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Disgust: the theory and history of a strong sensation

https://doi.org/10.5860/choice.41-5227
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Consumed by the Real: A Conceptual Framework of Abjective Consumption and Its Freaky Vicissitudes
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Developing Disgust: Theory, Measurement, and Application
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Empathy, Einfühlung, and aesthetic experience: the effect of emotion contagion on appreciation of representational and abstract art using fEMG and SCR
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The emotions of racialization: examining the intersection of emotion, race, and landscape through public housing in the United States
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Bringing disgust in through the backdoor in healthy food promotion: a phenomenological perspective
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Die dunkle Seite der Vorstellungskraft: Das Abjekt als Verworfenes im Imaginären
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Rhetorical features facilitate prosodic processing while handicapping ease of semantic comprehension
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The experience of disgust by healthcare professionals: A literature review
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Ageing abjection and embodiment in the fourth age
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Contagion and Disgust in Ivan Turgenev’s Fathers and Children
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Existential Disgust and the Food of the Philosopher
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Satire and the Public Emotions
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Tragic Pleasure from Homer to Plato
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The Kantian Sublime and the Revelation of Freedom
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The Theory of the Sublime from Longinus to Kant
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On the Repugnance of Customary Law
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The Distancing-Embracing model of the enjoyment of negative emotions in art reception
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Artistic misunderstandings: The emotional significance of historical learning in the arts
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Why we like to watch sad films. The pleasure of being moved in aesthetic experiences.
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Art schema effects on affective experience: The case of disgusting images.
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Do you feel like I do? A study of spontaneous and deliberate emotion sharing and understanding between artists and perceivers of installation art.
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What are aesthetic emotions?
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Approaching Food and Horror
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The Places of the Subject: Abjection and the Transcendent City in Nada and La plaça del Diamant
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“White Trash:” Abject Skin in Film Reviews of Monster
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Representations of Corpses in Contemporary Television
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‘Dis-ease’ and the Performance of Radical Resistance in the Maze Prison
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Psychotherapy with people who smell
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Louis Zukofsky and The West Wing
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Humour, ridicule and the de-legitimization of the working class in Swedish Reality Television
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Disgust and the Anthropological Imagination
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The Animal Surfaces: The Gaping Mouth in Francis Bacon’s Work
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“Chav Mum Chav Scum”
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Dangerous Discourses: Anxiety, Desire, and Disability
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Dis/liking disgust: the revulsion experience at the movies
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Ethnic conflict – some NT insights from the ‘Affective Turn’
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Ancestral bodies to universal bodies—The “re-enchantment” of the mummies of the Capuchin Catacombs in Palermo, Sicily
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Obscenity and Censorship in the Reign of Henri III
inferred← citeshttps://doi.org/10.1093/oso/9780192863263.001.0001openalex-snapshot
Samuel Beckett and the Theatre of the Witness
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Copyright Page
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Dedication
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Note on Translation
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‘PAIN PAIN PAIN’
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The Indifferent Spectator
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Cruelty, Contagion, and Comedy
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The Aesthetic of the Anaesthetic
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Transcending Pain, Theatricalising Pain
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Testimony and Trauma
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Breath
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Schools of Fiction
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Copyright Page
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Contents
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Preface
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Notes
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Irrelevance
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The School and Society
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Against Reading
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In Defense of Punctuality
inferred← citeshttps://doi.org/10.1093/oso/9780192867506.003.0005openalex-snapshot
Interest, Disgust
inferred← citeshttps://doi.org/10.1093/oso/9780192867506.003.0006openalex-snapshot
Secret Societies
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Really, Really Secret Societies
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Copyright Page
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List of Figures
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Endnotes
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Introduction Bureaucratic Vistas
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The Biological Weapons Taboo
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Copyright Page
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Acronyms
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Introduction
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A Bioweapons Taboo
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Measuring the Taboo
