raw Barz rap battles on YouTube
inferred← citeshttps://doi.org/10.1075/sic.14.2.05louopenalex-snapshot
Y yo soy cubano, and I’m impatient
inferred← citeshttps://doi.org/10.1080/01419870.2017.1343484openalex-snapshot
The cost of being “real”: black authenticity, colourism, and Billboard Rap Chart rankings
inferred← citeshttps://doi.org/10.1080/02564718.2018.1447871openalex-snapshot
The Antinomies of Transgressive Gender Acts in Professor Jay’s Rap Music Video “Zali la Mentali” in Tanzania
inferred← citeshttps://doi.org/10.1080/03007766.2012.667695openalex-snapshot
Black Female Identity and Challenges to Masculine Discourse in Rah Digga'sDirty Harriet
inferred← citeshttps://doi.org/10.1080/03007766.2022.2111513openalex-snapshot
Listening, but Not Being Heard: Young Women, Popular Music, Streaming, and Radio
inferred← citeshttps://doi.org/10.1080/03007766.2022.2132064openalex-snapshot
Black Fatherhood, Hip Hop, and Inner Life: Reading Rapsody’s “The Man” and Mama Sol and the N.U.T.S.’s “Manhood”
inferred← citeshttps://doi.org/10.1080/07418825.2017.1341542openalex-snapshot
Broadcasting Badness: Violence, Identity, and Performance in the Online Gang Rap Scene
inferred← citeshttps://doi.org/10.1080/08838151.2017.1309411openalex-snapshot
A Comparative Content Analysis of Anti- and Prosocial Rap Lyrical Themes Found on Traditional and New Media Outlets
inferred← citeshttps://doi.org/10.1080/09540253.2020.1763922openalex-snapshot
Swearing as a method of antipedagogy in workshops of rap lyrics for ‘failing boys’ in vocational education
inferred← citeshttps://doi.org/10.1080/10130950.2012.716666openalex-snapshot
‘Whores, sluts, bitches and retards’ – what do we tolerate in the name of freedom of expression?
inferred← citeshttps://doi.org/10.1080/10130950.2018.1445605openalex-snapshot
“We don't really see a problem in music because that s**t makes you want to dance”: Reflections on possibilities and challenges of teaching gender through hip-hop
inferred← citeshttps://doi.org/10.1080/10357823.2019.1631256openalex-snapshot
Towards a Chinese Hip-hop Feminism and a Feminist Reassessment of Hip-hop with Breakdance: B-girling in Hong Kong, Taiwan and China
inferred← citeshttps://doi.org/10.1080/10646175.2024.2396587openalex-snapshot
An Analysis of Women Rappers’ Lyrical and Video Performances in Hip Hop Collaborations
inferred← citeshttps://doi.org/10.1080/12259276.2023.2173902openalex-snapshot
The “hot Taiwanese girl” persona: The dynamics of politics and femininity in Taiwan
inferred← citeshttps://doi.org/10.1080/13504630.2015.1093467openalex-snapshot
Everyday people: public identities in contemporary hip-hop culture
inferred← citeshttps://doi.org/10.1080/13629387.2024.2338069openalex-snapshot
‘The Tunisian rap scene: an intersectional analysis of women rappers’
inferred← citeshttps://doi.org/10.1080/13676261.2020.1801992openalex-snapshot
‘Codeine crazy:’ a content analysis of prescription drug references in popular music
inferred← citeshttps://doi.org/10.1080/13696815.2024.2340727openalex-snapshot
Ears to the Ground: Realness, Decolonial Meta-Rap, and the Language Debate in Nigerian Hip-Hop
inferred← citeshttps://doi.org/10.1080/14680777.2021.1959369openalex-snapshot
Popular music and intimate relationships: examples from the Top 40 Spanish radio show
inferred← citeshttps://doi.org/10.1080/14680777.2025.2493720openalex-snapshot
