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Intuitions in the Ontology of Musical Works

https://doi.org/10.1007/s13164-021-00535-8

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What this work says

Outgoing claims: the papers this work cites, builds on, or argues with.

inferredcites →https://doi.org/10.1002/0470018860.s00293openalex-snapshot

Semantics and Cognition

inferredcites →https://doi.org/10.1002/9780470774922openalex-snapshot

Art as Performance

inferredcites →https://doi.org/10.1007/978-1-349-20038-2openalex-snapshot

An Ontology of Art

inferredcites →https://doi.org/10.1007/978-3-030-38242-1_16openalex-snapshot

Methodology in the Ontology of Artworks: Exploring Hermeneutic Fictionalism

inferredcites →https://doi.org/10.1007/s11098-012-9999-zopenalex-snapshot

Adventures in the metaontology of art: local descriptivism, artefacts and dreamcatchers

inferredcites →https://doi.org/10.1007/s11098-018-1207-3openalex-snapshot

Why can’t I change Bruckner’s Eighth Symphony?

inferredcites →https://doi.org/10.1007/s11229-014-0555-6openalex-snapshot

Persistence through function preservation

inferredcites →https://doi.org/10.1007/s11466-011-0139-1openalex-snapshot

The Ontology of Musical Works: A Philosophical Pseudo-Problem

inferredcites →https://doi.org/10.1016/j.cognition.2013.12.005openalex-snapshot

The essential moral self

inferredcites →https://doi.org/10.1037/0012-1649.35.6.1440openalex-snapshot

Why are rocks pointy? Children's preference for teleological explanations of th natural world.

inferredcites →https://doi.org/10.1080/00048402.2017.1281323openalex-snapshot

A Return to Musical Idealism

inferredcites →https://doi.org/10.1080/00455091.2017.1357993openalex-snapshot

Fictionalism about musical works

inferredcites →https://doi.org/10.1093/0199241589.001.0001openalex-snapshot

Musical Works and Performances

inferredcites →https://doi.org/10.1093/acprof:oso/9780199284375.001.0001openalex-snapshot

Works of Music: An Essay in Ontology

inferredcites →https://doi.org/10.1093/acprof:oso/9780199691494.001.0001openalex-snapshot

Art and Abstract Objects

inferredcites →https://doi.org/10.1093/acprof:oso/9780199691494.003.0006openalex-snapshot

Historical Individuals Like Anas platyrhynchos and ‘Classical Gas’

inferredcites →https://doi.org/10.1093/acprof:oso/9780199691494.003.0008openalex-snapshot

Against Repeatable Artworks

inferredcites →https://doi.org/10.1093/acprof:oso/9780199691494.003.0010openalex-snapshot

Platonism vs. Nominalism in Contemporary Musical Ontology

inferredcites →https://doi.org/10.1093/acprof:oso/9780199691494.003.0014openalex-snapshot

Musical Works: A Mash-Up

inferredcites →https://doi.org/10.1093/aesthj/ayj004openalex-snapshot

Defending Musical Perdurantism

inferredcites →https://doi.org/10.1093/aesthj/ayj019openalex-snapshot

The Sound of the Concerto. Against The Invariantist Approach to Musical Ontology

inferredcites →https://doi.org/10.1093/aesthj/ayn022openalex-snapshot

There are No Things That are Musical Works

inferredcites →https://doi.org/10.1093/aesthj/ayn034openalex-snapshot

The Methodology of Musical Ontology: Descriptivism and its Implications

inferredcites →https://doi.org/10.1093/aesthj/ayn050openalex-snapshot

Philosophers on Music: Experience, Meaning, and Work

inferredcites →https://doi.org/10.1093/aesthj/ayp001openalex-snapshot

Dodd on the 'Audibility' of Musical Works

inferredcites →https://doi.org/10.1093/aesthj/ayq028openalex-snapshot

Musical Materialism

inferredcites →https://doi.org/10.1093/aesthj/ayr002openalex-snapshot

Do Higher-Order Music Ontologies Rest on a Mistake?

