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Art as Performance

https://doi.org/10.1002/9780470774922
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A Solution to the Conjecture of Meanings of Worlds of Art
inferred← citeshttps://doi.org/10.2139/ssrn.3800599openalex-extracted
HERI DONO’S INSTALLATION ART AS PERFORMANCE
inferred← citeshttps://doi.org/10.1002/9780470776650.biblioopenalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.1002/9781118869109.ch34openalex-snapshot
Applied Aesthetics
inferred← citeshttps://doi.org/10.1002/9781119206880.ch21openalex-snapshot
Curating with the Internet
inferred← citeshttps://doi.org/10.1002/9781444343458.refsopenalex-snapshot
References
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The Ontology of Comics
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What Is a Musical Act? Understanding Improvisation Through Artefact and Performance
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Film Ontology: Extension, Criteria and Candidates
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The Television Medium
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Animation
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Literature and the Other Arts
inferred← citeshttps://doi.org/10.1007/978-3-030-38242-1_16openalex-snapshot
Methodology in the Ontology of Artworks: Exploring Hermeneutic Fictionalism
inferred← citeshttps://doi.org/10.1007/978-3-030-93507-8_11openalex-snapshot
Real Queer Bodies: Visual Weight and Imagined Gravity in Sport Manga
inferred← citeshttps://doi.org/10.1007/978-3-031-44962-8_5openalex-snapshot
Case Study 3: The Despair of Petrichor (2016): Choreographer, Analyst, Audience, Dancer
inferred← citeshttps://doi.org/10.1007/978-3-031-44962-8_6openalex-snapshot
Conclusion
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The Aesthetics of Drugs
inferred← citeshttps://doi.org/10.1007/978-3-031-98468-6_11openalex-snapshot
Replies to Authors
inferred← citeshttps://doi.org/10.1007/978-3-031-98468-6_4openalex-snapshot
Triviality and Solipsism: Two Problems in the Metaontology of Art and a Goodmanian Solution
inferred← citeshttps://doi.org/10.1007/978-3-319-33717-3_3openalex-snapshot
Philosophy of Technology as a Serious Branch of Philosophy: The Empirical Turn as a Starting Point
inferred← citeshttps://doi.org/10.1007/978-3-319-90826-7_22openalex-snapshot
Some Thoughts on Artists’ Statements
inferred← citeshttps://doi.org/10.1007/978-3-662-67120-7_8openalex-snapshot
Vitalitätsformen als Interpretanda und als Prozesse des nichtsprachlichen Musikverstehens
inferred← citeshttps://doi.org/10.1007/s00799-016-0188-0openalex-snapshot
Process, concept or thing? Some initial considerations in the ontological modelling of architecture
inferred← citeshttps://doi.org/10.1007/s10670-024-00889-2openalex-snapshot
Artworks, Functions, and Pluralism About ‘Artifact’
inferred← citeshttps://doi.org/10.1007/s10728-009-0129-9openalex-snapshot
The Problem of Application: Aesthetics in Creativity and Health
inferred← citeshttps://doi.org/10.1007/s10806-015-9556-9openalex-snapshot
What Is a Recipe?
inferred← citeshttps://doi.org/10.1007/s11098-012-9999-zopenalex-snapshot
Adventures in the metaontology of art: local descriptivism, artefacts and dreamcatchers
inferred← citeshttps://doi.org/10.1007/s11098-015-0457-6openalex-snapshot
Would this paper exist if I hadn’t written it?
inferred← citeshttps://doi.org/10.1007/s11098-017-0875-8openalex-snapshot
Aesthetic virtues: traits and faculties
inferred← citeshttps://doi.org/10.1007/s11098-019-01324-xopenalex-snapshot
Art and achievement
inferred← citeshttps://doi.org/10.1007/s11153-016-9587-9openalex-snapshot
Is there a primordial Torah?
