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Rockin' the boat: mass music and mass movements

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inferred← citeshttps://doi.org/10.2139/ssrn.2702162openalex-extracted
inferred← citeshttps://doi.org/10.1002/9780470384961.refsopenalex-snapshot
References
inferred← citeshttps://doi.org/10.1002/9780470674871.wbespm437openalex-snapshot
Music and Social Movements
inferred← citeshttps://doi.org/10.1002/9780470674871.wbespm437.pub2openalex-snapshot
Music and Social Movements
inferred← citeshttps://doi.org/10.1002/9780470696699.refsopenalex-snapshot
References
inferred← citeshttps://doi.org/10.1002/9781118474396.wbept0801openalex-snapshot
Politics and Music
inferred← citeshttps://doi.org/10.1002/9781119168577.ch20openalex-snapshot
Art and Social Movements
inferred← citeshttps://doi.org/10.1002/9781444361506.wbiems040openalex-snapshot
Music in the New Capitalism
inferred← citeshttps://doi.org/10.1002/nvsm.1769openalex-snapshot
Understanding audience reception and interpretation of development communications: A research framework proposition
inferred← citeshttps://doi.org/10.1002/symb.67openalex-snapshot
Musical Ties That Bind: Nostalgia, Affect, and Heritage in Festival Narratives
inferred← citeshttps://doi.org/10.1007/978-1-349-26252-6_3openalex-snapshot
The Role of Culture in Democracy Movements in the Black Expressive Tradition: Artist Performance Practice in Brazil, South Africa and the United States
inferred← citeshttps://doi.org/10.1007/978-3-030-91995-5_7openalex-snapshot
Dancing Desire, Dancing Revolution: Sexuality and the Politics of Disco in China Since the 1980s
inferred← citeshttps://doi.org/10.1007/978-3-319-68291-4_3openalex-snapshot
Audience
inferred← citeshttps://doi.org/10.1007/978-94-007-2660-4openalex-snapshot
Perspectives on Males and Singing
inferred← citeshttps://doi.org/10.1007/978-94-007-2660-4_17openalex-snapshot
Southern Masculinity in American Rock Music
inferred← citeshttps://doi.org/10.1007/s10767-010-9099-zopenalex-snapshot
Arts and Politics: A French–American Perspective
inferred← citeshttps://doi.org/10.1007/s11186-009-9104-6openalex-snapshot
Educate or serve: the paradox of “professional service” and the image of the west in legitimacy battles of post-socialist advertising
inferred← citeshttps://doi.org/10.1007/s41358-016-0031-6openalex-snapshot
Die politische Dimension von Popmusik: Theoretische Zugänge, empirische Befunde und Potenzial der politikwissenschaftlichen Analyse
inferred← citeshttps://doi.org/10.1016/j.emospa.2013.02.009openalex-snapshot
‘With Love from Band Aid’: Sentimental exchange, affective economies, and popular globalism
inferred← citeshttps://doi.org/10.1016/j.geoforum.2012.10.007openalex-snapshot
The neoliberalization of Contemporary Christian Music’s new Social Gospel
inferred← citeshttps://doi.org/10.1017/9781108991209.013openalex-snapshot
New Directions in Australian Art Music: The Curatorial, Creative and Conceptual
inferred← citeshttps://doi.org/10.1017/9781139505963openalex-snapshot
Music and Politics:A Critical Introduction
inferred← citeshttps://doi.org/10.1017/9781139505963.001openalex-snapshot
Preface
inferred← citeshttps://doi.org/10.1017/9781139505963.002openalex-snapshot
Music and Politics
inferred← citeshttps://doi.org/10.1017/9781139505963.003openalex-snapshot
Power and Counterpower
