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Music genres and corporate cultures

https://doi.org/10.5860/choice.38-0215
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Working-Class Consciousness in the Work of SoCal Punk Band Rancid
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Within-Group Concentration, Between-Group Concentration, and the Winners and Losers of Digital Music Distribution
inferred← citeshttps://doi.org/10.2139/ssrn.4806888openalex-extracted
Implementing a User-Centric Payment Model in the Music Streaming Market: A Comparative Approach Based on Stream-Level Data
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Cultural Capital as Educational Capital—The Need For a Reflection on the Educationalisation of Cultural Taste
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Distrust of Commerce and Commercialism
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Popular Music, Technology, and the Changing Media Ecosystem
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From Music Scenes to Musicalized Networks: A Critical Perspective on Digitalization
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Contemporary Congregational Songs Genre Formation and Scrutiny
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Japanese Disco as Pseudo-International Music
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Optimisation of Musical Distribution in Streaming Services: Third-Party Playlist Promotion and Algorithmic Logics of Distribution
inferred← citeshttps://doi.org/10.1007/978-3-031-11420-5_10openalex-snapshot
Framing Performance and Fusion: How Music Venues’ Materiality and Intermediaries Shape Music Scenes
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The Establishment of K-Pop: K-Pop’s Main Characteristics
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The Music Industry Does Exist
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Globalization and Musical Hierarchy in the United States, France, Germany, and the Netherlands
inferred← citeshttps://doi.org/10.1007/978-3-319-91887-7_1openalex-snapshot
In Revision: Theoretical Frameworks
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Start Making Sense
inferred← citeshttps://doi.org/10.1007/978-3-319-91887-7_3openalex-snapshot
Conclusion: Tying It All Together
inferred← citeshttps://doi.org/10.1007/978-3-658-09560-4_41openalex-snapshot
Musik
inferred← citeshttps://doi.org/10.1007/978-3-658-21899-7_1openalex-snapshot
Der Tonträger als Medium der Musik
inferred← citeshttps://doi.org/10.1007/978-3-658-21943-7_1-1openalex-snapshot
Der Tonträger als Medium der Musik
inferred← citeshttps://doi.org/10.1007/978-3-658-34048-3_41-2openalex-snapshot
Music
inferred← citeshttps://doi.org/10.1007/978-3-658-34083-4_43-1openalex-snapshot
Produktion der Musik: Schaffensprozesse und musikalische Praktiken in Studios
inferred← citeshttps://doi.org/10.1007/978-3-658-39909-2_41openalex-snapshot
Music
inferred← citeshttps://doi.org/10.1007/978-981-13-5968-2_4openalex-snapshot
Washington Geography and the Birth of HarDCore, 1979–1983
inferred← citeshttps://doi.org/10.1007/978-981-13-5968-2_5openalex-snapshot
Hardcore Vient à Paris, 1983–1987
inferred← citeshttps://doi.org/10.1007/978-981-15-3056-2_3openalex-snapshot
Outsourcing Taste; Are Algorithms Doing All the Work?