inferred← citeshttps://doi.org/10.1007/s11229-009-9504-1openalex-snapshot
Keeping quiet on the ontology of models
inferred← citeshttps://doi.org/10.1007/s11229-024-04812-8openalex-snapshot
The folk concept of art
inferred← citeshttps://doi.org/10.1007/s11229-025-05056-wopenalex-snapshot
From categories of art to categories of artifact
inferred← citeshttps://doi.org/10.1007/s11245-024-10045-8openalex-snapshot
Are Works of Art Affective Artifacts? If Not, What Sort of Artifacts Are They?
inferred← citeshttps://doi.org/10.1007/s11406-009-9226-0openalex-snapshot
Artifact and Essence
inferred← citeshttps://doi.org/10.1007/s11406-023-00698-xopenalex-snapshot
Imagining the Author: Historical Understanding and the Cognitive Value of Art
inferred← citeshttps://doi.org/10.1007/s11466-011-0139-1openalex-snapshot
The Ontology of Musical Works: A Philosophical Pseudo-Problem
inferred← citeshttps://doi.org/10.1007/s12136-004-1019-2openalex-snapshot
Artworks, context and ontology
inferred← citeshttps://doi.org/10.1007/s12136-005-1007-1openalex-snapshot
‘Seeing is believing’ and ‘believing is seeing’
inferred← citeshttps://doi.org/10.1007/s12136-005-1008-0openalex-snapshot
On Davies’ argument from relational properties
inferred← citeshttps://doi.org/10.1007/s12136-005-1009-zopenalex-snapshot
Two comments and a problem for David Davies’ performance theory
inferred← citeshttps://doi.org/10.1007/s12136-005-1010-6openalex-snapshot
The modality principle and work-relativity of modality
inferred← citeshttps://doi.org/10.1007/s12136-005-1011-5openalex-snapshot
Contextualism, art, and rigidity: Levinson, Currie and Davies
inferred← citeshttps://doi.org/10.1007/s12136-013-0186-4openalex-snapshot
Modal Fictionalism, Possible Worlds, and Artificiality
inferred← citeshttps://doi.org/10.1007/s12136-019-00398-wopenalex-snapshot
Musical Ontology and the Question of Persistence
inferred← citeshttps://doi.org/10.1007/s12136-022-00518-zopenalex-snapshot
Musical Types and Musical Flexibility
inferred← citeshttps://doi.org/10.1007/s12136-025-00659-xopenalex-snapshot
Why Be Realists About Artifact Kinds?
inferred← citeshttps://doi.org/10.1007/s13164-021-00535-8openalex-snapshot
Intuitions in the Ontology of Musical Works
inferred← citeshttps://doi.org/10.1017/9781108290746openalex-snapshot
The Limits of Expression
inferred← citeshttps://doi.org/10.1017/9781108290746.001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1017/9781108290746.002openalex-snapshot
The Question of Expressibility or How Far It Is Possible to Speak Our Mind
inferred← citeshttps://doi.org/10.1017/9781108290746.003openalex-snapshot
Language, World and Mind
inferred← citeshttps://doi.org/10.1017/9781108290746.004openalex-snapshot
The Curse of the Phenomenal
inferred← citeshttps://doi.org/10.1017/9781108290746.005openalex-snapshot
After Structural Essentialism What?
inferred← citeshttps://doi.org/10.1017/9781108290746.006openalex-snapshot
Literature as Artefact versus Literature as a Cognitive Object
inferred← citeshttps://doi.org/10.1017/9781108290746.007openalex-snapshot
Literature as Meaning versus Literature as Experience
inferred← citeshttps://doi.org/10.1017/9781108290746.008openalex-snapshot
Interdisciplinarity, Theory and the Sciences of Mind
inferred← citeshttps://doi.org/10.1017/9781108290746.009openalex-snapshot
Afterword
inferred← citeshttps://doi.org/10.1017/9781108290746.010openalex-snapshot
Index
inferred← citeshttps://doi.org/10.1017/9781316344118openalex-snapshot
The Cambridge Companion to Philosophical Methodology
inferred← citeshttps://doi.org/10.1017/9781316344118.001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1017/9781316344118.002openalex-snapshot
Doing Philosophy
inferred← citeshttps://doi.org/10.1017/9781316344118.003openalex-snapshot
Philosophy as Rational Systematization
inferred← citeshttps://doi.org/10.1017/9781316344118.004openalex-snapshot
Sense-making From a Human Point of View
inferred← citeshttps://doi.org/10.1017/9781316344118.005openalex-snapshot
Disagreement in Philosophy
inferred← citeshttps://doi.org/10.1017/9781316344118.006openalex-snapshot
Impure Conceptual Analysis
inferred← citeshttps://doi.org/10.1017/9781316344118.007openalex-snapshot
What Can We Do, When We Do Metaphysics?