Provocative eroticism: anger in fourth-wave feminist Danish pop culture
inferred← citeshttps://doi.org/10.1080/15213269.2013.832627openalex-snapshot
Modeling Meanness: Associations Between Reality TV Consumption, Perceived Realism, and Adolescents' Social Aggression
inferred← citeshttps://doi.org/10.1080/15295036.2023.2204132openalex-snapshot
“Not You Too”: Drake, heartbreak, and the romantic communication of Black male vulnerability
inferred← citeshttps://doi.org/10.1080/17411912.2021.1895860openalex-snapshot
The political evolution of gaita zuliana in Venezuela: 1969–2019
inferred← citeshttps://doi.org/10.1080/19376529.2019.1623221openalex-snapshot
Of “Tomatoes” and Men: A Continuing Analysis of Gender in Music Radio Formats
inferred← citeshttps://doi.org/10.1080/19409419.2017.1420488openalex-snapshot
Male life in literary and ‘naive’ autobiographies
inferred← citeshttps://doi.org/10.1080/20004508.2018.1476001openalex-snapshot
Ethical implications in teaching and learning about intimate partner violence and femicide prevention
inferred← citeshttps://doi.org/10.1080/21528586.2015.1025826openalex-snapshot
RETHINKING ‘TRADITIONAL MASCULINITY’ AS CONSTRUCTED, MULTIPLE, AND ≠ HEGEMONIC MASCULINITY
inferred← citeshttps://doi.org/10.1080/23311886.2017.1330439openalex-snapshot
RETRACTED: The conceptual penis as a social construct
inferred← citeshttps://doi.org/10.1089/vio.2019.0064openalex-snapshot
Images of Women on Social Media: A Comparison of Four Diverse Chicago Neighborhoods
inferred← citeshttps://doi.org/10.1108/978-1-78756-511-120181013openalex-snapshot
Girls to the Front! Gender and Alternative Spaces
inferred← citeshttps://doi.org/10.1108/s0163-239620160000047017openalex-snapshot
Musical Interactions: Girls Who Like and Use Rap Music for Empowerment
inferred← citeshttps://doi.org/10.1108/s1521-6136(2010)0000014009openalex-snapshot
Rap music's violent and misogynistic effects: Fact or fiction?
inferred← citeshttps://doi.org/10.1108/sc-01-2019-0003openalex-snapshot
The evolution of the English street gang
inferred← citeshttps://doi.org/10.1109/access.2023.3242965openalex-snapshot
Enhancing the Detection of Misogynistic Content in Social Media by Transferring Knowledge From Song Phrases
inferred← citeshttps://doi.org/10.1111/issj.12201openalex-snapshot
Just Married: The Synergy between Feminist Criminology and the Tripartite Cybercrime Framework
inferred← citeshttps://doi.org/10.1111/ruso.12276openalex-snapshot
A New Type of (White) Provider: Shifting Masculinities in Mainstream Country Music from the 1980s to the 2010s
inferred← citeshttps://doi.org/10.1111/soc4.12732openalex-snapshot
Rap music, race, and perceptions of crime
inferred← citeshttps://doi.org/10.1111/tesg.12233openalex-snapshot
Contesting ‘Traditional’ Masculinity and Men's Sexuality in Kwadukuza, South Africa
inferred← citeshttps://doi.org/10.1111/tsq.12149openalex-snapshot
Revanchist Masculinity: Gender Attitudes in Sex Work Management
inferred← citeshttps://doi.org/10.11144/javeriana.syp36-71.rmmoopenalex-snapshot
Representación mediática de la mujer en la oferta radial musical de Santa Marta, Colombia
inferred← citeshttps://doi.org/10.1123/ssj.2019-0038openalex-snapshot
“Mike Trout When I’m Battin’ Boy”: Unpacking Baseball’s Translation Through Rap Lyrics
inferred← citeshttps://doi.org/10.1140/epjds/s13688-026-00630-9openalex-snapshot
Rap as a social reflection: a quantitative analysis of social conditions and lyrical expressions
