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8 Technology, Creative Practice and Copyright

https://doi.org/10.1515/9781474468282-009
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What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

inferred← citeshttps://doi.org/10.2139/ssrn.2898820openalex-extracted
UK Copyright and the Limits of Music Sampling
inferred← citeshttps://doi.org/10.1007/978-3-319-46544-9_4openalex-snapshot
Matter and Form in Popular Music
inferred← citeshttps://doi.org/10.1017/cls.2016.4openalex-snapshot
Translating the Sound of Music: Forensic Musicology and Visual Evidence in Music Copyright Infringement Cases
inferred← citeshttps://doi.org/10.1080/03007766.2012.709664openalex-snapshot
Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings
inferred← citeshttps://doi.org/10.1080/14797585.2017.1338277openalex-snapshot
The sampling continuum: musical aesthetics and ethics in the age of digital production
inferred← citeshttps://doi.org/10.1080/17510694.2015.1096618openalex-snapshot
‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780199321285.013.19openalex-snapshot
Justin Bieber Featuring Slipknot
inferred← citeshttps://doi.org/10.1111/j.1467-6419.2006.00256.xopenalex-snapshot
COPYRIGHT AND ARTISTS: A VIEW FROM CULTURAL ECONOMICS
inferred← citeshttps://doi.org/10.1177/0032321717706012openalex-snapshot
Copy Rights: The Politics of Copying and Creativity
inferred← citeshttps://doi.org/10.1177/0964663906060972openalex-snapshot
Introduction: Harmony or Dissonance? Copyright Concepts and Musical Practice
inferred← citeshttps://doi.org/10.1215/9781478059875-001openalex-snapshot
Rican/Struction
inferred← citeshttps://doi.org/10.1215/9781478059875-002openalex-snapshot
Our Latin Thing
inferred← citeshttps://doi.org/10.1215/9781478059875-003openalex-snapshot
“Los Malotes de la Salsa”
inferred← citeshttps://doi.org/10.1215/9781478059875-004openalex-snapshot
Salsa's Dirty Secret
inferred← citeshttps://doi.org/10.1215/9781478059875-005openalex-snapshot
Puerto Rico's (Un)Freedom
inferred← citeshttps://doi.org/10.1215/9781478059875-006openalex-snapshot
Entre la Letra y la Nota
inferred← citeshttps://doi.org/10.1215/9781478059875-007openalex-snapshot
(Copy)Rights and Wrongs
inferred← citeshttps://doi.org/10.1215/9781478059875-008openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.1215/9781478059875-009openalex-snapshot
Sources
inferred← citeshttps://doi.org/10.18146/soima2015.1.02openalex-snapshot
Challenges at the Europeana Space project
inferred← citeshttps://doi.org/10.3828/msmi.2024.8openalex-snapshot
Library Music in Digital Media
inferred← citeshttps://doi.org/10.4000/transposition.1569openalex-snapshot
Copying machines
inferred← citeshttps://doi.org/10.4000/transposition.1577openalex-snapshot
Machines à copier
inferred← citeshttps://doi.org/10.47749/t/unicamp.2010.771300openalex-snapshot
"Funk-se quem quise" no batidão negro da cidade carioca
inferred← citeshttps://doi.org/10.56513/nftg6449-19openalex-snapshot
The Material Politics of Techno Punk
inferred← citeshttps://doi.org/10.7202/1054029aropenalex-snapshot
Les compositeurs kleptomanes face au droit d’auteur
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