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The editorial playlist as container technology: on Spotify and the logistical role of digital music packages

https://doi.org/10.1080/17530350.2019.1708780
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What this work says

Outgoing claims: the papers this work cites, builds on, or argues with.

inferredcites →https://doi.org/10.1007/978-3-658-21220-9_2openalex-snapshot
Knowing Me, Knowing You: Datafication on Music Streaming Platforms
inferredcites →https://doi.org/10.1017/s0261143000001562openalex-snapshot
The record industry: the growth of a mass medium
inferredcites →https://doi.org/10.1017/s026114301500032xopenalex-snapshot
Decomposed: a political ecology of music
inferredcites →https://doi.org/10.1080/02757206.2017.1397648openalex-snapshot
Free ports and steel containers: The corpora delicti of artefact trafficking
inferredcites →https://doi.org/10.1080/03007760500159088openalex-snapshot
Mixed Blessings: The Commercial Mix and the Future of Music Aggregation
inferredcites →https://doi.org/10.1080/03007766.2015.1021174openalex-snapshot
The Playlist Experience: Personal Playlists in Music Streaming Services
inferredcites →https://doi.org/10.1080/09505431.2016.1182971openalex-snapshot
Mutations of the Container Principle: Containerization Stage Two
inferredcites →https://doi.org/10.1080/13688804.2014.949434openalex-snapshot
Piracy: The Intellectual Property Wars from Gutenberg to Gates
inferredcites →https://doi.org/10.1080/1600910x.2012.728533openalex-snapshot
Five theses on understanding logistics as power
inferredcites →https://doi.org/10.1080/17510694.2015.1090222openalex-snapshot
Control, curation and musical experience in streaming music services
inferredcites →https://doi.org/10.1080/17530350.2018.1463864openalex-snapshot
The skin of commerce: governing through plastic food packaging
inferredcites →https://doi.org/10.1086/677034openalex-snapshot
Mediterranean Containerization
inferredcites →https://doi.org/10.1111/j.1527-2001.2000.tb00322.xopenalex-snapshot
Container Technologies
inferredcites →https://doi.org/10.1162/leon_r_01205openalex-snapshot
The Container Principle: How a Box Changes the Way We Think
inferredcites →https://doi.org/10.1177/0263775818783101openalex-snapshot
Introduction: Turbulent Circulation: Building a Critical Engagement with Logistics
inferredcites →https://doi.org/10.1177/2056305119847514openalex-snapshot
Genres as Social Affect: Cultivating Moods and Emotions through Playlists on Spotify
inferredcites →https://doi.org/10.1201/9781420035179openalex-snapshot
Handbook of Data Structures and Applications
inferredcites →https://doi.org/10.1215/00222909-2008-011openalex-snapshot
The Oxford History of Western Music
inferredcites →https://doi.org/10.1215/9780822384250openalex-snapshot
The Audible Past
inferredcites →https://doi.org/10.1215/9780822395522openalex-snapshot
MP3
inferredcites →https://doi.org/10.12929/jls.10.2.07openalex-snapshot
Encapsulation: Inner Worlds and Their Discontents
inferredcites →https://doi.org/10.1525/9780520947351openalex-snapshot
Capturing Sound
inferredcites →https://doi.org/10.1525/9780520962934openalex-snapshot
Selling Digital Music, Formatting Culture
inferredcites →https://doi.org/10.2307/j.ctt21kk1v2openalex-snapshot
Choke Points
inferredcites →https://doi.org/10.3726/978-1-4539-1868-5openalex-snapshot
Digital Contagions
inferredcites →https://doi.org/10.4324/9780203758113openalex-snapshot
Software, Infrastructure, Labor
inferredcites →https://doi.org/10.5040/9781628927924openalex-snapshot
Error: Glitch, Noise, and Jam in New Media Cultures
inferredcites →https://doi.org/10.5860/choice.31-5954openalex-snapshot
Payola in the music industry: a history, 1880-1991
inferredcites →https://doi.org/10.7146/aprja.v7i1.115066openalex-snapshot
Unpacking Online Streams
inferredcites →https://doi.org/10.7208/chicago/9780226401201.001.0001openalex-snapshot
Piracy
inferredcites →https://doi.org/10.7551/mitpress/10932.001.0001openalex-snapshot
Spotify Teardown