inferred← citeshttps://doi.org/10.1177/0044118x211001096openalex-snapshot
“They Can’t Take Away the Light”: Hip-Hop Culture and Black Youth’s Racial Resistance
inferred← citeshttps://doi.org/10.1177/0093650214565893openalex-snapshot
The Influence of Sexual Music Videos on Adolescents’ Misogynistic Beliefs
inferred← citeshttps://doi.org/10.1177/0095798415627917openalex-snapshot
Tuning Gender
inferred← citeshttps://doi.org/10.1177/01968599241313346openalex-snapshot
Bring a Bucket, Bring a Mop : News Coverage of WAP and the Contentious Articulation of Black Women's Politics of Pleasure
inferred← citeshttps://doi.org/10.1177/028072702003800205openalex-snapshot
“His Game is Called Survivin”: A Resistance to Resilience
inferred← citeshttps://doi.org/10.1177/0305735616643175openalex-snapshot
Redbones and earth mothers: The influence of rap music on African American girls’ perceptions of skin color
inferred← citeshttps://doi.org/10.1177/0305735617748205openalex-snapshot
What has America been singing about? Trends in themes in the U.S. top-40 songs: 1960–2010
inferred← citeshttps://doi.org/10.1177/03057356221115458openalex-snapshot
Performing sex: The representation of male and female musicians in three genres of music performance
inferred← citeshttps://doi.org/10.1177/0891243218770358openalex-snapshot
Osama Bin Laden and His Jihadist Global Hegemonic Masculinity
inferred← citeshttps://doi.org/10.1177/1060826515624390openalex-snapshot
Portrayals of Masculinity in “Guy Movies”
inferred← citeshttps://doi.org/10.1177/10776990221109803openalex-snapshot
“They Killin’ Us for No Reason”: Black Lives Matter, Police Brutality, and Hip-Hop Music—A Quantitative Content Analysis
inferred← citeshttps://doi.org/10.1177/1097184x11428384openalex-snapshot
Engendering Gendered Knowledge
inferred← citeshttps://doi.org/10.1177/1097184x14564009openalex-snapshot
“I Don’t Need a Shotgun, Just a Look”
inferred← citeshttps://doi.org/10.1177/1097184x17696189openalex-snapshot
“Pour It Up, Drink It Up, Live It Up, Give It Up”
inferred← citeshttps://doi.org/10.1177/1097184x20965455openalex-snapshot
Pit Bulls and Dogfighting as Symbols of Masculinity in Hip Hop Culture
inferred← citeshttps://doi.org/10.1177/1097184x20981759openalex-snapshot
The Hegemony in Masculinity
inferred← citeshttps://doi.org/10.1177/1097184x251382568openalex-snapshot
What’s in a Name? Gender & Power in Popular Music, 1960–2019
inferred← citeshttps://doi.org/10.1177/11033088241311469openalex-snapshot
Two Theoretical Models of Subcultural Anger—Synthesizing Subcultural Theory with the Sociology of Emotions and Exploring Anger in Hip Hop
inferred← citeshttps://doi.org/10.1177/11033088251332776openalex-snapshot
Contradictions in Young Black Men’s Attitudes and Practices: Philogyny Towards Their Mothers and Misogyny to Other Women on a Housing Estate
inferred← citeshttps://doi.org/10.1177/11033088261472635openalex-snapshot
Street Beats, Desk Rhymes: Cultural Reconstruction of Rap by Chinese Middle School Students
inferred← citeshttps://doi.org/10.1177/13624806211028274openalex-snapshot
A guilty pleasure: The legal, social scientific and feminist verdict against rap
inferred← citeshttps://doi.org/10.1177/1367549413491937openalex-snapshot
The sound of street corner society: UK grime music as ethnography
inferred← citeshttps://doi.org/10.1177/1367549414526730openalex-snapshot