inferred← citeshttps://doi.org/10.1007/s41978-021-00098-zopenalex-snapshot
The Recording Industry as the Enemy? A Case Study of Early West German Metal Music
inferred← citeshttps://doi.org/10.1016/b978-0-08-097086-8.10417-9openalex-snapshot
Culture, Production of: Prospects for the Twenty-First Century
inferred← citeshttps://doi.org/10.1016/b978-0-08-097086-8.10424-6openalex-snapshot
Cultural Mediators and Gatekeepers
inferred← citeshttps://doi.org/10.1016/b978-0-08-097086-8.10435-0openalex-snapshot
Classifications in Popular Music
inferred← citeshttps://doi.org/10.1016/j.geoforum.2003.12.001openalex-snapshot
The emergence of a post-industrial music economy? Music and ICT synergies in Stockholm, Sweden
inferred← citeshttps://doi.org/10.1016/j.geoforum.2024.103990openalex-snapshot
Exploring music geography beyond the West: Clustering and mobility of Chinese musicians in the digital era
inferred← citeshttps://doi.org/10.1016/j.infoecopol.2024.101103openalex-snapshot
Alternative payment models in the music streaming market: A comparative approach based on stream-level data
inferred← citeshttps://doi.org/10.1016/j.langcom.2008.01.010openalex-snapshot
Appropriating the language of the other: Performativity in autonomous and unified markets
inferred← citeshttps://doi.org/10.1016/j.poetic.2009.06.006openalex-snapshot
Social and symbolic boundaries in newspaper coverage of music, 1955–2005: Gender and genre in the US, France, Germany, and the Netherlands
inferred← citeshttps://doi.org/10.1016/j.poetic.2009.09.007openalex-snapshot
All that jazz: The success of jazz musicians in three metropolitan areas
inferred← citeshttps://doi.org/10.1016/j.poetic.2010.07.004openalex-snapshot
Tune in, fade out: Music companies and the classification of domestic music products in the Netherlands
inferred← citeshttps://doi.org/10.1016/j.poetic.2010.11.002openalex-snapshot
Popular music, identity, and sexualization: A latent class analysis of artist types
inferred← citeshttps://doi.org/10.1016/j.poetic.2012.11.002openalex-snapshot
Greek hip hop: Local and translocal authentication in the restricted field of production
inferred← citeshttps://doi.org/10.1016/j.poetic.2013.02.002openalex-snapshot
The sincerest form of flattery: Innovation, repetition, and status in an art movement
inferred← citeshttps://doi.org/10.1016/j.poetic.2014.10.004openalex-snapshot
Taste differentiation and hierarchization within popular culture: The case of salsa music
inferred← citeshttps://doi.org/10.1016/j.poetic.2015.09.002openalex-snapshot
Ambivalence, indifference, distinction: A comparative netfield analysis of implicit musical boundaries
inferred← citeshttps://doi.org/10.1016/j.poetic.2016.05.002openalex-snapshot
Mainstreaming French rap music. Commodification and artistic legitimation of othered cultural goods
inferred← citeshttps://doi.org/10.1016/j.poetic.2018.02.001openalex-snapshot
Categorical ambiguity in cultural fields: The effects of genre fuzziness in popular music
inferred← citeshttps://doi.org/10.1016/j.poetic.2018.09.006openalex-snapshot
The business of urban coolness: Emerging markets for street art
inferred← citeshttps://doi.org/10.1016/j.poetic.2019.101382openalex-snapshot
Singing the romance: Gendered and racialized representations of love and postfeminism in popular music
inferred← citeshttps://doi.org/10.1016/j.poetic.2019.101384openalex-snapshot
When Disney came to Broadway: Assessing the impact of corporatization in an art world
inferred← citeshttps://doi.org/10.1016/j.poetic.2022.101729openalex-snapshot
Pushing the boundaries: Erotic romance and the symbolic boundary nexus
inferred← citeshttps://doi.org/10.1016/j.poetic.2022.101748openalex-snapshot
Intermediaries in the age of platformized gatekeeping: The case of YouTube “creators” and MCNs in the U.S.
inferred← citeshttps://doi.org/10.1016/j.poetic.2025.101983openalex-snapshot
Who are social critics: The effects of directors’ status and reputation on the choice of social problem films in the Korean film industry
inferred← citeshttps://doi.org/10.1016/s0016-7185(01)00004-5openalex-snapshot
Explaining industrial agglomeration: the case of the British high-fidelity industry
inferred← citeshttps://doi.org/10.1016/s0304-422x(00)00023-1openalex-snapshot
Two ways culture is produced
inferred← citeshttps://doi.org/10.1016/s0304-422x(02)00002-5openalex-snapshot
What is a “cantautore?” Distinction and authorship in Italian (popular) music
inferred← citeshttps://doi.org/10.1016/s0304-422x(02)00003-7openalex-snapshot
Belonging and detachment
inferred← citeshttps://doi.org/10.1016/s0304-422x(02)00008-6openalex-snapshot
Charting race
inferred← citeshttps://doi.org/10.1017/9781009162616openalex-snapshot
Original Pirate Material
inferred← citeshttps://doi.org/10.1017/9781316676639openalex-snapshot
The Cambridge Companion to Music in Digital Culture
inferred← citeshttps://doi.org/10.1017/9781316676639.001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1017/9781316676639.002openalex-snapshot
Digital Technology and Cultural Practice
inferred← citeshttps://doi.org/10.1017/9781316676639.003openalex-snapshot
Whatever Happened to Tape-Trading?
