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Women, Inequality and Media Work

https://doi.org/10.4324/9780429434815
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inferred← citeshttps://doi.org/10.1111/gwao.13166zenodo-depositor-declared
Subjectivities of highly skilled lead, tied, and equal migrant mothers
inferred← citeshttps://doi.org/10.1002/9781119677154.ch17openalex-snapshot
Film Policy, Social Value, and the Mediating Role of Screen Agencies
inferred← citeshttps://doi.org/10.1007/978-3-030-39070-9_5openalex-snapshot
The Road to 5050: Gender Equality and the Irish Film Industry
inferred← citeshttps://doi.org/10.1007/978-3-030-68094-7_1openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1007/978-3-030-68094-7_2openalex-snapshot
Women and Documentary
inferred← citeshttps://doi.org/10.1007/978-3-030-94255-7_5openalex-snapshot
Irish Female Comedic Voices, Diasporic Melancholy, and Productive Irritation: Sharon Horgan, Aisling Bea and Maeve Higgins
inferred← citeshttps://doi.org/10.1007/978-3-031-18385-0_5openalex-snapshot
Exploring Gendered Ageism in the Irish Screen Industries: The Problem That Cannot Be Named?
inferred← citeshttps://doi.org/10.1007/978-3-031-40795-6_4openalex-snapshot
Migrant Women’s Documentary Filmmaking: Shifting Positionalities and Precarious Creativity Across Borders in the Experience of Five Latin American Directors
inferred← citeshttps://doi.org/10.1007/978-3-031-59231-7_3openalex-snapshot
How Do We Explain Inequality Within Artistic and Cultural Occupations? The Problem of Downward Social Mobility
inferred← citeshttps://doi.org/10.1016/j.poetic.2022.101646openalex-snapshot
Who runs the arts in England? A social network analysis of arts boards
inferred← citeshttps://doi.org/10.1016/j.socnet.2023.09.004openalex-snapshot
She Must Be Seeing Things! Gender disparity in camera department networks
inferred← citeshttps://doi.org/10.1016/j.wsif.2025.103144openalex-snapshot
Legacies of #MeToo in the UK film and television industry: A qualitative study of workplace justice mechanisms to address sexual harassment
inferred← citeshttps://doi.org/10.1080/09502386.2025.2467710openalex-snapshot
Navigating the troubles’ tidelands: the push and pull of memory in post-conflict northern Ireland’s film & television industry
inferred← citeshttps://doi.org/10.1080/09548963.2021.1966295openalex-snapshot
Opera-ting on inequality: gender representation in creative roles at The Royal Opera
inferred← citeshttps://doi.org/10.1080/09548963.2022.2141100openalex-snapshot
Creative industries’ new entrants as equality, diversity and inclusion change agents?
inferred← citeshttps://doi.org/10.1080/09548963.2026.2648309openalex-snapshot
Sexual harassment as a cause of gender inequality in the UK film and television industry
inferred← citeshttps://doi.org/10.1080/09589236.2024.2324280openalex-snapshot
Entanglements of feminist activism and gender equality policy in the Spanish and Swedish film industries: between convergence and critique
inferred← citeshttps://doi.org/10.1080/09612025.2021.1944352openalex-snapshot
‘There is still some work to be done, but we’ve come a long way’: the changing position of women in technical television jobs
inferred← citeshttps://doi.org/10.1080/10286632.2022.2100365openalex-snapshot
Exploring the dynamics of EDI leadership in the Irish screen industries: policy, practice and perspective
inferred← citeshttps://doi.org/10.1080/10286632.2024.2328554openalex-snapshot
Finally, beyond status quo? Analysis of steps taken to improve gender equality in the European audiovisual sector in light of the #MeToo movement
inferred← citeshttps://doi.org/10.1080/10304312.2023.2253383openalex-snapshot
From grassroots to dissent: media activism and campaigning for equality, diversity and inclusion in media industries
inferred← citeshttps://doi.org/10.1080/1461670x.2024.2420187openalex-snapshot
On Being a Good Worker, a Good Mother, a Good Carer: Women Journalists, Motherhood, and Caregiving
inferred← citeshttps://doi.org/10.1080/14680777.2020.1778763openalex-snapshot
The gendered impact of caring responsibilities on parents’ experiences of working in the film and television industries
inferred← citeshttps://doi.org/10.1080/14680777.2024.2356538openalex-snapshot