Resistant masculinities in alternative R&B? Understanding Frank Ocean and The Weeknd’s representations of gender
inferred← citeshttps://doi.org/10.1177/1461444818821356openalex-snapshot
Rap it up, share it up: Identity politics of youth “social” movement in Moroccan online rap music
inferred← citeshttps://doi.org/10.1177/1741659018760107openalex-snapshot
Gang glocalization: How the global mediascape creates and shapes local gang realities
inferred← citeshttps://doi.org/10.1177/17416590211025573openalex-snapshot
Rap, Islam and Jihadi Cool: The attractions of the Western jihadi subculture
inferred← citeshttps://doi.org/10.1177/17416590211030679openalex-snapshot
This Is Not a Drill: Towards a Sonic and Sensorial Musicriminology
inferred← citeshttps://doi.org/10.1177/17416590261461892openalex-snapshot
The hip hop-gang crime-radicalization nexus, public concerns over a contested subcultural genre, Denmark anno 2025
inferred← citeshttps://doi.org/10.1177/20563051221126040openalex-snapshot
Muscles, Makeup, and Femboys: Analyzing TikTok’s “Radical” Masculinities
inferred← citeshttps://doi.org/10.1177/2153368712443969openalex-snapshot
Hip-Hop and Procedural Justice
inferred← citeshttps://doi.org/10.1177/2153368713500318openalex-snapshot
Urban Code or Urban Legend
inferred← citeshttps://doi.org/10.1177/2153368714525411openalex-snapshot
Rap on Trial
inferred← citeshttps://doi.org/10.1177/2153368716688739openalex-snapshot
Rap Lyrics as Evidence
inferred← citeshttps://doi.org/10.1177/2153368717749879openalex-snapshot
Art or Confession?: Evaluating Rap Lyrics as Evidence in Criminal Cases
inferred← citeshttps://doi.org/10.1177/2332649215617781openalex-snapshot
“We Stick Out Like a Sore Thumb . . .”
inferred← citeshttps://doi.org/10.1177/27538702241289005openalex-snapshot
Musical and visual reactions to (trans-)misogynies in Austrian popular music
inferred← citeshttps://doi.org/10.1215/9780822373728-010openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.12981/mahder.1289503openalex-snapshot
THE POSITION OF WOMEN IN RAP MUSIC IN THE CONTEXT OF GENDER
inferred← citeshttps://doi.org/10.13021/mars/4183openalex-snapshot
The Relationship Between Rap Music and the Psychological Well-Being of African American Adolescents
inferred← citeshttps://doi.org/10.1353/bsr.2019.0001openalex-snapshot
Black Quiet Noise: Breaking the Silence on Sexual Assault within the Black Community
inferred← citeshttps://doi.org/10.1371/journal.pone.0270648openalex-snapshot
Explosive and implosive root concepts: An analysis of music moods rooted by two influential rap artists
inferred← citeshttps://doi.org/10.1386/ghhs_00124_1openalex-snapshot
Market screamers or witches? The womanly face(s) of Russian and Ukrainian rap at the turn of the 2010s and 2020s
inferred← citeshttps://doi.org/10.1525/jpms.2025.37.1.13openalex-snapshot
Gasolina
inferred← citeshttps://doi.org/10.1525/mp.2026.2682775openalex-snapshot
Cultural Factors and Popular Music on Spotify in Different Countries
inferred← citeshttps://doi.org/10.1525/sop.2011.54.1.15openalex-snapshot
Shake it, Baby, Shake it: Consumption and the New Gender Relation in Hip-Hop
inferred← citeshttps://doi.org/10.1525/sop.2013.56.3.301openalex-snapshot
Rap, Race and the (Re)Production of Boundaries
inferred← citeshttps://doi.org/10.15353/cjds.v10i3.813openalex-snapshot
They See Me Rollin’, They Hatin’
inferred← citeshttps://doi.org/10.1558/jwpm.42675openalex-snapshot