inferred← citeshttps://doi.org/10.1017/9781316676639.004openalex-snapshot
Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes
inferred← citeshttps://doi.org/10.1017/9781316676639.005openalex-snapshot
On Serving as an Expert Witness in the ‘Blurred Lines’ Case
inferred← citeshttps://doi.org/10.1017/9781316676639.006openalex-snapshot
Shaping the Stream: Techniques and Troubles of Algorithmic Recommendation
inferred← citeshttps://doi.org/10.1017/9781316676639.007openalex-snapshot
Being a Curator
inferred← citeshttps://doi.org/10.1017/9781316676639.008openalex-snapshot
Can Machines Have Taste?
inferred← citeshttps://doi.org/10.1017/9781316676639.009openalex-snapshot
Technologies of the Musical Selfie
inferred← citeshttps://doi.org/10.1017/9781316676639.010openalex-snapshot
Vaporwave is Dead, Long Live Vaporwave!
inferred← citeshttps://doi.org/10.1017/9781316676639.011openalex-snapshot
Witnessing Race in the New Digital Cinema
inferred← citeshttps://doi.org/10.1017/9781316676639.012openalex-snapshot
Giving History a Voice
inferred← citeshttps://doi.org/10.1017/9781316676639.013openalex-snapshot
Digital Devotion: Musical Multimedia in Online Ritual and Religious Practice
inferred← citeshttps://doi.org/10.1017/9781316676639.014openalex-snapshot
Technicians of Ecstasy
inferred← citeshttps://doi.org/10.1017/9781316676639.015openalex-snapshot
Live Coded Mashup with the Humming Wires
inferred← citeshttps://doi.org/10.1017/9781316676639.016openalex-snapshot
Algorave: Dancing to Algorithms
inferred← citeshttps://doi.org/10.1017/9781316676639.017openalex-snapshot
Rethinking Liveness in the Digital Age
inferred← citeshttps://doi.org/10.1017/9781316676639.018openalex-snapshot
Augmenting Musical Performance
inferred← citeshttps://doi.org/10.1017/9781316676639.019openalex-snapshot
Digital Demons, Real and Imagined
inferred← citeshttps://doi.org/10.1017/9781316676639.020openalex-snapshot
Composing with Sounds as Images
inferred← citeshttps://doi.org/10.1017/9781316676639.021openalex-snapshot
Compositional Approaches to Film, TV and Video Games
inferred← citeshttps://doi.org/10.1017/9781316676639.022openalex-snapshot
Virtual Worlds from Recording to Video Games
inferred← citeshttps://doi.org/10.1017/9781316676639.023openalex-snapshot
Digital Voices: Posthumanism and the Generation of Empathy
inferred← citeshttps://doi.org/10.1017/9781316676639.024openalex-snapshot
In the Wake of the Virtual
inferred← citeshttps://doi.org/10.1017/9781316676639.025openalex-snapshot
Digital Inequalities and Global Sounds
inferred← citeshttps://doi.org/10.1017/9781316676639.026openalex-snapshot
The Political Economy of Streaming
inferred← citeshttps://doi.org/10.1017/9781316676639.027openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.1017/9781316676639.028openalex-snapshot
Index
inferred← citeshttps://doi.org/10.1017/cbo9780511842986.014openalex-snapshot
Culture
inferred← citeshttps://doi.org/10.1017/s0261143018000375openalex-snapshot
Concentration, diversity, and consequences: Privileging independent over major record labels
inferred← citeshttps://doi.org/10.1017/s0261143021000064openalex-snapshot
Spotify and the democratisation of music
inferred← citeshttps://doi.org/10.1017/s0261143025000297openalex-snapshot
Adaptation and Optimisation across Audiovisual Platforms: Hot Song Production in the Chinese Music Industry
inferred← citeshttps://doi.org/10.1017/s1478572219000355openalex-snapshot
Remaking Classical Music: Cultures of Creativity inPleasure Garden
inferred← citeshttps://doi.org/10.1017/s1478572220000043openalex-snapshot
Against Populism: Music, Classification, Genre
inferred← citeshttps://doi.org/10.1017/s1478572223000270openalex-snapshot
The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming
inferred← citeshttps://doi.org/10.1017/s1752196320000073openalex-snapshot
Improvisation and Value in Rock, 1966
inferred← citeshttps://doi.org/10.1017/s1752196323000160openalex-snapshot
Private Equity Blues: Warner Music Group, Nonesuch Records, and Jazz in the Era of Financialization
inferred← citeshttps://doi.org/10.1023/b:jcec.0000009958.80454.f6openalex-snapshot
How Relevant is Transaction Cost Economics to Inter-Firm Relationships in the Music Industry?
