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Race, Ethnicity, and Consumption

https://doi.org/10.4324/9781315121147
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Incoming claims: where this work appears in other papers’ reference lists and arguments.

inferred← citeshttps://doi.org/10.2139/ssrn.3781005openalex-extracted
No Dreadlocks Allowed: Race, Hairstyles, and Cultural Exclusion in Schools
inferred← citeshttps://doi.org/10.1007/s11133-023-09545-7openalex-snapshot
Conflict and Co-Specialization on Calle Cuatro: How Placemakers Navigate Ethnic Branding
inferred← citeshttps://doi.org/10.1007/s43546-025-00871-2openalex-snapshot
Child tax credit utilization in immigrant households: a focus on child investment and college funds
inferred← citeshttps://doi.org/10.1057/s41290-023-00192-7openalex-snapshot
Consumption in the Black community: major themes and new developments
inferred← citeshttps://doi.org/10.1080/1070289x.2024.2414589openalex-snapshot
Black boundaries
inferred← citeshttps://doi.org/10.1080/15210960.2022.2162525openalex-snapshot
No Dreadlocks Allowed: Race, Hairstyles, and Exclusion in Schools
inferred← citeshttps://doi.org/10.1177/21582440221097928openalex-snapshot
The Instrumental Consumption of Ethnic Culture: Assessing Two Economically Driven Ways of Consuming the Cheongsam in China
inferred← citeshttps://doi.org/10.4000/iss.3082openalex-snapshot
Branding Indigeneity: Corporate Patronage of the Arts
Editorial review for independent work. ICSAC — the Institute for Complexity Science and Advanced Computing — runs a structured editorial panel for researchers publishing outside journals, and publishes on CiteStamp rails. Submission is free and goes through ORCID: icsacinstitute.org/submit.