inferredcites →https://doi.org/10.1093/aesthj/ayu102openalex-snapshot

Against Kania’s Fictionalism about Musical Works

inferredcites →https://doi.org/10.1093/aesthj/ayv047openalex-snapshot

Unperformable Works and the Ontology of Music

inferredcites →https://doi.org/10.1093/aesthj/ayz051openalex-snapshot

Intuitions on the Individuation of Musical Works. An Empirical Study

inferredcites →https://doi.org/10.1093/bjaesthetics/26.2.133openalex-snapshot

A DEFENCE OF MUSICAL IDEALISM

inferredcites →https://doi.org/10.1093/bjaesthetics/41.3.279openalex-snapshot

Musical Ontology and the Argument From Creation

inferredcites →https://doi.org/10.1093/bjaesthetics/42.2.105openalex-snapshot

Types, Indicated and Initiated

inferredcites →https://doi.org/10.1093/bjaesthetics/44.2.113openalex-snapshot

Can a Musical Work Be Created?

inferredcites →https://doi.org/10.1093/bjps/viii.29.1openalex-snapshot

THE SCOPE AND LANGUAGE OF SCIENCE

inferredcites →https://doi.org/10.1093/oso/9780190639679.003.0015openalex-snapshot

Cognitive Science for the Revisionary Metaphysician

inferredcites →https://doi.org/10.1093/oso/9780199213344.003.0003openalex-snapshot

Doing Justice to Musical Works

inferredcites →https://doi.org/10.1111/1468-0378.00182openalex-snapshot

Artworks as Historical Individuals

inferredcites →https://doi.org/10.1111/1540_6245.jaac49.2.0129openalex-snapshot

Discovery, Creation, and Musical Works

inferredcites →https://doi.org/10.1111/cogs.12364openalex-snapshot

Normative Judgments and Individual Essence

inferredcites →https://doi.org/10.1111/ejop.12247openalex-snapshot

The Ontology of Musical Works and the Role of Intuitions: An Experimental Study

inferredcites →https://doi.org/10.1111/j.0021-8529.2005.00202.xopenalex-snapshot

The Ontology of Art and Knowledge in Aesthetics

inferredcites →https://doi.org/10.1111/j.1467-9973.2008.00524.xopenalex-snapshot

MUSIC AND METAPHYSICS

inferredcites →https://doi.org/10.1111/j.1467-9973.2010.01678.xopenalex-snapshot

ART CONCEPT PLURALISM

inferredcites →https://doi.org/10.1111/j.1540-6245.2009.01367.xopenalex-snapshot

Methodological Questions about the Ontology of Music

inferredcites →https://doi.org/10.1111/j.1747-9991.2006.00021.xopenalex-snapshot

Debates about the Ontology of Art: What are We Doing Here?

inferredcites →https://doi.org/10.1111/jaac.12088openalex-snapshot

Upholding Standards: A Realist Ontology of Standard Form Jazz

inferredcites →https://doi.org/10.1111/jaac.12348openalex-snapshot

Descriptivism and Its Discontents

inferredcites →https://doi.org/10.1111/jaac.12435openalex-snapshot

The Property Theory of Musical Works

inferredcites →https://doi.org/10.1111/jaac.12579openalex-snapshot

Every Performance Is a Stage: Musical Stage Theory as a Novel Account for the Ontology of Musical Works

inferredcites →https://doi.org/10.1111/jaac.12651openalex-snapshot

The Ontology of Musical Versions: Introducing the Hypothesis of Nested Types

inferredcites →https://doi.org/10.1111/jaac.12743openalex-snapshot

Is Moruzzi's Musical Stage Theory Advantaged?