inferred← citeshttps://doi.org/10.1017/9781139505963.004openalex-snapshot
History, Ideology and the Politics of Context
inferred← citeshttps://doi.org/10.1017/9781139505963.005openalex-snapshot
Propaganda, Ritual and Sovereign Power
inferred← citeshttps://doi.org/10.1017/9781139505963.006openalex-snapshot
Performing Protest
inferred← citeshttps://doi.org/10.1017/9781139505963.007openalex-snapshot
Critique, Subversion and Negation
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Nationalism, Racism and Fascism
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Postscript
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Notes
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Select Bibliography
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Index
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The Cambridge History of American Music
inferred← citeshttps://doi.org/10.1017/chol9780521454292.001openalex-snapshot
Frontmatter
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American Indian musics, past and present
inferred← citeshttps://doi.org/10.1017/chol9780521454292.003openalex-snapshot
Music in America: an overview (part 1)
inferred← citeshttps://doi.org/10.1017/chol9780521454292.004openalex-snapshot
Secular music to 1800
inferred← citeshttps://doi.org/10.1017/chol9780521454292.005openalex-snapshot
Sacred music to 1800
inferred← citeshttps://doi.org/10.1017/chol9780521454292.006openalex-snapshot
African American music to 1900
inferred← citeshttps://doi.org/10.1017/chol9780521454292.007openalex-snapshot
Immigrant, folk, and regional musics in the nineteenth century
inferred← citeshttps://doi.org/10.1017/chol9780521454292.008openalex-snapshot
Nineteenth-century popular music
inferred← citeshttps://doi.org/10.1017/chol9780521454292.009openalex-snapshot
Art music from 1800 to 1860
inferred← citeshttps://doi.org/10.1017/chol9780521454292.010openalex-snapshot
Art music from 1860 to 1920
inferred← citeshttps://doi.org/10.1017/chol9780521454292.011openalex-snapshot
Music in America: an overview (part 2)
inferred← citeshttps://doi.org/10.1017/chol9780521454292.012openalex-snapshot
Immigrant, folk, and regional musics in the twentieth century
inferred← citeshttps://doi.org/10.1017/chol9780521454292.013openalex-snapshot
Popular song and popular music on stage and film
inferred← citeshttps://doi.org/10.1017/chol9780521454292.014openalex-snapshot
The rock and roll era
inferred← citeshttps://doi.org/10.1017/chol9780521454292.015openalex-snapshot
Ragtime and early jazz
inferred← citeshttps://doi.org/10.1017/chol9780521454292.016openalex-snapshot
Jazz from 1930 to 1960
inferred← citeshttps://doi.org/10.1017/chol9780521454292.017openalex-snapshot
Jazz since 1960
inferred← citeshttps://doi.org/10.1017/chol9780521454292.018openalex-snapshot
Tonal traditions in art music from 1920 to 1960
inferred← citeshttps://doi.org/10.1017/chol9780521454292.019openalex-snapshot
Serialism and complexity
inferred← citeshttps://doi.org/10.1017/chol9780521454292.020openalex-snapshot
Avant-garde and experimental music
inferred← citeshttps://doi.org/10.1017/chol9780521454292.021openalex-snapshot
Tonal traditions in art music since 1960
inferred← citeshttps://doi.org/10.1017/chol9780521454292.022openalex-snapshot
Bibliography and references
inferred← citeshttps://doi.org/10.1017/s0261143000005195openalex-snapshot
Bachata: from the Margins to the Mainstream