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Codification
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Construction
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Allegation
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Renunciation
inferred← citeshttps://doi.org/10.1093/oso/9780198892151.003.0008openalex-snapshot
Prohibition
inferred← citeshttps://doi.org/10.1093/oso/9780198892151.003.0009openalex-snapshot
Conclusion
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780198824350.013.38openalex-snapshot
Appreciation Modes in Empirical Aesthetics
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The structure and function of pathogen disgust
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Consumed by the real
inferred← citeshttps://doi.org/10.1109/aciiasia.2018.8470361openalex-snapshot
Aesthetics - Emotion Mapping Analysis of Music and Painting
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Identifying aesthetic highlights in movies from clustering of physiological and behavioral signals
inferred← citeshttps://doi.org/10.1111/j.1467-9655.2005.00257.xopenalex-snapshot
SENSUAL ATTACHMENT AND INCEST AVOIDANCE IN HUMAN EVOLUTION AND CHILD DEVELOPMENT
inferred← citeshttps://doi.org/10.1177/1470412915607928openalex-snapshot
Hannibal : A Disturbing Feast for the Senses
inferred← citeshttps://doi.org/10.1215/00029831-7208548openalex-snapshot
Disgusting Affects from the Antinomian Controversy to the Antiabortion Movement
inferred← citeshttps://doi.org/10.1215/00138282-55.1-2.41openalex-snapshot
Vegetarianism, Moral Sentiment, and the Aesthetics of Disgust: Reconfiguring the Trajectory in the Ethics of Eating
inferred← citeshttps://doi.org/10.1215/00267929-7103422openalex-snapshot
Heartsick: The Language of French Disgust
inferred← citeshttps://doi.org/10.1215/0041462x-7298996openalex-snapshot
Dismembering Remembering
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This Time with Feeling
inferred← citeshttps://doi.org/10.1215/1089201x-3482171openalex-snapshot
Common Ground
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Posturing for Modernity: Mishima Michiyoshi and School Hygiene in Meiji Japan
inferred← citeshttps://doi.org/10.13110/criticism.55.3.0471openalex-snapshot
Revolution of Thought/Revulsion of Feeling: Edgar Allan Poe and the Interest Concept
inferred← citeshttps://doi.org/10.13110/criticism.58.4.0565openalex-snapshot
Cadaverous Intimacies: Disgust, Desire, and the Corpse in Edgar Allan Poe's “Valdemar”
inferred← citeshttps://doi.org/10.13130/2240-9599/3483openalex-snapshot
Gut appreciation: possibilities for aesthetic disgust
inferred← citeshttps://doi.org/10.1353/cj.2014.0039openalex-snapshot
A Cinema of Revolt: Black Wave Revolution and Dušan Makavejev’s Politics of Disgust
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“Dread name of love”: The Perverse Aesthetics of Enjoyment as Disgust in Barnes and Beckett
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Valdemar's Tongue, Poe's Telegraphy
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Disgust c . 1600
inferred← citeshttps://doi.org/10.1353/jqr.2020.0005openalex-snapshot
"A Rubric of Pain Words": Mapping Atrocity with Holocaust Yiddish Glossaries
inferred← citeshttps://doi.org/10.1353/lm.2018.0007openalex-snapshot
An Economy of Illness: The Poetics of Women in Pain
inferred← citeshttps://doi.org/10.1353/mgs.2019.0005openalex-snapshot
C.P. Cavafy’s Christianity in the Context of Fin de Siècle Discourses on Pleasure: The Vicissitudes of Reinvented Love
inferred← citeshttps://doi.org/10.1353/mlr.2017.0197openalex-snapshot
Contaminations: Beyond Dialectics in Modern Literature, Science and Film
inferred← citeshttps://doi.org/10.1353/mod.2011.0092openalex-snapshot
Beckett and Disgust: The Body as "Laughing Matter"
inferred← citeshttps://doi.org/10.1353/wgy.2006.0011openalex-snapshot
"Weil ich der raschen Lippe Herr nicht bin": Oral Transgression as Enlightenment Disavowal in Kleist's Penthesilea
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Towards a Psychological Construct of Being Moved
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Measuring aesthetic emotions: A review of the literature and a new assessment tool
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The Repulsive Other in Tim Crouch’sI, Malvolio(2010)
inferred← citeshttps://doi.org/10.1525/eth.2007.35.2.130openalex-snapshot
Matricidal Madness in Foucault's Anthropology: The Pierre Rivière Seminar
inferred← citeshttps://doi.org/10.17615/dey3-d877openalex-snapshot
Trans Affects: Performance, Technology, and the Racialization of Femininity
inferred← citeshttps://doi.org/10.17813/maiq.15.1.y561981851788672openalex-snapshot
War Pictures: The Grotesque as a Mobilizing Tactic
inferred← citeshttps://doi.org/10.25602/gold.00010548openalex-snapshot
Meaning and Meaning-Making: An exploration into the importance of creative viewer response for art practice
inferred← citeshttps://doi.org/10.2979/jmodelite.38.3.71openalex-snapshot
“Heavy jokes”: Festive unpleasure in the interwar novel
inferred← citeshttps://doi.org/10.2979/jmodelite.42.3.07openalex-snapshot
Disgust in Silhouette: Toni Morrison, Kara Walker, and the Aesthetics of Violence
inferred← citeshttps://doi.org/10.2979/nws.2006.18.1.162openalex-snapshot
Performing Age, Performing Gender
inferred← citeshttps://doi.org/10.3366/cult.2012.0007openalex-snapshot
Melting Moments: The Greasy Sources of Modern Perceptions of Fat
inferred← citeshttps://doi.org/10.3366/film.2011.0022openalex-snapshot
Introduction: Tarrying with Disgust
inferred← citeshttps://doi.org/10.3366/film.2011.0023openalex-snapshot
Toward a Poetics of Cinematic Disgust
inferred← citeshttps://doi.org/10.4000/aa.8898openalex-snapshot
Nojo, humilhação e desprezo: uma antropologia das emoções hostis e da hierarquia social
inferred← citeshttps://doi.org/10.4025/actascilangcult.v37i1.24579openalex-snapshot
Abjection and violence in Monoceros, by Suzette Mayr
inferred← citeshttps://doi.org/10.5325/jnietstud.44.1.0049openalex-snapshot
Disgust, Purity, and a Longing for Companionship: Dialectics of Affect in Nietzsche's Imagined Community
inferred← citeshttps://doi.org/10.5325/jnietstud.50.1.0079openalex-snapshot
Nietzsche, Self-Disgust, and Disgusting Morality
inferred← citeshttps://doi.org/10.5325/jspecphil.33.3.0537openalex-snapshot
The Failure of Judgment: Disgust in Arendt's Theory of Political Judgment
inferred← citeshttps://doi.org/10.5406/illiclasstud.42.1.0001openalex-snapshot
The Hesiodic Shield of Heracles : The Text as Nightmarish Vision
inferred← citeshttps://doi.org/10.54103/2240-9599/17229openalex-snapshot
Is it possible to overcome disgust? An ambivalent emotion
inferred← citeshttps://doi.org/10.7202/1071101aropenalex-snapshot
La mère abjecte dans la transcréation québécoise
inferred← citeshttps://doi.org/10.7287/peerj.1390v0.1/reviews/1openalex-snapshot
Peer Review #1 of "Can we measure beauty? Computational evaluation of coral reef aesthetics (v0.1)"
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Can we measure beauty? Computational evaluation of coral reef aesthetics
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