inferred← citeshttps://doi.org/10.1017/9781316344118.008openalex-snapshot
Armchair Metaphysics Revisited
inferred← citeshttps://doi.org/10.1017/9781316344118.009openalex-snapshot
A Naturalistic Methodology
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What is Negative Experimental Philosophy Good For?
inferred← citeshttps://doi.org/10.1017/9781316344118.011openalex-snapshot
Life-changing Metaphysics
inferred← citeshttps://doi.org/10.1017/9781316344118.012openalex-snapshot
Collingwood’s Idealist Metaontology
inferred← citeshttps://doi.org/10.1017/9781316344118.013openalex-snapshot
Pragmatism and the Limits of Metaphilosophy
inferred← citeshttps://doi.org/10.1017/9781316344118.014openalex-snapshot
On Metaphysical Quietism and Everyday Life
inferred← citeshttps://doi.org/10.1017/9781316344118.015openalex-snapshot
The Metaphilosophy of the Analytic–Continental Divide
inferred← citeshttps://doi.org/10.1017/9781316344118.016openalex-snapshot
Phenomenological Method and the Achievement of Recognition
inferred← citeshttps://doi.org/10.1017/9781316344118.017openalex-snapshot
Existentialist Methodology and Perspective
inferred← citeshttps://doi.org/10.1017/9781316344118.018openalex-snapshot
Hermeneutics and the Question of Method
inferred← citeshttps://doi.org/10.1017/9781316344118.019openalex-snapshot
Critical Theory’s Philosophy
inferred← citeshttps://doi.org/10.1017/9781316344118.020openalex-snapshot
An Extension of Deconstructionist Methodology
inferred← citeshttps://doi.org/10.1017/9781316344118.021openalex-snapshot
Pathological Experience
inferred← citeshttps://doi.org/10.1017/9781316344118.022openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.1017/apa.2017.12openalex-snapshot
Can Heidegger's Poetic Saying Account for More (or Less) Than Great Artworks?
inferred← citeshttps://doi.org/10.1017/cbo9781139094030.016openalex-snapshot
Photography as Performative Process
inferred← citeshttps://doi.org/10.1017/s0140525x12000489openalex-snapshot
The artful mind meets art history: Toward a psycho-historical framework for the science of art appreciation
inferred← citeshttps://doi.org/10.1017/s1358246112000215openalex-snapshot
On Cinematic Genius: Ontology and Appreciation
inferred← citeshttps://doi.org/10.1017/s1358246117000121openalex-snapshot
The Doing and the Deed: Action in Normative Ethics
inferred← citeshttps://doi.org/10.1017/s1358246118000188openalex-snapshot
Changing Metaphysics: What Difference does it Make?
inferred← citeshttps://doi.org/10.1037/pspi0000131openalex-snapshot
The art of influence: When and why deviant artists gain impact.