inferred← citeshttps://doi.org/10.1017/s0261143000008898openalex-snapshot
Adopting imports: new images and alliances in Brazilian popular music of the 1990s
inferred← citeshttps://doi.org/10.1017/s0261143000009077openalex-snapshot
Cantopop and Mandapop in pre-postcolonial Hong Kong: identity negotiation in the performances of Anita Mui Yim-Fong
inferred← citeshttps://doi.org/10.1017/s0261143013000330openalex-snapshot
The estranged quotation in Israeli popular music
inferred← citeshttps://doi.org/10.1017/s0261143024000412openalex-snapshot
Popular music studies behind the Iron Curtain: the constitution of popular music research in East-Central Europe before 1989
inferred← citeshttps://doi.org/10.1017/s0261143024000424openalex-snapshot
Sounds of pleasure and challenge behind the Iron Curtain: on the rise of Bulgarian rock music
inferred← citeshttps://doi.org/10.1057/978-1-137-57788-7_6openalex-snapshot
Political Parties, Political Leaders, Youth Policies and Young People
inferred← citeshttps://doi.org/10.1057/978-1-137-59273-6_1openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1057/978-1-137-59758-8_5openalex-snapshot
A Ternary Model of Political Resistance: Subject, Action, and Object
inferred← citeshttps://doi.org/10.1057/9780230107441_2openalex-snapshot
Amalgamating Musics
inferred← citeshttps://doi.org/10.1057/9781137408341_8openalex-snapshot
Constituencies of Compassion:the Politics of Human Rights and Consumerism
inferred← citeshttps://doi.org/10.1057/ajcs.2014.14openalex-snapshot
Global political iconography: The making of Nelson Mandela
inferred← citeshttps://doi.org/10.1057/pmed.2014.7openalex-snapshot
You had to be there: Anachronism and the limits of laughing at the Middle Ages
inferred← citeshttps://doi.org/10.1057/s41305-018-0138-3openalex-snapshot
‘Neither Pure Love nor Imitating Capitalism’: Euro WILD and the Invention of Women's Music Distribution in Europe, 1980–1982
inferred← citeshttps://doi.org/10.1080/01292989909359615openalex-snapshot
Music choice for emotional use and management by Hong Kong adolescents
inferred← citeshttps://doi.org/10.1080/01419870.2024.2356882openalex-snapshot
Notting Hill Carnival and Rock Against Racism: converging cultures of resistance during late 1970s Britain
inferred← citeshttps://doi.org/10.1080/01436597.2014.868987openalex-snapshot
The production and construction of celebrity advocacy in international development
inferred← citeshttps://doi.org/10.1080/01490400.2023.2171519openalex-snapshot
Splendour XR: Place, Experience and Liveness at a Virtual Music Festival
inferred← citeshttps://doi.org/10.1080/02614360500200656openalex-snapshot
Editorial: Popular Music and Leisure
inferred← citeshttps://doi.org/10.1080/02614369300390191openalex-snapshot
Global culture, local politics
inferred← citeshttps://doi.org/10.1080/02619288.2003.9975053openalex-snapshot
Rock against racism: Multiculturalism and political mobilization, 1976–81
inferred← citeshttps://doi.org/10.1080/03007760701267755openalex-snapshot
Before the Beatles: International Influences on American Popular Recordings, 1940–63
inferred← citeshttps://doi.org/10.1080/03007760701580207openalex-snapshot
Rock Journalists and Music Critics: A Selected Bibliography
inferred← citeshttps://doi.org/10.1080/03007766.2017.1300504openalex-snapshot
With God and Guitars: Popular Music, Socialism, and the Church in East Germany
