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‘The Painting Can Be Fake, But Not the Feeling’: An Overview of the Vietnamese Market Through the Lens of Fake, Forgery and Copy Paintings

https://doi.org/10.2139/ssrn.3187826
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Outgoing claims: the papers this work cites, builds on, or argues with.

inferredcites →https://doi.org/10.1016/b978-0-12-374522-4.00005-6openalex-extracted
An Overview of the Art Market
inferredcites →https://doi.org/10.1016/b978-0-12-374522-4.00006-8openalex-extracted
Art as a Financial Investment
inferredcites →https://doi.org/10.1016/b978-0-12-374522-4.00007-xopenalex-extracted
Art Investing and Wealth Accumulation
inferredcites →https://doi.org/10.1016/j.econlet.2011.06.013openalex-extracted
Discoveries of fakes: Their impact on the art market
inferredcites →https://doi.org/10.1016/j.jempfin.2015.10.010openalex-extracted
Is there a bubble in the art market?
inferredcites →https://doi.org/10.1038/s41562-017-0281-4openalex-extracted
The (ir)rational consideration of the cost of science in transition economies
inferredcites →https://doi.org/10.1057/9780230107410_15openalex-extracted
Raindrops on Red Flags: Tran Trong Vu and the Roots of Vietnamese Painting Abroad
inferredcites →https://doi.org/10.1080/00141844.1999.9981600openalex-extracted
‘Pho’ Phai and faux phais: The market for fakes and the appropriation of a Vietnamese national symbol
inferredcites →https://doi.org/10.1080/10632920209597333openalex-extracted
Is There a Market for Copies?
inferredcites →https://doi.org/10.1080/10632920903218547openalex-extracted
Professional Artists in Vietnam: Intellectual Property Rights, Economic and Cultural Sustainability
inferredcites →https://doi.org/10.1093/benz/9780199773787.article.b00140599openalex-extracted
Phai Bui Xuan
inferredcites →https://doi.org/10.1093/ohr/19.1.1openalex-extracted
Choices in Editing Oral History: The Distillation of Dr. Hiller
inferredcites →https://doi.org/10.1111/j.2151-6952.1998.tb00843.xopenalex-extracted
Fakes and Forgeries
inferredcites →https://doi.org/10.11588/ts.2015.1.16061openalex-extracted
Art at the Crossroads: Lacquer Painting in French Vietnam
inferredcites →https://doi.org/10.1525/vs.2007.2.2.108openalex-extracted
Vietnamese Anti-art and Anti-Vietnamese Artists: Experimental Performance Culture in Hà Nội’s Alternative Exhibition Spaces
inferredcites →https://doi.org/10.17265/2159-5836/2017.05.007openalex-extracted
Peculiar Characteristics of (Vietnamese) Painting Language: Oil Painting and Contributions From Notable Painters Including Le Van Mien, Thang Tran Phenh and Nam Son
inferredcites →https://doi.org/10.31219/osf.io/da9zsopenalex-extracted
Open data, open review and open dialogue in making social sciences plausible
inferredcites →https://doi.org/10.31219/osf.io/e6xhpopenalex-extracted
What we see, why we worry, why we hope: Vietnam going forward
inferredcites →https://doi.org/10.3125/rsr.v24i6.1681openalex-extracted
Vài nét về nguồn gốc và loại hình tín ngưỡng - tôn giáo cổ của cộng đồng Chăm ở nước ta
inferredcites →https://doi.org/10.1016/j.econlet.2013.06.033openalex-snapshot
Art market inefficiency
inferredcites →https://doi.org/10.17605/osf.io/xv7jzopenalex-snapshot
“Cultural additivity” and how the values and norms of Confucianism, Buddhism, and Taoism co-exist, interact, and influence Vietnamese society: a Bayesian analysis of long-standing folktales, R / Stan
inferredcites →https://doi.org/10.31219/osf.io/du8tjopenalex-snapshot
Open data, open review and open dialogue in making social sciences plausible
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