Complacency and misogyny, or positive changes that add up to a movement? How the UK screen industries are addressing sexual harassment in the workplace
inferred← citeshttps://doi.org/10.1080/14680777.2025.2453438openalex-snapshot
Feminization of cultural work: the making of a gendered, precarious writing workforce in the South Korean broadcasting industry
inferred← citeshttps://doi.org/10.1080/15295036.2022.2069279openalex-snapshot
Journey to the stars program: the gendered and generational governance of professionalization on Wattpad
inferred← citeshttps://doi.org/10.1080/17510694.2023.2181555openalex-snapshot
“I’m so lucky”: narratives of struggle, unfairness and luck in among new entrants to the Irish media industries
inferred← citeshttps://doi.org/10.1080/2040350x.2024.2447109openalex-snapshot
To Make Women Visible in the Canon of Cinema History: Lithuanian Case
inferred← citeshttps://doi.org/10.1093/obo/9780199756841-0317openalex-snapshot
Work and Labor in Communication and Media Industries
inferred← citeshttps://doi.org/10.1111/gwao.12496openalex-snapshot
‘Put some balls on that woman’: Gendered repertoires of inequality in screen composers’ careers
inferred← citeshttps://doi.org/10.1111/gwao.12612openalex-snapshot
The price of motherhood in the Irish film and television industries
inferred← citeshttps://doi.org/10.1111/gwao.12701openalex-snapshot
On the basis of risk: How screen executives’ risk perceptions and practices drive gender inequality in directing
inferred← citeshttps://doi.org/10.1111/gwao.12748openalex-snapshot
“On and off screen: Women's work in the screen industries”
inferred← citeshttps://doi.org/10.1111/gwao.12929openalex-snapshot
The female gaze in documentary film: An international perspective. By LisaFrench
inferred← citeshttps://doi.org/10.1111/gwao.13157openalex-snapshot
The subjectivity load: Negotiating the internalization of “mother” and “creative worker” identities in creative industries
inferred← citeshttps://doi.org/10.1111/gwao.13164openalex-snapshot
Resisting silence and stigma: Mothering and sex work
inferred← citeshttps://doi.org/10.1111/gwao.13255openalex-snapshot
Introduction to “Motherhood, Subjectivity, and Work”
inferred← citeshttps://doi.org/10.1111/gwao.13264openalex-snapshot
Women and Leadership in the Creative Industries: A Commentary
inferred← citeshttps://doi.org/10.1111/gwao.70252openalex-snapshot
Maternal Emotions at Work: A Case Study of Ireland and India
inferred← citeshttps://doi.org/10.11647/obp.0436.06openalex-snapshot
6. Creating Content about Gender-Based Violence and Sexuality while Being Subjected to Sexual Harassment
inferred← citeshttps://doi.org/10.1177/00380261221128144openalex-snapshot
New forms of distinction: How contemporary cultural elites understand ‘good’ taste
inferred← citeshttps://doi.org/10.1177/01634437241229327openalex-snapshot
Combining motherhood and work in the creative industries: Mothers have the problem
inferred← citeshttps://doi.org/10.1177/02673231221118192openalex-snapshot
Tools and measures for diversity and inclusion in media industries: International best practice and informing policy change in the Irish film and television sector
inferred← citeshttps://doi.org/10.1177/03128962231179379openalex-snapshot
By a long shot: Power, devaluation and discrimination in a toxic cultural workforce
inferred← citeshttps://doi.org/10.1177/13505068241264935openalex-snapshot
Comparing gender equality policies in the Swedish and Spanish film industries: Defining the problem beyond the male norm
inferred← citeshttps://doi.org/10.1177/1367549420935893openalex-snapshot
Public service broadcasting and the emergence of LGBT+ visibility: A comparative perspective on Ireland and Flanders
inferred← citeshttps://doi.org/10.1177/13675494211006089openalex-snapshot
Genre, gender and television screenwriting: The problem of pigeonholing
inferred← citeshttps://doi.org/10.1177/13675494211006094openalex-snapshot
Classical music as genre: Hierarchies of value within freelance classical musicians’ discourses
inferred← citeshttps://doi.org/10.1177/13675494211006095openalex-snapshot
Genres and inequality in the creative industries
inferred← citeshttps://doi.org/10.1177/13675494221134342openalex-snapshot
Screen agencies as cultural intermediaries: Delivering gender equality in the film and television sectors?