inferred← citeshttps://doi.org/10.1080/03007766.2019.1687672openalex-snapshot
Woodstock 2019: The Spirit of Woodstock in the Post-risk Era
inferred← citeshttps://doi.org/10.1080/03007766.2020.1750209openalex-snapshot
“A Teenager in Love”: How Black Adolescents Became “Teenagers” in Rock and Roll Music, 1956-1960
inferred← citeshttps://doi.org/10.1080/03007766.2020.1820780openalex-snapshot
Introduction to Music and the Politics of Memory: Resounding Antifascism across Borders
inferred← citeshttps://doi.org/10.1080/03007766.2024.2408841openalex-snapshot
Lesbian Feminist Music and Meaningful Community Work
inferred← citeshttps://doi.org/10.1080/03007769508591590openalex-snapshot
Bleached resistance: The politics of grunge
inferred← citeshttps://doi.org/10.1080/03007769608591621openalex-snapshot
Subcultural politics and social change: Alternative music in postcommunist Hungary
inferred← citeshttps://doi.org/10.1080/03007769708591661openalex-snapshot
The best books on popular music since 1971: A bibliography
inferred← citeshttps://doi.org/10.1080/03007769808591714openalex-snapshot
Carlos Jiménez: Reflecting the power of the people in ArgentineCuartetomusic
inferred← citeshttps://doi.org/10.1080/03007769808591719openalex-snapshot
Images of women in popular song lyrics: A bibliography
inferred← citeshttps://doi.org/10.1080/03007769908591751openalex-snapshot
Women's studies and popular music stereotypes
inferred← citeshttps://doi.org/10.1080/07393180128091openalex-snapshot
Challenges & compromises in Spike Lee's Malcolm X
inferred← citeshttps://doi.org/10.1080/07393180500288444openalex-snapshot
Sonic Sturdiness: The Globalization of “Chinese” Rock and Pop
inferred← citeshttps://doi.org/10.1080/08164640701364703openalex-snapshot
BELOW THE BELT AND BLEEDING FINGERTIPS
inferred← citeshttps://doi.org/10.1080/08949460590914877openalex-snapshot
Authenticating Geographies and Temporalities: Representations of Chinese Rock in China
inferred← citeshttps://doi.org/10.1080/08949468.2013.852919openalex-snapshot
Seeing Sound:Perhaps Love, YouTube, and Hong Kong's Cultural Convergence
inferred← citeshttps://doi.org/10.1080/09502389400490331openalex-snapshot
Funk music as genre: Black aesthetics, apocalyptic thinking and urban protest in post-1965 African-American pop
inferred← citeshttps://doi.org/10.1080/10304312.2011.538471openalex-snapshot
Scenes and sexualities: Queerly reframing the music scenes perspective
inferred← citeshttps://doi.org/10.1080/104021300750022571openalex-snapshot
Genres of Nationhood: The ''Musico-Literary'' Aesthetics of Attachment and Resistance
inferred← citeshttps://doi.org/10.1080/10462939909366263openalex-snapshot
Women, musics, bodies, and texts: The gesture of women's music
inferred← citeshttps://doi.org/10.1080/10714420490492238openalex-snapshot
Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction
inferred← citeshttps://doi.org/10.1080/13619462.2012.703026openalex-snapshot
Putting the Charity Back into Charity Singles: Charity Singles in Britain 1984–1995
inferred← citeshttps://doi.org/10.1080/13619462.2012.722346openalex-snapshot
‘The Age of the Beatles’: Parliament and Popular Music in the 1960s
inferred← citeshttps://doi.org/10.1080/13619462.2017.1306193openalex-snapshot
Band Aid revisited: humanitarianism, consumption and philanthropy in the 1980s
inferred← citeshttps://doi.org/10.1080/13698230701400296openalex-snapshot