inferred← citeshttps://doi.org/10.1057/9780230227453_1openalex-snapshot
The Ontological Diversity of Visual Artworks
inferred← citeshttps://doi.org/10.1057/9780230227453_2openalex-snapshot
New Waves in Musical Ontology
inferred← citeshttps://doi.org/10.1057/9780230227453_6openalex-snapshot
A Metaphysics of Creativity
inferred← citeshttps://doi.org/10.1057/9780230227453_7openalex-snapshot
From Defining Art to Defining the Individual Arts: The Role of Theory in the Philosophies of Arts
inferred← citeshttps://doi.org/10.1057/9781137035424_8openalex-snapshot
Conceptions of the Text
inferred← citeshttps://doi.org/10.1057/9781137313713_13openalex-snapshot
Watching the Unwatchable: Irréversible, Empire, and the Paradox of Intentionally Inaccessible Art
inferred← citeshttps://doi.org/10.1057/s41280-016-0003-5openalex-snapshot
Mediating meanings: conservation of the Staffordshire Hoard
inferred← citeshttps://doi.org/10.1075/fillmopenalex-snapshot
FILLM Studies in Languages and Literatures
inferred← citeshttps://doi.org/10.1075/fillm.22openalex-snapshot
Literature as Experience-Inviting Discourse
inferred← citeshttps://doi.org/10.1075/fillm.22.c1openalex-snapshot
The ordinary-language model of verbal communication and a revised model
inferred← citeshttps://doi.org/10.1075/fillm.22.c10openalex-snapshot
Sixteen experience-oriented readers
inferred← citeshttps://doi.org/10.1075/fillm.22.c11openalex-snapshot
On evaluating acts of experience-oriented reading
inferred← citeshttps://doi.org/10.1075/fillm.22.c12openalex-snapshot
On how and why experience-oriented readers read literature
inferred← citeshttps://doi.org/10.1075/fillm.22.c2openalex-snapshot
The revised model and the idea of a literary work
inferred← citeshttps://doi.org/10.1075/fillm.22.c3openalex-snapshot
The revised model and the idea of utterance meaning
inferred← citeshttps://doi.org/10.1075/fillm.22.c4openalex-snapshot
On descriptions of reality
inferred← citeshttps://doi.org/10.1075/fillm.22.c5openalex-snapshot
The concept of literature and its uses
inferred← citeshttps://doi.org/10.1075/fillm.22.c6openalex-snapshot
Experience-inviting discourse and literature as an art
inferred← citeshttps://doi.org/10.1075/fillm.22.c7openalex-snapshot
The diversity of literature in the art sense
inferred← citeshttps://doi.org/10.1075/fillm.22.c8openalex-snapshot
About works and meanings in literary-critical discourse
inferred← citeshttps://doi.org/10.1075/fillm.22.c9openalex-snapshot
Two kinds of reading
inferred← citeshttps://doi.org/10.1075/fillm.22.conclusionopenalex-snapshot
Conclusion
inferred← citeshttps://doi.org/10.1075/fillm.22.contribopenalex-snapshot
Author bio
inferred← citeshttps://doi.org/10.1075/fillm.22.indexopenalex-snapshot
Index
inferred← citeshttps://doi.org/10.1075/fillm.22.intopenalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1075/fillm.22.preopenalex-snapshot
Preface
inferred← citeshttps://doi.org/10.1075/fillm.22.prefaceopenalex-snapshot
Series editor’s preface
inferred← citeshttps://doi.org/10.1075/fillm.22.prelimopenalex-snapshot
Prelim pages
inferred← citeshttps://doi.org/10.1075/fillm.22.refsopenalex-snapshot
Works cited
inferred← citeshttps://doi.org/10.1075/fillm.22.tocopenalex-snapshot
Table of contents
inferred← citeshttps://doi.org/10.1075/fillm.7openalex-snapshot
The Idea of a Text and the Nature of Textual Meaning
inferred← citeshttps://doi.org/10.1075/fillm.7.c1openalex-snapshot
The ordinary conception of a text and the cluster conception
inferred← citeshttps://doi.org/10.1075/fillm.7.c2openalex-snapshot
Exemplars of texts and complexes of signs
inferred← citeshttps://doi.org/10.1075/fillm.7.c3openalex-snapshot
Textual meaning
inferred← citeshttps://doi.org/10.1075/fillm.7.c4openalex-snapshot
A news story and a work of electronic literature
