On the public citation graph

The Routledge Companion to the Study of Local Musicking

0 signed · 50 inferred · view as graph

Inferred edges come from two machine sources: sweeps of open repository metadata (mostly SSRN and Zenodo), and a bulk OpenAlex citation snapshot. Every row below is labelled with the one it came from. Neither is a complete citation index — absence here is not evidence of absence.

Is this your work? Sign in with ORCID and put your name on the claims that are yours.
Claim with ORCID
Reference health. See whether every reference in this work resolves to a known work and none has been retracted — and get a dated CiteStamped badge you can embed.
See reference health

What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

inferred← citeshttps://doi.org/10.5281/zenodo.3946296openalex-extracted
Meditative Live Coding and Musicological Hindrances
inferred← citeshttps://doi.org/10.1016/j.tsc.2025.101912openalex-snapshot
The resonances of innovation: Orchestrating a guqin course with the systems model of creativity and a creativity educational model development
inferred← citeshttps://doi.org/10.1016/j.wss.2023.100175openalex-snapshot
Supporting wellbeing through place-making in virtual musicking for older adults
inferred← citeshttps://doi.org/10.1017/ytm.2022.5openalex-snapshot
Banding Together in Cape Town and Lagos: Engaging Reciprocity as Applied Ethnomusicology
inferred← citeshttps://doi.org/10.1093/oso/9780190620134.001.0001openalex-snapshot
Loving Music Till It Hurts
inferred← citeshttps://doi.org/10.1093/oso/9780190620134.002.0003openalex-snapshot
Copyright Page
inferred← citeshttps://doi.org/10.1093/oso/9780190620134.002.0004openalex-snapshot
Dedication
inferred← citeshttps://doi.org/10.1093/oso/9780190620134.002.0007openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.1093/oso/9780190620134.003.0001openalex-snapshot
Prelude
inferred← citeshttps://doi.org/10.1093/oso/9780190620134.003.0002openalex-snapshot
Misjudgments of Humanity
inferred← citeshttps://doi.org/10.1093/oso/9780190620134.003.0003openalex-snapshot
Princes and Paupers
inferred← citeshttps://doi.org/10.1093/oso/9780190620134.003.0004openalex-snapshot
Moral Masquerades
inferred← citeshttps://doi.org/10.1093/oso/9780190620134.003.0005openalex-snapshot
Interlude
inferred← citeshttps://doi.org/10.1093/oso/9780190620134.003.0006openalex-snapshot
Feeling Overcome
inferred← citeshttps://doi.org/10.1093/oso/9780190620134.003.0007openalex-snapshot
The Worst You’ve Ever Sounded
inferred← citeshttps://doi.org/10.1093/oso/9780190620134.003.0008openalex-snapshot
Jordan Russell Davis
inferred← citeshttps://doi.org/10.1093/oso/9780190620134.003.0009openalex-snapshot
Postlude
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.001.0001openalex-snapshot
SamBop NYC
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.002.0003openalex-snapshot
Copyright Page
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.002.0004openalex-snapshot
Dedication
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.002.0006openalex-snapshot
Preface
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.002.0014openalex-snapshot
List of Interviews
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.002.0015openalex-snapshot
Selected Discography of Brazilian Jazz in New York, 2000–2020
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.003.0001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.003.0002openalex-snapshot
“Paying Dues” and “Carrying Flags”
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.003.0003openalex-snapshot
SamBop, Brazuca, and Transnational Polymusicalities
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.003.0004openalex-snapshot
“Bossa Nova York”
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.003.0005openalex-snapshot
Samba Jazz at Carnegie Hall
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.003.0006openalex-snapshot
From CDs to Covid-19
inferred← citeshttps://doi.org/10.11606/1678-9857.ra.2022.201257openalex-snapshot
Terrorismos e pontes do musicar local: Linn da Quebrada e seu artivismo de reXistência e desidentificação
inferred← citeshttps://doi.org/10.11606/d.8.2019.tde-19112019-172648openalex-snapshot
Guerreiros da Avenida: música e competição na escola de samba
inferred← citeshttps://doi.org/10.11606/d.8.2019.tde-27112019-185325openalex-snapshot
Música que afeta - uma etnografia do sensível no fazer da música erudita por crianças na periferia de Fortaleza
inferred← citeshttps://doi.org/10.11606/issn.2316-901x.v0i73p17-26openalex-snapshot
O musicar como trilha para a etnomusicologia
inferred← citeshttps://doi.org/10.11606/issn.2316-901x.v0i73p83-99openalex-snapshot
Performance, significado e interação no musicar participativo/apresentacional de uma roda de choro
inferred← citeshttps://doi.org/10.11606/issn.2447-7117.rt.2018.153144openalex-snapshot
Gravações performadas
inferred← citeshttps://doi.org/10.11606/issn.2525-3123.gis.2021.174319openalex-snapshot
Conexões sensíveis: seguindo a trilha etnobiográfica de um músico chaquenho
inferred← citeshttps://doi.org/10.11606/t.27.2022.tde-12012023-163807openalex-snapshot
\"Cantar os Reis\": sistemas de cantoria e localidade
inferred← citeshttps://doi.org/10.1177/14687941211047720openalex-snapshot
In the groove and in the moment: epistemology and ethics in ethnography with Sudanese musician revolutionaries
inferred← citeshttps://doi.org/10.14361/9783839447734openalex-snapshot
Tanz der Dinge/Things that dance
inferred← citeshttps://doi.org/10.1515/9783839447734openalex-snapshot
Tanz der Dinge/Things that dance
inferred← citeshttps://doi.org/10.1590/1980-85852503880006603openalex-snapshot
Recursos performáticos da mobilidade senegalesa: agenciamentos sonoro-musicais migrantes no Brasil
inferred← citeshttps://doi.org/10.20396/proa.v13i00.17681openalex-snapshot
Cinematic musicking in Mozambique
inferred← citeshttps://doi.org/10.20396/proa.v13i00.18581openalex-snapshot
Apresentação do dossiê
inferred← citeshttps://doi.org/10.33915/etd.12437openalex-snapshot
Global Experiences: How Locality and Space Shape Pedagogical Practices and Experiences between Western Institutions and Ghanaian Musical Centers
inferred← citeshttps://doi.org/10.47749/t/unicamp.2020.1161751openalex-snapshot
Marcajes y Ragueos
inferred← citeshttps://doi.org/10.47749/t/unicamp.2020.1164654openalex-snapshot
Música na primeira infância
inferred← citeshttps://doi.org/10.47749/t/unicamp.2023.1378601openalex-snapshot
Os tambores que vibram em nós
inferred← citeshttps://doi.org/10.5539/jel.v13n1p180openalex-snapshot
The Significance of Percussion Instruments in Isan Thai Folk Music within the Context of Music Education and Learning
inferred← citeshttps://doi.org/10.7146/qs.v6i2.127312openalex-snapshot
Rhythm Politics in a Changing Brazil: A Study of the Musical Mobilization of Voters by Bolsonaro and Haddad in the 2018 Election
inferred← citeshttps://doi.org/10.7560/lamr40201openalex-snapshot
Del ayllu a la metrópoli: Transformación de los usos y significados de la música aymara al interior de una comunidad transnacional de resurgentistas de la música andina
Editorial review for independent work. ICSAC — the Institute for Complexity Science and Advanced Computing — runs a structured editorial panel for researchers publishing outside journals, and publishes on CiteStamp rails. Submission is free and goes through ORCID: icsacinstitute.org/submit.