Breaking the Silence: Music's Role in Political Thought and Action
inferred← citeshttps://doi.org/10.1080/14649370601119055openalex-snapshot
Gender and everyday evasions: moving with Cantopop1
inferred← citeshttps://doi.org/10.1080/1474283042000194939openalex-snapshot
When politics goes pop: on the intersections of popular and political culture and the case of Serbian student protests
inferred← citeshttps://doi.org/10.1080/14742837.2013.779455openalex-snapshot
Songwriting and Activism: A Young Singer's Efforts to Write Himself into the Traditions of an Activist Group
inferred← citeshttps://doi.org/10.1080/14747731.2015.1056494openalex-snapshot
Humanitarian Melodramas, Globalist Nostalgia: Affective Temporalities of Globalization and Uneven Development
inferred← citeshttps://doi.org/10.1080/14797580009367211openalex-snapshot
Straight out the barrio:Ozomatli and the importance of place in the formation of Chicano/a popular culture in Los Angeles
inferred← citeshttps://doi.org/10.1080/14927713.2008.9651410openalex-snapshot
“Things they do look awful cool:” Ageing rock icons and contemporary youth audiences1
inferred← citeshttps://doi.org/10.1080/17533171.2012.715419openalex-snapshot
“Free That Brown Eyed Man”: The United States v. Chuck Berry
inferred← citeshttps://doi.org/10.1080/19401159.2022.2008164openalex-snapshot
Those Days Are Gone Forever: Steely Dan’s Grumpy Old White Guys’ Blues
inferred← citeshttps://doi.org/10.1080/21681392.2018.1470016openalex-snapshot
Representations of land in Kenyan song
inferred← citeshttps://doi.org/10.1080/713687961openalex-snapshot
Popular Environmental Education: Lessons from the Labor and Civil Rights Movements
inferred← citeshttps://doi.org/10.1093/ml/gcr117openalex-snapshot
Authorship and the Popular Song
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780190653866.013.0012openalex-snapshot
HONK! Activism
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780190653866.013.0013openalex-snapshot
Nonlyrical Dimensions of Protest Music
inferred← citeshttps://doi.org/10.1111/1467-9256.00058openalex-snapshot
Rock the Vote: Popular Culture and Politics
inferred← citeshttps://doi.org/10.1111/1477-7053.00007openalex-snapshot
‘Fight the Power’: The Politics of Music and the Music of Politics
inferred← citeshttps://doi.org/10.1111/j.0022-3840.1996.00123.xopenalex-snapshot
Beyond the Reef: Cultural Constructions of Hawaii in Mainland America, Australia and Japan
inferred← citeshttps://doi.org/10.1111/j.0022-3840.1996.00263.xopenalex-snapshot
The Somersaults of Monkeys: Diffusion of Culture and Meaning Across the Pacific Rim
inferred← citeshttps://doi.org/10.1111/j.1467-7660.1996.tb00582.xopenalex-snapshot
Beyond Globalism and Developmentalism: Other Voices in World Politics
inferred← citeshttps://doi.org/10.1111/j.1467-8306.1995.tb01794.xopenalex-snapshot
A Reconsideration of Personal Boundaries in Space-Time
inferred← citeshttps://doi.org/10.1111/j.1467-856x.2004.00149.xopenalex-snapshot
Celebrity Politicians: Popular Culture and Political Representation
inferred← citeshttps://doi.org/10.1111/j.1467-856x.2007.00299.xopenalex-snapshot
Playing to the Crowd: The Role of Music and Musicians in Political Participation
inferred← citeshttps://doi.org/10.1111/j.1467-856x.2011.00480.xopenalex-snapshot
Do Celebrity Politics and Celebrity Politicians Matter?