inferred← citeshttps://doi.org/10.1075/fillm.7.c5openalex-snapshot
A poem: “Dickinson 591”
inferred← citeshttps://doi.org/10.1075/fillm.7.c6openalex-snapshot
The standard linguistic perspective on text and textual meaning
inferred← citeshttps://doi.org/10.1075/fillm.7.c7openalex-snapshot
Analytic-aesthetic views of textual meaning
inferred← citeshttps://doi.org/10.1075/fillm.7.c8openalex-snapshot
Text and textual meaning as conceived by standard literary theory
inferred← citeshttps://doi.org/10.1075/fillm.7.c9openalex-snapshot
The idea that texts are unitary objects
inferred← citeshttps://doi.org/10.1075/fillm.7.conclusionopenalex-snapshot
Conclusion. An informal summary
inferred← citeshttps://doi.org/10.1075/fillm.7.ed-prefaceopenalex-snapshot
Series editor’s preface
inferred← citeshttps://doi.org/10.1075/fillm.7.indexopenalex-snapshot
Index
inferred← citeshttps://doi.org/10.1075/fillm.7.introopenalex-snapshot
Introduction. A theory of text and textual meaning
inferred← citeshttps://doi.org/10.1075/fillm.7.lofopenalex-snapshot
List of figures
inferred← citeshttps://doi.org/10.1075/fillm.7.preopenalex-snapshot
Preface
inferred← citeshttps://doi.org/10.1075/fillm.7.prelimopenalex-snapshot
Prelim pages
inferred← citeshttps://doi.org/10.1075/fillm.7.refsopenalex-snapshot
References
inferred← citeshttps://doi.org/10.1075/fillm.7.tocopenalex-snapshot
Table of contents
inferred← citeshttps://doi.org/10.1080/00048400903207104openalex-snapshot
Against Value Empiricism in Aesthetics
inferred← citeshttps://doi.org/10.1080/00048402.2018.1502333openalex-snapshot
Meriting a Response: The Paradox of Seductive Artworks
inferred← citeshttps://doi.org/10.1080/00393630.2016.1181929openalex-snapshot
Transitional media: duration, recursion, and the paradigm of conservation
inferred← citeshttps://doi.org/10.1080/00393630.2021.1974237openalex-snapshot
Variants of Concern: Authenticity, Conservation, and the Type-Token Distinction
inferred← citeshttps://doi.org/10.1080/00455091.2017.1357993openalex-snapshot
Fictionalism about musical works
inferred← citeshttps://doi.org/10.1080/00948705.2021.1948336openalex-snapshot
Art, aesthetics, and the medium: comments for Nguyen on the art-status of games
inferred← citeshttps://doi.org/10.1080/14682761.2015.1132898openalex-snapshot
Film still: ‘The Artistic Impulse to Document’ in Tacita Dean’sCraneway Event
inferred← citeshttps://doi.org/10.1080/14766825.2018.1541993openalex-snapshot
Re-creating rural performing arts for tourism in Indonesia
inferred← citeshttps://doi.org/10.1080/17503175.2015.1133262openalex-snapshot
The problem of peer review in screen production: exploring issues and proposing solutions
inferred← citeshttps://doi.org/10.1080/17503175.2018.1539539openalex-snapshot
Electroacoustic moviemaking: a creative media practice research collaboration case study
inferred← citeshttps://doi.org/10.1080/20004214.2021.2010912openalex-snapshot
How to think about how to think about aesthetic value
inferred← citeshttps://doi.org/10.1080/20004214.2024.2395511openalex-snapshot
What AI “art” can teach us about art
inferred← citeshttps://doi.org/10.1080/25741136.2021.1904615openalex-snapshot
Narrative in VR journalism: research into practice
inferred← citeshttps://doi.org/10.1093/0199278067.001.0001openalex-snapshot
Art and Intention
inferred← citeshttps://doi.org/10.1093/0199278067.001.0001.002.003openalex-snapshot
Copyright Page
inferred← citeshttps://doi.org/10.1093/0199278067.001.0001.002.004openalex-snapshot
Dedication
inferred← citeshttps://doi.org/10.1093/0199278067.001.0001.002.007openalex-snapshot
List of Figures
inferred← citeshttps://doi.org/10.1093/0199278067.002.0001openalex-snapshot
Preface
inferred← citeshttps://doi.org/10.1093/0199278067.003.0001openalex-snapshot
Chapter 1 WHAT ARE INTENTIONS?
