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Women Becoming Poets: Katherine Philips, Aphra Behn, Anne Finch

https://doi.org/10.2307/2873075
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Incoming claims: where this work appears in other papers’ reference lists and arguments.

inferred← citeshttps://doi.org/10.2139/ssrn.4885033openalex-extracted
"The Tyranny of Love: Analysing Power Dynamics and Emotional Vulnerability in Aphra Behn's 'Love Armed'"
inferred← citeshttps://doi.org/10.1002/9781118585184.ch27openalex-snapshot
Letters of Address, Letters of Exchange
inferred← citeshttps://doi.org/10.1002/9781118607268.wbebl125openalex-snapshot
Finch, Anne
inferred← citeshttps://doi.org/10.1002/9781405165327.ch13openalex-snapshot
Katherine Philips, Poems
inferred← citeshttps://doi.org/10.1002/9781405165327.ch19openalex-snapshot
Aphra Behn, Poems
inferred← citeshttps://doi.org/10.1007/978-1-137-11109-8_4openalex-snapshot
“ ‘By a Lady’: The Mask of the Feminine in Restoration, Early Eighteenth-Century Print Culture”
inferred← citeshttps://doi.org/10.1017/cbo9780511484513openalex-snapshot
A Literary History of Women's Writing in Britain, 1660–1789
inferred← citeshttps://doi.org/10.1017/cbo9780511484513.011openalex-snapshot
Select bibliography
inferred← citeshttps://doi.org/10.1057/9780230298354_8openalex-snapshot
Scribal and Print Publication
inferred← citeshttps://doi.org/10.1057/9780230504899_2openalex-snapshot
Aphra Behn (1640?-89): Virginia Woolf and the ‘Little Gods of Love’
inferred← citeshttps://doi.org/10.1057/9780230504899_6openalex-snapshot
Anne Finch, Countess of Winchilsea (1661–1720): Sorrow into Song
inferred← citeshttps://doi.org/10.1057/9781137030771_4openalex-snapshot
An Authoress to Be Let: Reading Laetitia Pilkington’s Memoirs
inferred← citeshttps://doi.org/10.1080/00138380601154967openalex-snapshot
“Th'unhappy Poet's Breast”: Resisting violation in Anne Finch's “To the Nightingale”
inferred← citeshttps://doi.org/10.1080/0268117x.2010.10555651openalex-snapshot
The Platonic Poems of Katherine Philips
inferred← citeshttps://doi.org/10.1080/07374836.2002.10523822openalex-snapshot
Challenging Hierarchies: Aphra Behn's Authentication Through Classical Translation
inferred← citeshttps://doi.org/10.1080/10509589508570002openalex-snapshot
Reviving the Sonnet: Women romantic poets and the sonnet claim
inferred← citeshttps://doi.org/10.1093/fmls/cqs023openalex-snapshot
'Her Painting of Apricots': The Invisibility of Mary Beale (1633-1699)
inferred← citeshttps://doi.org/10.1093/obo/9780195399301-0206openalex-snapshot
Katherine Philips
inferred← citeshttps://doi.org/10.1215/10642684-1729536openalex-snapshot
Queering the Sexual Impasse in Seventeenth-Century “Imperfect Enjoyment” Poetry
inferred← citeshttps://doi.org/10.1344/co201043openalex-snapshot
Katherine Philips, Aphra Behn, and Sylvia Plath: "a passionate journey" towards "a revolution in female manners"
inferred← citeshttps://doi.org/10.1353/ecy.2010.0009openalex-snapshot
"Profess as Much as I": Dignity as Authority in the Poetry of Sarah Fyge Egerton
inferred← citeshttps://doi.org/10.1353/elh.1994.0025openalex-snapshot
Jane Barker, Poetical Recreations, and the Sociable Text
inferred← citeshttps://doi.org/10.1353/elh.1995.0008openalex-snapshot
Elizabeth Thomas and the Two Corinnas: Giving the Woman Writer a Bad Name
inferred← citeshttps://doi.org/10.1353/rst.0.0039openalex-snapshot
“To Love Have Prov’d a Foe”: Virginity, Virtue, and Love’s Dangers in Anne Killigrew’s Pastoral Dialogues
inferred← citeshttps://doi.org/10.1353/rst.2016.0001openalex-snapshot
The Matchless Orinda and the Imprint of Virtue: Locating Katherine Philips’ Literary Authority in the 1667 Folio Edition of Her Work
inferred← citeshttps://doi.org/10.1353/sel.2012.0027openalex-snapshot
Authorship, Friendship, and Forms of Publication in Katherine Philips
inferred← citeshttps://doi.org/10.21497/sefad.1128344openalex-snapshot
“Trust Not A Man At The Fyrst Sight”: Tracing a Proto-Feminist Thought in Isabella Whitney’s Poetry
inferred← citeshttps://doi.org/10.2307/3817763openalex-snapshot
"Manly Sweetness": Katherine Philips among the Neoclassicals
inferred← citeshttps://doi.org/10.33171/dtcfjournal.2023.63.1.13openalex-snapshot
THE PORTRAIT OF A WOMAN POET IN LADY MARY WROTH’S PAMPHILIA TO AMPHILANTUS
inferred← citeshttps://doi.org/10.36253/978-88-6453-319-3openalex-snapshot
«Remov'd from human eyes»: Madness and Poetry 1676-1774
inferred← citeshttps://doi.org/10.37999/udekad.910917openalex-snapshot
ANNE FINCH AND LADY MARY MONTAGU AS “THIEVES OF LANGUAGE"
inferred← citeshttps://doi.org/10.54282/inijoss.1119689openalex-snapshot
Female Roles Revisited in Lady Mary Wroth’s Pamphilia to Amphilanthus
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