inferred← citeshttps://doi.org/10.1057/s41290-022-00151-8openalex-snapshot
Framing performance and fusion: how music venues’ materiality and intermediaries shape music scenes
inferred← citeshttps://doi.org/10.1080/14769948.2019.1554329openalex-snapshot
The Free Black Artist: Frank Ocean Through a Decolonial Lens
inferred← citeshttps://doi.org/10.1080/15295036.2010.517778openalex-snapshot
Hick-Hop Hooray? “Honky Tonk Badonkadonk,” Musical Genre, and the Misrecognitions of Hybridity
inferred← citeshttps://doi.org/10.1093/ccc/tcab050openalex-snapshot
Between Commerciality and Authenticity: The Imaginary of Social Media Influencers in the Platform Economy
inferred← citeshttps://doi.org/10.1093/mtp/miad004openalex-snapshot
Genre-Bending: A Discourse on Globalization and Culture with Implications for Music Therapy
inferred← citeshttps://doi.org/10.1093/mts/mtaa005openalex-snapshot
Using Drumbeats to Theorize Meter in Quintuple and Septuple Grooves
inferred← citeshttps://doi.org/10.1093/oso/9780190083946.001.0001openalex-snapshot
World Music and the Black Atlantic
inferred← citeshttps://doi.org/10.1093/oso/9780190083946.002.0003openalex-snapshot
Copyright Page
inferred← citeshttps://doi.org/10.1093/oso/9780190083946.003.0001openalex-snapshot
Introduction—Collaborations
inferred← citeshttps://doi.org/10.1093/oso/9780190083946.003.0002openalex-snapshot
Setting the Scene
inferred← citeshttps://doi.org/10.1093/oso/9780190083946.003.0003openalex-snapshot
The Art of Representing the Other
inferred← citeshttps://doi.org/10.1093/oso/9780190083946.003.0004openalex-snapshot
Cuban Music Is African Music
inferred← citeshttps://doi.org/10.1093/oso/9780190083946.003.0005openalex-snapshot
Musicians and the Industry
inferred← citeshttps://doi.org/10.1093/oso/9780190083946.003.0006openalex-snapshot
Frames
inferred← citeshttps://doi.org/10.1093/oso/9780190083946.003.0007openalex-snapshot
Experiencing Pleasure
inferred← citeshttps://doi.org/10.1093/oso/9780190083946.003.0008openalex-snapshot
Postlude
inferred← citeshttps://doi.org/10.1093/oso/9780190085636.001.0001openalex-snapshot
Extending Play
inferred← citeshttps://doi.org/10.1093/oso/9780190085636.002.0003openalex-snapshot
Copyright Page
inferred← citeshttps://doi.org/10.1093/oso/9780190085636.003.0001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1093/oso/9780190085636.003.0002openalex-snapshot
Mapping the Conditions for Feminized Collaborative Music Merchandise
inferred← citeshttps://doi.org/10.1093/oso/9780190085636.003.0003openalex-snapshot
Capturing Her Essence
inferred← citeshttps://doi.org/10.1093/oso/9780190085636.003.0004openalex-snapshot
Wearing Her Clothes
inferred← citeshttps://doi.org/10.1093/oso/9780190085636.003.0005openalex-snapshot
Putting on Her Face
inferred← citeshttps://doi.org/10.1093/oso/9780190085636.003.0006openalex-snapshot
Following Her Recipe
inferred← citeshttps://doi.org/10.1093/oso/9780190085636.003.0007openalex-snapshot
Playing Her Guitar
inferred← citeshttps://doi.org/10.1093/oso/9780190085636.003.0008openalex-snapshot
Conclusion
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.001.0001openalex-snapshot
SamBop NYC
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.002.0003openalex-snapshot
Copyright Page
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.002.0004openalex-snapshot
Dedication
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.002.0006openalex-snapshot
Preface
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.002.0014openalex-snapshot
List of Interviews
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.002.0015openalex-snapshot
Selected Discography of Brazilian Jazz in New York, 2000–2020
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.003.0001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.003.0002openalex-snapshot
“Paying Dues” and “Carrying Flags”
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.003.0003openalex-snapshot