inferred← citeshttps://doi.org/10.1093/0199278067.003.0002openalex-snapshot
Chapter 2 INTENTION AND THE CREATION OF ART
inferred← citeshttps://doi.org/10.1093/0199278067.003.0003openalex-snapshot
Chapter 3 AUTHORSHIP, INDIVIDUAL AND COLLECTIVE
inferred← citeshttps://doi.org/10.1093/0199278067.003.0004openalex-snapshot
Chapter 4 INTENTIONS AND OEUVRES
inferred← citeshttps://doi.org/10.1093/0199278067.003.0005openalex-snapshot
Chapter 5 TEXTS, WORKS, VERSIONS (WITH REFERENCE TO THE INTENTIONS OF MONSIEUR PIERRE MENARD)
inferred← citeshttps://doi.org/10.1093/0199278067.003.0006openalex-snapshot
Chapter 6 INTENTION AND THE INTERPRETATION OF ART
inferred← citeshttps://doi.org/10.1093/0199278067.003.0007openalex-snapshot
Chapter 7 FICTION AND FICTIONAL TRUTH
inferred← citeshttps://doi.org/10.1093/0199278067.003.0008openalex-snapshot
CONCLUSION
inferred← citeshttps://doi.org/10.1093/9780191815423.003.0007openalex-snapshot
The Ontology of Art
inferred← citeshttps://doi.org/10.1093/9780191938337.001.0001openalex-snapshot
Singularities
inferred← citeshttps://doi.org/10.1093/9780191938337.002.0005openalex-snapshot
Preface
inferred← citeshttps://doi.org/10.1093/9780191938337.002.0006openalex-snapshot
Abstracts
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0001openalex-snapshot
Introduction
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R.G. Collingwood
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0003openalex-snapshot
Against Musical Ontology
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0004openalex-snapshot
Pieces of Music and Pinches of Salt
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0005openalex-snapshot
Acting for Aesthetic Reasons
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0006openalex-snapshot
Why Ethics and Aesthetics Are Practically the Same
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0007openalex-snapshot
Making Art, Making Craft
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0008openalex-snapshot
Kant’s Aesthetic Ideas
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0009openalex-snapshot
On the Musically Possible
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0010openalex-snapshot
Song as a Whole
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0011openalex-snapshot
Bad Art
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0012openalex-snapshot
Critical Conversions
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0013openalex-snapshot
Persona Sometimes Grata
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0014openalex-snapshot
Religious Music for Godless Ears
inferred← citeshttps://doi.org/10.1093/9780191938337.003.0015openalex-snapshot
Art Works
inferred← citeshttps://doi.org/10.1093/9780197565124.003.0039openalex-snapshot
Art and Aesthetic Properties
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.001.0001openalex-snapshot
Ordinary Objects
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.001.0001.002.003openalex-snapshot
Copyright Page
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.001.0001.002.004openalex-snapshot
Dedication
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.003.0001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.003.0002openalex-snapshot
Problems of Causal Redundancy
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.003.0003openalex-snapshot
Analyticity and Conceptual Content
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.003.0004openalex-snapshot
Identity, Persistence, and Modality
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.003.0005openalex-snapshot
Problems of Colocation
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.003.0006openalex-snapshot
Problems of Vagueness
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.003.0007openalex-snapshot
Handling Existence Questions
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.003.0008openalex-snapshot
The Special Composition Problem
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.003.0009openalex-snapshot
Problems of Rivalry with Science
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.003.0010openalex-snapshot
Parsimony and Ontological Commitment
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.003.0011openalex-snapshot
A Coherent Common Sense View
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195319910.003.0012openalex-snapshot
The Methods of Metaphysics
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