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2 The History and Philosophy of Copyright

https://doi.org/10.1515/9781474468282-003
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What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

inferred← citeshttps://doi.org/10.2139/ssrn.1288831openalex-extracted
Recording Artists, Work for Hire, Employment, and Appropriation
inferred← citeshttps://doi.org/10.1007/978-3-319-40637-4_7openalex-snapshot
Performance Rights in Music: Some Perspectives from Economics, Law and History
inferred← citeshttps://doi.org/10.1017/9781009654296.004openalex-snapshot
Materialities of Type
inferred← citeshttps://doi.org/10.1080/03007766.2012.709664openalex-snapshot
Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings
inferred← citeshttps://doi.org/10.1080/08854300.2025.2580834openalex-snapshot
Falsehood Flies! Music's Copyright Coup
inferred← citeshttps://doi.org/10.1080/10286632.2013.874421openalex-snapshot
Discourse, justification and critique: towards a legitimate digital copyright regime?
inferred← citeshttps://doi.org/10.1080/10286632.2020.1829608openalex-snapshot
The true impact of shorter and longer copyright durations: from authors’ earnings to cultural creativity and diversity
inferred← citeshttps://doi.org/10.1108/978-1-78743-696-120191009openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.11606/t.2.2008.tde-28092009-082901openalex-snapshot
Os direitos autorais no mercado da música
inferred← citeshttps://doi.org/10.1215/9780822395775-001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1215/9780822395775-003openalex-snapshot
American Idol and Narratives of Meritocracy
inferred← citeshttps://doi.org/10.1215/9780822395775-004openalex-snapshot
Rockumentary and the New Model Worker
inferred← citeshttps://doi.org/10.1215/9780822395775-006openalex-snapshot
Carving Out Recording Artists from California’s Seven-Year Rule
inferred← citeshttps://doi.org/10.1215/9780822395775-007openalex-snapshot
Freedom, Unfreedom, and the Rhetoric of the Recording Contract
inferred← citeshttps://doi.org/10.1215/9780822395775-008openalex-snapshot
Recording Artists, Work for Hire, Employment, and Appropriation
inferred← citeshttps://doi.org/10.1215/9780822395775-009openalex-snapshot
Conclusion
inferred← citeshttps://doi.org/10.1215/9780822395775-010openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.1215/9780822395775-011openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.1215/9781478059875-001openalex-snapshot
Rican/Struction
inferred← citeshttps://doi.org/10.1215/9781478059875-002openalex-snapshot
Our Latin Thing
inferred← citeshttps://doi.org/10.1215/9781478059875-003openalex-snapshot
“Los Malotes de la Salsa”
inferred← citeshttps://doi.org/10.1215/9781478059875-004openalex-snapshot
Salsa's Dirty Secret
inferred← citeshttps://doi.org/10.1215/9781478059875-005openalex-snapshot
Puerto Rico's (Un)Freedom
inferred← citeshttps://doi.org/10.1215/9781478059875-006openalex-snapshot
Entre la Letra y la Nota
inferred← citeshttps://doi.org/10.1215/9781478059875-007openalex-snapshot
(Copy)Rights and Wrongs
inferred← citeshttps://doi.org/10.1215/9781478059875-008openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.1215/9781478059875-009openalex-snapshot
Sources
inferred← citeshttps://doi.org/10.14232/phd.3982openalex-snapshot
„Egyszer mindenkorra és örökáron"
inferred← citeshttps://doi.org/10.1504/ijtpl.2015.067958openalex-snapshot
Reformulating the 'fair dealing' defence in copyright law to accommodate transformative musical works and maximise creativity in Australia
inferred← citeshttps://doi.org/10.1515/9780822395775-007openalex-snapshot
5. Recording Artists, Work for Hire, Employment, and Appropriation
inferred← citeshttps://doi.org/10.2307/j.ctv1168cf2.11openalex-snapshot
Recording Artists, Work for Hire, Employment, and Appropriation
inferred← citeshttps://doi.org/10.2478/ijmbr-2025-0002openalex-snapshot
Integrating Stakeholder Values in System of Collective Management of Music Copyrights: A Value-Sensitive Design Approach
inferred← citeshttps://doi.org/10.32920/ryerson.14645949openalex-snapshot
Creative exploitation: intellectual property as a form of neoliberal cultural policy
inferred← citeshttps://doi.org/10.32920/ryerson.14645949.v1openalex-snapshot
Creative exploitation: intellectual property as a form of neoliberal cultural policy
inferred← citeshttps://doi.org/10.4000/transposition.2057openalex-snapshot
Music, Copyright, and Intellectual Property during the French Revolution: A Newly Discovered Letter from André-Ernest-Modeste Grétry
inferred← citeshttps://doi.org/10.4324/9781003183648openalex-snapshot
The Popular and the Sacred in Music
inferred← citeshttps://doi.org/10.48130/pr-2025-0001openalex-snapshot
Transformative training: an analysis of AI training data and fair use in Authors Guild v. OpenAI Inc.
inferred← citeshttps://doi.org/10.5429/2079-3871(2012)v3i1.5enopenalex-snapshot
Copyright management and its effect on the sampling practice of UK dance music producers
inferred← citeshttps://doi.org/10.5429/589openalex-snapshot
Copyright Management and its Effect on the Sampling Practice of UK Dance Music Producers
inferred← citeshttps://doi.org/10.70675/93ddc7abz0960z4e4aza4abza7b019d68acdopenalex-snapshot
Le droit des artistes-interprètes à la protection de leur travail à l'ère numérique
inferred← citeshttps://doi.org/10.7206/kp.2080-1084.221openalex-snapshot
Philosophical justification of copyright protection in regard to the international treaties and the EU law
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