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Salon Music in the Mid-Nineteenth Century

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Inferred edges come from two machine sources: sweeps of open repository metadata (mostly SSRN and Zenodo), and a bulk OpenAlex citation snapshot. Every row below is labelled with the one it came from. Neither is a complete citation index — absence here is not evidence of absence.

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What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

inferred← citeshttps://doi.org/10.11647/obp.0374zenodo-depositor-declared
Music and the Making of Modern Japan
inferred← citeshttps://doi.org/10.11647/obp.0374.00openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.11647/obp.0374.01openalex-snapshot
1. Global History, Musical Modernity, and the Globalization of Western Music
inferred← citeshttps://doi.org/10.11647/obp.0374.02openalex-snapshot
2. Under Reconstruction
inferred← citeshttps://doi.org/10.11647/obp.0374.03openalex-snapshot
3. The Case of Japan
inferred← citeshttps://doi.org/10.11647/obp.0374.04openalex-snapshot
4. From Rites and Music to National Music
inferred← citeshttps://doi.org/10.11647/obp.0374.05openalex-snapshot
5. Isawa Shūji
inferred← citeshttps://doi.org/10.11647/obp.0374.06openalex-snapshot
6. Civilizing Citizens
inferred← citeshttps://doi.org/10.11647/obp.0374.07openalex-snapshot
7. Shikama Totsuji
inferred← citeshttps://doi.org/10.11647/obp.0374.08openalex-snapshot
8. Playing Modern
inferred← citeshttps://doi.org/10.11647/obp.0374.09openalex-snapshot
9. Local Pioneers and the Beginnings of Western Music in Sendai
inferred← citeshttps://doi.org/10.11647/obp.0374.10openalex-snapshot
10. Foreign Actors: Kate I. Hansen
inferred← citeshttps://doi.org/10.11647/obp.0374.11openalex-snapshot
11. The World in Sendai
inferred← citeshttps://doi.org/10.11647/obp.0374.12openalex-snapshot
Conclusion
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