SamBop, Brazuca, and Transnational Polymusicalities
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.003.0004openalex-snapshot
“Bossa Nova York”
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.003.0005openalex-snapshot
Samba Jazz at Carnegie Hall
inferred← citeshttps://doi.org/10.1093/oso/9780197619049.003.0006openalex-snapshot
From CDs to Covid-19
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780190081379.013.10openalex-snapshot
Popular Music in Times of Neo-Liberalism and Beyond
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780190081379.013.27openalex-snapshot
The Ebbs and Flows of Online Music Genres
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780190081379.013.59openalex-snapshot
Music Recording and the Recording Industry
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780190636197.013.4openalex-snapshot
On Genre, History, and Invention in the Analysis of Creative Processes in Music
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780190859633.013.26openalex-snapshot
Music, Patronage, and Oil Capitalism in Equatorial Guinea
inferred← citeshttps://doi.org/10.1093/ser/mwac051openalex-snapshot
Valuations of diversity: the role of marquee quotas in creative industries
inferred← citeshttps://doi.org/10.1108/978-1-78743-696-120191009openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.1111/j.1533-1598.2010.01233.xopenalex-snapshot
Translation Acts: Afro-Peruvian Music in the United States
inferred← citeshttps://doi.org/10.1111/joms.12573openalex-snapshot
Entrepreneurial Leadership as Creative Brokering: The Process and Practice of Co‐creating and Advancing Opportunity
inferred← citeshttps://doi.org/10.11606/d.12.2024.tde-12072024-101814openalex-snapshot
Transformação digital, o contexto de inovação e empreendedorismo nas indústrias da música e a reestruturação da cadeia de valor
inferred← citeshttps://doi.org/10.11606/issn.1982-8160.v17i2p25-48openalex-snapshot
Gosto musical, moral e incômodos
inferred← citeshttps://doi.org/10.11606/issn.1982-8160.v6i1-2p207-230openalex-snapshot
Funk carioca’s pedagogies: God and Devil in the land of sound
inferred← citeshttps://doi.org/10.11606/t.27.2014.tde-05112014-093131openalex-snapshot
Transformações do choro no século XXI: estruturas, performance e improvisação
inferred← citeshttps://doi.org/10.1177/0267323101016002012openalex-snapshot
Reviews
inferred← citeshttps://doi.org/10.1177/0730888413505229openalex-snapshot
Looking Back, Looking Forward: Arts-Based Careers and Creative Work
inferred← citeshttps://doi.org/10.1177/097172180801300207openalex-snapshot
New Media for Social Change
inferred← citeshttps://doi.org/10.1177/13675494211006090openalex-snapshot
The social positions of taste between and within music genres: From omnivore to snob
inferred← citeshttps://doi.org/10.1215/00222909-2017097openalex-snapshot
The End(s) of Genre
inferred← citeshttps://doi.org/10.1215/9780822380986-001openalex-snapshot
Cinema and Popular Song
inferred← citeshttps://doi.org/10.1215/9780822380986-002openalex-snapshot
Surreal Symphonies
inferred← citeshttps://doi.org/10.1215/9780822380986-003openalex-snapshot
“The Future's Not Ours to See”
inferred← citeshttps://doi.org/10.1215/9780822380986-004openalex-snapshot
“You Think They Call Us Plastic Now … ”
inferred← citeshttps://doi.org/10.1215/9780822380986-005openalex-snapshot
Real Men Don't Sing Ballads
inferred← citeshttps://doi.org/10.1215/9780822380986-006openalex-snapshot
Flower of the Asphalt
inferred← citeshttps://doi.org/10.1215/9780822380986-007openalex-snapshot
The Embodied Voice
inferred← citeshttps://doi.org/10.1215/9780822380986-008openalex-snapshot
Music as Ethnic Marker in Film
inferred← citeshttps://doi.org/10.1215/9780822380986-009openalex-snapshot
Sounding the American Heart
inferred← citeshttps://doi.org/10.1215/9780822380986-010openalex-snapshot
Crossing Musical Borders