Study of Feminism and Womanism in Korean Hip Hop Songs by Female Rappers
inferred← citeshttps://doi.org/10.17583/generos.2020.4628openalex-snapshot
A thematic analysis of sexist Bollywood songs
inferred← citeshttps://doi.org/10.18261/issn1890-2146-2012-01-04openalex-snapshot
‘No homo’: Straight inoculations and the queering of masculinity in Swedish hip hop
inferred← citeshttps://doi.org/10.18287/2542-0445-2024-30-1-161-166openalex-snapshot
Ideology of rap music and its linguistic representation in the lyrics of English song discourse
inferred← citeshttps://doi.org/10.1891/vv-d-18-00159openalex-snapshot
Co-occurrence of Dating Violence Victimization Subtypes: Assessing the Influence of Family Factors, Dating Attitudes, Risky Behaviors, and the Moderating Effect of Gender Among School-Aged Teens
inferred← citeshttps://doi.org/10.2139/ssrn.4865892openalex-snapshot
Rap on Trial: A Legal Guide for Attorneys, 2nd
inferred← citeshttps://doi.org/10.2139/ssrn.5003838openalex-snapshot
Quantifying the Bifurcation of Contemporary Rap through Lyricism and Musicality
inferred← citeshttps://doi.org/10.21478/family.30.1.201803.004openalex-snapshot
The Effects of Life Satisfaction on Misogyny Perceived by Male College Students in Seoul : Focusing on the Moderating Effects of Marriage Intention
inferred← citeshttps://doi.org/10.22492/ije.6.1openalex-snapshot
inferred← citeshttps://doi.org/10.22492/ije.6.1.03openalex-snapshot
Ruptured Dreams: Female Students’ Talk About Boys as Past “Lovers”
inferred← citeshttps://doi.org/10.23860/jmle-7-3-5openalex-snapshot
Rap Music Literacy: A Case Study of Millennial Audience Reception to Rap Lyrics Depicting Independent Women
inferred← citeshttps://doi.org/10.25148/etd.fi15032125openalex-snapshot
On and Off the Stage at Atlanta Greek Picnic: Performances of Collective Black Middle-Class Identities and the Politics of Belonging
inferred← citeshttps://doi.org/10.25772/eg1h-b212openalex-snapshot
Red Bones and Earth Mothers: A Contemporary Exploration of Colorism and its Perception Among African American Female Adolescents
inferred← citeshttps://doi.org/10.25965/trahs.1806openalex-snapshot
Du féminisme en caps lock
inferred← citeshttps://doi.org/10.30707/etd2022.20220705065052168975.999985openalex-snapshot
I Got Two Versions: Frank Ocean, Lil Nas X, and the Rhetoric of Progressive Masculinity in Rap Music
inferred← citeshttps://doi.org/10.30854/anf.v23.n41.2016.144openalex-snapshot
Género y violencia simbólica. Análisis crítico del discurso de canciones de banda
inferred← citeshttps://doi.org/10.31235/osf.io/4tvn5openalex-snapshot
Rap Music as a Social Reflection: Exploring the Relationship Between Social Conditions and Lyrical Expressions in Rap Music
inferred← citeshttps://doi.org/10.3138/topia-2022-0019openalex-snapshot
Toxic Rhythms: Protest Masculinities of “Brown Indo-Canadians” versus “Surrey Jacks”
inferred← citeshttps://doi.org/10.31686/ijier.vol4.iss10.600openalex-snapshot
Gender Differences in the Perception of the Levels and Potential Effects of Violence in Popular Music
inferred← citeshttps://doi.org/10.31861/gph2021.831-832.187-198openalex-snapshot
MASCULINITY IN A POSTMODERN TEXT: CONCEPT, IDENTITY, CHARACTER
inferred← citeshttps://doi.org/10.33736/tur.5496.2023openalex-snapshot
“Bitch”, “Ho” and “Pussy”: Messages of Popular Rap Music
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