inferredcites →https://doi.org/10.1111/phc3.12271openalex-snapshot

Experimental Philosophy of Aesthetics

inferredcites →https://doi.org/10.1163/18756735-000004openalex-snapshot

Musical Perdurantism and the Problem of Intermittent Existence

inferredcites →https://doi.org/10.1163/18756735-90000194openalex-snapshot

PLATONISM IN MUSIC: A KIND OF DEFENSE

inferredcites →https://doi.org/10.1163/9789401206020openalex-snapshot

Grazer Philosophische Studien

inferredcites →https://doi.org/10.1215/00222909-3651953openalex-snapshot

In Other Shoes: Music, Metaphor, Empathy, Existence

inferredcites →https://doi.org/10.13128/aisthesis-14096openalex-snapshot

Is there an Ontological Musical Common Sense?

inferredcites →https://doi.org/10.1353/cjp.0.0030openalex-snapshot

Modality, Individuation, and the Ontology of Art

inferredcites →https://doi.org/10.2307/1002986openalex-snapshot

The Fine Art of Repetition: Essays in the Philosophy of Music

inferredcites →https://doi.org/10.2307/2025596openalex-snapshot

What a Musical Work Is

inferredcites →https://doi.org/10.2307/2026135openalex-snapshot

Works and Worlds of Art.

inferredcites →https://doi.org/10.2307/2108298openalex-snapshot

The Fine Art of Repetition: Essays in the Philosophy of Music.

inferredcites →https://doi.org/10.2307/2184719openalex-snapshot

Semantics and Cognition.

inferredcites →https://doi.org/10.2307/3048723openalex-snapshot

Languages of Art, an Approach to a Theory of Symbols

inferredcites →https://doi.org/10.2307/429685openalex-snapshot

Musical Identity

inferredcites →https://doi.org/10.2307/430358openalex-snapshot

Art and Its Objects

inferredcites →https://doi.org/10.2307/431408openalex-snapshot

Music, Art, and Metaphysics: Essays in Philosophical Aesthetics

inferredcites →https://doi.org/10.2307/431899openalex-snapshot

The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music

inferredcites →https://doi.org/10.2307/771730openalex-snapshot

The Principles of Art

inferredcites →https://doi.org/10.33134/eeja.161openalex-snapshot

Not Music, but Musics: A Case for Conceptual Pluralism in Aesthetics

inferredcites →https://doi.org/10.5840/ipq200444177openalex-snapshot

Themes in the Philosophy of Music

inferredcites →https://doi.org/10.5840/jphil200310046openalex-snapshot

Against Musical Ontology

inferredcites →https://doi.org/10.5840/monist201295211openalex-snapshot

Experimental Philosophy and the Methods of Ontology

inferredcites →https://doi.org/10.5840/monist201295433openalex-snapshot

Musical Ontology, Musical Reasons

inferredcites →https://doi.org/10.5860/choice.191809openalex-snapshot

In other shoes: music, metaphor, empathy, existence

inferredcites →https://doi.org/10.5860/choice.30-4918openalex-snapshot

The imaginary museum of musical works: an essay in the philosophy of music

inferredcites →https://doi.org/10.5860/choice.41-1458openalex-snapshot

Themes in the philosophy of music

What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

inferred← citeshttps://doi.org/10.2139/ssrn.3827314openalex-extracted

Can Artificial Intelligence Make Art?

inferred← citeshttps://doi.org/10.1007/978-3-031-62395-0_12openalex-snapshot

Shaking Music Intuitions by Othernessing the Wilderness

inferred← citeshttps://doi.org/10.1007/s11229-024-04812-8openalex-snapshot

The folk concept of art

inferred← citeshttps://doi.org/10.1145/3530875openalex-snapshot

Can Artificial Intelligence Make Art?: Folk Intuitions as to whether AI-driven Robots Can Be Viewed as Artists and Produce Art

inferred← citeshttps://doi.org/10.31234/osf.io/kzp5copenalex-snapshot

Experimental philosophy of aesthetics

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