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Film review: Adam McKay The Big Short

https://doi.org/10.1177/1741659016656428

0 signed · 6 inferred · view as graph

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What this work says

Outgoing claims: the papers this work cites, builds on, or argues with.

inferredcites →https://doi.org/10.1080/14725860108583836openalex-snapshot

visualizing white‐collar crime

inferredcites →https://doi.org/10.4324/9781315713281openalex-snapshot

Routledge International Handbook of Visual Criminology

inferredcites →https://doi.org/10.5860/choice.49-4778openalex-snapshot

Criminology goes to the movies: crime theory and popular culture

What points at this work

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inferred← citeshttps://doi.org/10.2139/ssrn.2838234openalex-extracted

The Leniency Thriller as a New Film Genre. The Use of Dramatised Deterrence Films in Cartel Enforcement

inferred← citeshttps://doi.org/10.1016/j.iree.2022.100236openalex-snapshot

Exploring educational students acceptance of using movies as economics learning media: PLS-SEM analysis

inferred← citeshttps://doi.org/10.1177/1741659016685377openalex-snapshot

Anti-cartel thrillers as a new film genre: How regulator-produced films portray and problematize cartels and communicate deterrence

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