inferred← citeshttps://doi.org/10.1215/9780822380986-011openalex-snapshot
Documented/Documentary Asians
inferred← citeshttps://doi.org/10.1215/9780822380986-012openalex-snapshot
Class Swings
inferred← citeshttps://doi.org/10.1215/9780822380986-013openalex-snapshot
Borrowing Black Masculinity
inferred← citeshttps://doi.org/10.1215/9780822380986-014openalex-snapshot
“It Ain't Necessarily So That It Ain't Necessarily So”
inferred← citeshttps://doi.org/10.1215/9780822380986-015openalex-snapshot
“Hollywood Has Taken on a New Color”:
inferred← citeshttps://doi.org/10.1215/9780822380986-016openalex-snapshot
Picturizing American Cinema
inferred← citeshttps://doi.org/10.1215/9780822380986-017openalex-snapshot
Popular Songs and Comic Allusion in Contemporary Cinema
inferred← citeshttps://doi.org/10.1215/9780822380986-018openalex-snapshot
The Girl and the Phonograph; or the Vamp and the Machine Revisited
inferred← citeshttps://doi.org/10.1215/9780822380986-019openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.1215/9780822384632-002openalex-snapshot
Demo Tape
inferred← citeshttps://doi.org/10.1215/9780822384632-003openalex-snapshot
Mbaqanga
inferred← citeshttps://doi.org/10.1215/9780822384632-004openalex-snapshot
The Recording Studio as Fetish
inferred← citeshttps://doi.org/10.1215/9780822384632-005openalex-snapshot
Producing Liveness
inferred← citeshttps://doi.org/10.1215/9780822384632-006openalex-snapshot
Sounding Figures
inferred← citeshttps://doi.org/10.1215/9780822384632-007openalex-snapshot
Performing Zuluness
inferred← citeshttps://doi.org/10.1215/9780822384632-008openalex-snapshot
Imagining Overseas
inferred← citeshttps://doi.org/10.1215/9780822384632-009openalex-snapshot
A Final Mix
inferred← citeshttps://doi.org/10.1215/9780822384632-010openalex-snapshot
Print-Through
inferred← citeshttps://doi.org/10.1215/9780822384632-011openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.1215/9780822384632-012openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.1215/9780822384632-014openalex-snapshot
Discography
inferred← citeshttps://doi.org/10.1215/9780822385998-001openalex-snapshot
Voicing Working-Class Culture
inferred← citeshttps://doi.org/10.1215/9780822385998-002openalex-snapshot
Knowing Lockhart
inferred← citeshttps://doi.org/10.1215/9780822385998-003openalex-snapshot
“Out the Country”
inferred← citeshttps://doi.org/10.1215/9780822385998-004openalex-snapshot
“The Fool in the Mirror”
inferred← citeshttps://doi.org/10.1215/9780822385998-005openalex-snapshot
“Feeling” and “Relating”
inferred← citeshttps://doi.org/10.1215/9780822385998-006openalex-snapshot
“Bring Me Up in a Beer Joint”
inferred← citeshttps://doi.org/10.1215/9780822385998-007openalex-snapshot
“The Women Take Care of That”
inferred← citeshttps://doi.org/10.1215/9780822385998-008openalex-snapshot
The Art of Singing
inferred← citeshttps://doi.org/10.1215/9780822385998-009openalex-snapshot
“I Hang My Head and Cry”
inferred← citeshttps://doi.org/10.1215/9780822385998-010openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.1215/9780822385998-011openalex-snapshot
References
inferred← citeshttps://doi.org/10.1215/9780822388166-001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1215/9780822388166-002openalex-snapshot
Yellow B-Boys, Black Culture, and the Elvis Effect
inferred← citeshttps://doi.org/10.1215/9780822388166-003openalex-snapshot
Battling Hip-Hop Samurai
inferred← citeshttps://doi.org/10.1215/9780822388166-004openalex-snapshot
Genba Globalization and Locations of Power
inferred← citeshttps://doi.org/10.1215/9780822388166-005openalex-snapshot
Rap Fans and Consumer Culture
inferred← citeshttps://doi.org/10.1215/9780822388166-006openalex-snapshot
Rhyming in Japanese
inferred← citeshttps://doi.org/10.1215/9780822388166-007openalex-snapshot
Women Rappers and the Price of Cutismo
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