inferred← citeshttps://doi.org/10.1111/j.1468-0459.2006.00221.xopenalex-snapshot
Decolonizing the production of geographical knowledges? reflections on research with indigenous musicians
inferred← citeshttps://doi.org/10.1111/j.1527-2001.2002.tb01074.xopenalex-snapshot
?Singing for Our Lives?: Women's Music and Democratic Politics
inferred← citeshttps://doi.org/10.1111/j.1533-1598.1995.tb00092.xopenalex-snapshot
"All I Want is to Feel this Way": Rock Music and the Myth of Democracy*
inferred← citeshttps://doi.org/10.1111/j.1533-1598.1997.tb00112.xopenalex-snapshot
Bibliographies
inferred← citeshttps://doi.org/10.1111/j.1533-1598.2009.01209.xopenalex-snapshot
United as ONE: Live 8 and the Politics of the Global Music Media Spectacle
inferred← citeshttps://doi.org/10.1111/j.1540-5931.2010.00735.xopenalex-snapshot
Semiotics of Music: Analysis of Cui Jian's “Nothing to My Name,” the Anthem for the Chinese Youths in the Post-Cultural Revolution Era
inferred← citeshttps://doi.org/10.1111/j.1540-5931.2010.00760.xopenalex-snapshot
Rockin' the Right‐Wing Blogosphere: John J. Miller's Conservative Song Lists and Popular Culture after 9/11
inferred← citeshttps://doi.org/10.1123/ssj.28.4.461openalex-snapshot
Cruising for Olivia: Lesbian Celebrity and the Cultural Politics of Coming Out in Sport
inferred← citeshttps://doi.org/10.1177/002193479702800101openalex-snapshot
“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation
inferred← citeshttps://doi.org/10.1177/009770040102700303openalex-snapshot
Between Alterity and Identity
inferred← citeshttps://doi.org/10.1177/016344370202400309openalex-snapshot
Bob, Bono and Tony B: the popular artist as politician
inferred← citeshttps://doi.org/10.1177/016344395017003006openalex-snapshot
Social movements and cultural transformation: popular music in the 1960s
inferred← citeshttps://doi.org/10.1177/0196859900024004002openalex-snapshot
Alternative Media: Conceptual Difficulties, Critical Possibilities
inferred← citeshttps://doi.org/10.1177/025576140003600103openalex-snapshot
Rock Music in American Schools: Positions and Practices Since the 1960s
inferred← citeshttps://doi.org/10.1177/089124396010002004openalex-snapshot
GENDER IN THE CULTURE OF MEXICAN AMERICAN CONJUNTO MUSIC
inferred← citeshttps://doi.org/10.1177/107780042238077openalex-snapshot
Emotional Space: Performing the Resistive Possibilities of Torch Singing
inferred← citeshttps://doi.org/10.1177/1354856517706493openalex-snapshot
The politics of musical activism: Western YouTube reception of Pussy Riot’s punk performances
inferred← citeshttps://doi.org/10.1177/1367877902005003005openalex-snapshot
The anomalies of being Faye (Wong)
inferred← citeshttps://doi.org/10.1177/1440783308097130openalex-snapshot
Towards a cultural sociology of popular music
inferred← citeshttps://doi.org/10.1177/152747640200300211openalex-snapshot
Soundtrack to a Crisis
inferred← citeshttps://doi.org/10.1177/2043610618792320openalex-snapshot
Punk primers and reggae readers: Music and politics in British children’s literature
inferred← citeshttps://doi.org/10.1177/2059436419867738openalex-snapshot
Nation-states, transnational corporations and cosmopolitans in the global popular music economy
inferred← citeshttps://doi.org/10.1215/01636545-8359468openalex-snapshot
Rank-and-File Antiracism
inferred← citeshttps://doi.org/10.1215/01642472-6917754openalex-snapshot
Sound and Movement
inferred← citeshttps://doi.org/10.1215/1089201x-24-1-283openalex-snapshot
Encounter Images in the Meetings between Africa and Europe
inferred← citeshttps://doi.org/10.1215/9780822372653-001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1215/9780822372653-002openalex-snapshot
Sounding Place Over Time
inferred← citeshttps://doi.org/10.1215/9780822372653-003openalex-snapshot
Putumayo and Its Discontents
inferred← citeshttps://doi.org/10.1215/9780822372653-004openalex-snapshot
(Inter)National Stages,Mujeres Bravas, and the Spatial Politics of Diaspora
inferred← citeshttps://doi.org/10.1215/9780822372653-005openalex-snapshot
“You Can’t Have a Revolution Without Songs”
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Epilogue
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Notes
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Bibliography