inferred← citeshttps://doi.org/10.1177/13675494241226661openalex-snapshot
Director for hire? Negotiating creativity and work in the Irish television sector
inferred← citeshttps://doi.org/10.1177/13678779211046010openalex-snapshot
Mermaids as market creators: Cultural entrepreneurship in an emerging practice
inferred← citeshttps://doi.org/10.1177/15274764251392518openalex-snapshot
Intimacy Coordination as a Call to Action: Embedding Processes of Care in the UK TV Industry
inferred← citeshttps://doi.org/10.1177/20563051241234693openalex-snapshot
Peripheral Creator Cultures in India, Ireland, and Turkey
inferred← citeshttps://doi.org/10.18146/tmg.877openalex-snapshot
Fighting for Better Representation of Women in and on RTÉ: Women’s Work in Promoting Gender Equality at Ireland’s National Broadcaster, 1979-1981
inferred← citeshttps://doi.org/10.21474/ijar01/12245openalex-snapshot
BEHIND A MASCULINE SPACE: THE EXPERIENCES OF WOMEN IN MALE-DOMINATED ENVIRONMENTS IN THE STATE OF QATAR
inferred← citeshttps://doi.org/10.24162/ei2022-11036openalex-snapshot
IRISH FILM AND TELEVISION – 2021
inferred← citeshttps://doi.org/10.3280/sl2025-173009openalex-snapshot
Poche e periferiche: comunità professionale e disparità di genere nell'industria dei videogiochi
inferred← citeshttps://doi.org/10.33178/alpha.20.01openalex-snapshot
Doing women’s film & television history
inferred← citeshttps://doi.org/10.33178/alpha.20.02openalex-snapshot
Archivally absent? Female filmmakers in the IFI Irish Film Archive
inferred← citeshttps://doi.org/10.33178/alpha.24.01openalex-snapshot
“Where are we now?” Assessing the gender equality and diversity journey in Irish screen industries (2016–21)
inferred← citeshttps://doi.org/10.33178/alpha.24.02openalex-snapshot
Imagining diversity
inferred← citeshttps://doi.org/10.33178/alpha.24.04openalex-snapshot
Scotland’s for Me? The (gendered) salience of parental status and geographical location to experiences of working in film and television
inferred← citeshttps://doi.org/10.3366/jbctv.2026.0798openalex-snapshot
Hearts of Fire, Bodies on the Line: Impressions of Work and Labour in The Red Shoes
inferred← citeshttps://doi.org/10.3366/jbctv.2026.0810openalex-snapshot
Identifying the Barriers to Change in TV Production: Affectivity, Care and the Prevention of ‘Good Work’
inferred← citeshttps://doi.org/10.34053/artivate.11.2.178openalex-snapshot
From Gung Ho Heroes and Their Tragic Counterparts to Catalyst Characters
inferred← citeshttps://doi.org/10.5040/9781501366185openalex-snapshot
Now About All These Women in the Swedish Film Industry
inferred← citeshttps://doi.org/10.5040/9781501366185.0007openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.5040/9781501366185.ch-iopenalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.7765/9781526152152.00020openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.7765/9781526152152.00021openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.9734/ajarr/2023/v17i11555openalex-snapshot
Employment and Promotion Policies in Media Organisations in Tanzania: Evidence from the IPP Media, the TSN and Mwananchi Corporation
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