On the public citation graph

Rock Music, the Star-System and the Rise of Consumerism

0 signed · 33 inferred · view as graph

Inferred edges come from two machine sources: sweeps of open repository metadata (mostly SSRN and Zenodo), and a bulk OpenAlex citation snapshot. Every row below is labelled with the one it came from. Neither is a complete citation index — absence here is not evidence of absence.

Is this your work? Sign in with ORCID and put your name on the claims that are yours.
Claim with ORCID
Reference health. See whether every reference in this work resolves to a known work and none has been retracted — and get a dated CiteStamped badge you can embed.
See reference health

What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

inferred← citeshttps://doi.org/10.2139/ssrn.2702162openalex-extracted
inferred← citeshttps://doi.org/10.1007/978-1-137-09650-0_2openalex-snapshot
‘Mad for noblesse’: fame through history
inferred← citeshttps://doi.org/10.1007/978-981-13-2155-9_13openalex-snapshot
Key Change: The Role of the Creative Industries in Climate Change Action
inferred← citeshttps://doi.org/10.1016/s0304-422x(97)00015-6openalex-snapshot
Who does what with music videos in Israel
inferred← citeshttps://doi.org/10.1017/9781108769426openalex-snapshot
The Beatles and Sixties Britain
inferred← citeshttps://doi.org/10.1017/9781108769426.001openalex-snapshot
Preface: Imagining the Beatles
inferred← citeshttps://doi.org/10.1017/9781108769426.002openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1017/9781108769426.003openalex-snapshot
The Other Sixties: An Anti-Permissive Permissive Society?
inferred← citeshttps://doi.org/10.1017/9781108769426.004openalex-snapshot
Society, 1963–1965: The Beatles and Modernity
inferred← citeshttps://doi.org/10.1017/9781108769426.005openalex-snapshot
Society, 1966–1970: The Beatles Go Too Far
inferred← citeshttps://doi.org/10.1017/9781108769426.006openalex-snapshot
Culture: The Beatles as Artists
inferred← citeshttps://doi.org/10.1017/9781108769426.007openalex-snapshot
Politics: The Beatles, Parliament and Revolution
inferred← citeshttps://doi.org/10.1017/9781108769426.008openalex-snapshot
Conclusion
inferred← citeshttps://doi.org/10.1017/9781108769426.009openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.1017/9781108769426.010openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.1017/9781108769426.011openalex-snapshot
Index
inferred← citeshttps://doi.org/10.1057/978-1-137-59273-6_1openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1057/9780230389397_3openalex-snapshot
Studying Popular Culture
inferred← citeshttps://doi.org/10.1080/02614360902769886openalex-snapshot
Cultural legitimacy or ‘outsider hip’? Representational ambiguity and the significance of Steely Dan
inferred← citeshttps://doi.org/10.1080/02673843.2003.9747914openalex-snapshot
Identity Achievement and Idol Worship among Teenagers in Hong Kong
inferred← citeshttps://doi.org/10.1080/02673843.2003.9747932openalex-snapshot
Adolescent Modeling after Luminary and Star Idols and Development of Self-efficacy
inferred← citeshttps://doi.org/10.1080/03007760701214195openalex-snapshot
Open Secrets: Individualism and Middle‐Class Identity in the Songs of Rush
inferred← citeshttps://doi.org/10.1080/1030431052000336289openalex-snapshot
Rock Rebels and Delinquents: the Emergence of the Rock Rebel in 1950s ‘Youth Problem’ Films
inferred← citeshttps://doi.org/10.1080/13617671003666761openalex-snapshot
Pop stars and idolatry: an investigation of the worship of popular music icons, and the music and cult of Prince
inferred← citeshttps://doi.org/10.1080/14781700.2015.1011220openalex-snapshot
Scott Walker sings Jacques Brel: Translation, authorship and the circulation of music
inferred← citeshttps://doi.org/10.1111/j.1533-1598.1990.tb00062.xopenalex-snapshot
Everyday I Write the Book: A Bibliography of (Mostly) Academic Work on Rock & Pop Music
inferred← citeshttps://doi.org/10.1145/3144749.3144756openalex-snapshot
The Perception of Emotion in the Singing Voice
inferred← citeshttps://doi.org/10.1177/1329878x0612000110openalex-snapshot
Gentrification, Cultural Policy and Live Music in Melbourne
inferred← citeshttps://doi.org/10.1179/1477570012z.00000000023openalex-snapshot
The Defeat of the Guitar Army: Don DeLillo, John Sinclair, and the Rock Revolution
inferred← citeshttps://doi.org/10.2298/gei1301187popenalex-snapshot
Guitar hero: From icon of popular culture to nostalgic self-design
inferred← citeshttps://doi.org/10.3366/cor.2021.0219openalex-snapshot
Catchy and conversational? A register analysis of pop lyrics
inferred← citeshttps://doi.org/10.4000/lisa.2978openalex-snapshot
The Record Industry in the 21st Century: The Irrelevance of the Nation State
inferred← citeshttps://doi.org/10.5507/mo.2017.001openalex-snapshot
Prince, the Artist Who Wanted to Be Popular? Creativity, Independent Artist and Tourism Marketing
Editorial review for independent work. ICSAC — the Institute for Complexity Science and Advanced Computing — runs a structured editorial panel for researchers publishing outside journals, and publishes on CiteStamp rails. Submission is free and goes through ORCID: icsacinstitute.org/submit.