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Demo Tape
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Mbaqanga
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The Recording Studio as Fetish
inferred← citeshttps://doi.org/10.1215/9780822384632-005openalex-snapshot
Producing Liveness
inferred← citeshttps://doi.org/10.1215/9780822384632-006openalex-snapshot
Sounding Figures
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Performing Zuluness
inferred← citeshttps://doi.org/10.1215/9780822384632-008openalex-snapshot
Imagining Overseas
inferred← citeshttps://doi.org/10.1215/9780822384632-009openalex-snapshot
A Final Mix
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Print-Through
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Notes
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Bibliography
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Discography
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Introduction
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Reappraising the Archive
inferred← citeshttps://doi.org/10.1215/9780822391135-003openalex-snapshot
Shooting the Patriarch
inferred← citeshttps://doi.org/10.1215/9780822391135-004openalex-snapshot
The Verse of the Godfather
inferred← citeshttps://doi.org/10.1215/9780822391135-005openalex-snapshot
Carnal Knowledge
inferred← citeshttps://doi.org/10.1215/9780822391135-006openalex-snapshot
Afterword
inferred← citeshttps://doi.org/10.1215/9780822391135-007openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.1215/9780822391135-008openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.1215/9780822391135-010openalex-snapshot
Discography
inferred← citeshttps://doi.org/10.1215/9780822391135-011openalex-snapshot
Filmography
inferred← citeshttps://doi.org/10.12801/1947-5403.2010.01.02.03openalex-snapshot
The Aesthetics of Protest in UK Rave
inferred← citeshttps://doi.org/10.1300/j067v20n01_05openalex-snapshot
The Emotional and Intellectual Aspects of Protest Music
inferred← citeshttps://doi.org/10.1300/j125v04n01_06openalex-snapshot
Leadership: Realizing Concepts Through Creative Process
inferred← citeshttps://doi.org/10.13008/2151-2957.1018openalex-snapshot
All We Are Singing: Popular Musical Responses to the Iraq War
inferred← citeshttps://doi.org/10.1353/dsp.1992.0015openalex-snapshot
"World Music" and the Global Cultural Economy
inferred← citeshttps://doi.org/10.1353/jsh.2004.0079openalex-snapshot
Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany
inferred← citeshttps://doi.org/10.1353/jsr.2011.0017openalex-snapshot
Are the Kids United?: The Communist Party of Great Britain, Rock Against Racism, and the Politics of Youth Culture
inferred← citeshttps://doi.org/10.1353/pmc.1999.0003openalex-snapshot
Rock 'N' Theory: Autobiography, Cultural Studies, and the "Death of Rock"
inferred← citeshttps://doi.org/10.1515/nor-2017-0228openalex-snapshot
Sounding the Media
inferred← citeshttps://doi.org/10.1590/s1413-77042010000200002openalex-snapshot
A herança musical da escravidão
inferred← citeshttps://doi.org/10.17615/hrgn-xx82openalex-snapshot
The civics of rock: sixties countercultural music and the transformation of the public sphere
inferred← citeshttps://doi.org/10.17615/nhbn-gx46openalex-snapshot
(Re)Sounding Passion: Listening to American Evangelical Worship Music, 1997-2015
inferred← citeshttps://doi.org/10.18130/v3rj92openalex-snapshot
How to Make Music in an Epidemic: Hearing AIDS, 1981-1996
inferred← citeshttps://doi.org/10.18820/9781920338008openalex-snapshot
Van Volksmoeder tot Fokofpolisiekar: Kritiese opstelle oor Afrikaanse herinneringsplekke
inferred← citeshttps://doi.org/10.21275/sr23530152540openalex-snapshot
Overview of the Historical Evolution of Traditional Media in the United States
inferred← citeshttps://doi.org/10.2307/834493openalex-snapshot
Popular Musics and Politics in Modern Southeast Asia: A Comparative Analysis
inferred← citeshttps://doi.org/10.25904/1912/3154openalex-snapshot
Playing It Queer: Understanding Queer Gender, Sexual and Musical Praxis in a 'New' Musicological Context
inferred← citeshttps://doi.org/10.2753/csa0009-4625420204openalex-snapshot
The Subversive Sociocultural Meanings of Cantopop Electronic Dance Music
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