What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

inferred← citeshttps://doi.org/10.2139/ssrn.4499080openalex-extracted
An American Bias in a Local Music Streaming Market?
inferred← citeshttps://doi.org/10.1007/978-3-658-39145-4_13openalex-snapshot
Musicube – Semantische Musiksuche mittels KI-generierter Daten
inferred← citeshttps://doi.org/10.1007/s00779-023-01729-wopenalex-snapshot
Collecting streaming music increases listening enjoyment
inferred← citeshttps://doi.org/10.1007/s13132-026-03462-0openalex-snapshot
The Nexus Between Artificial Intelligence (AI) and Digital Platforms: A Hybrid Review and Research Agenda
inferred← citeshttps://doi.org/10.1016/j.diggeo.2022.100040openalex-snapshot
Guided by data: A logistical approach to tourism in the platform economy
inferred← citeshttps://doi.org/10.1016/j.tmp.2023.101154openalex-snapshot
How emotions sound. A literature review of music as an emotional tool in tourism marketing
inferred← citeshttps://doi.org/10.1017/fas.2025.10015openalex-snapshot
From Adorno to 50 Cent: Financialized platform capitalism, Spotify, and the culture industry in the twenty-first century
inferred← citeshttps://doi.org/10.1017/s0261143025101207openalex-snapshot
Platformed indie : Poptimism in Italian digital music culture
inferred← citeshttps://doi.org/10.1080/03007766.2023.2286569openalex-snapshot
Stories and Data: Australian Musicians Navigating the Spotify for Artists Platform
inferred← citeshttps://doi.org/10.1080/09548963.2026.2671810openalex-snapshot
Black music in Canada: cultural power, economic impact, and systemic inequities
inferred← citeshttps://doi.org/10.1080/14683849.2026.2625903openalex-snapshot
The foundation and transformation of the Turkish rap field (2002-2023): a multiple correspondence analysis
inferred← citeshttps://doi.org/10.1080/15295036.2025.2569518openalex-snapshot
Containing feminism at games industry parties
inferred← citeshttps://doi.org/10.1080/15295036.2025.2586785openalex-snapshot
Formatting resistance: the storage politics of game mods
inferred← citeshttps://doi.org/10.1080/15358593.2021.1934522openalex-snapshot
Engineering culture: logics of optimization in music, games, and apps
inferred← citeshttps://doi.org/10.1080/17530350.2020.1819374openalex-snapshot
From selling songs to engineering experiences: exploring the competitive strategies of music streaming platforms
inferred← citeshttps://doi.org/10.1080/17530350.2022.2058061openalex-snapshot
Playing Spotify’s game: artists’ approaches to playlisting in Latin America
inferred← citeshttps://doi.org/10.1080/17530350.2023.2225525openalex-snapshot
‘A video or a flat fee?’ on the performances of concert fees
inferred← citeshttps://doi.org/10.1080/17530350.2024.2302152openalex-snapshot
Poverty among riches: understanding the contracted economy for recorded music and its impact on market actors
inferred← citeshttps://doi.org/10.1080/19401159.2024.2346999openalex-snapshot
“I Tried to Have a Father but Instead I Had a Dad”: Defining Dad Rock
inferred← citeshttps://doi.org/10.1108/jd-08-2023-0152openalex-snapshot
Playlists and genre: the role of music genre in Spotify’s playlists
inferred← citeshttps://doi.org/10.1108/s1529-213420220000026012openalex-snapshot
How Cognitive Institutions and Interpretative Rationality Enable Markets with Infinite Variety
inferred← citeshttps://doi.org/10.1109/ccnc51664.2024.10454829openalex-snapshot
On Using Artificial Intelligence to Predict Music Playlist Success
inferred← citeshttps://doi.org/10.1145/3428757.3429151openalex-snapshot
Music Discovery as Differentiation Strategy for Streaming Providers
inferred← citeshttps://doi.org/10.1155/2022/9002093openalex-snapshot
Music Morphology Interaction under Artificial Intelligence in Wireless Network Environment
inferred← citeshttps://doi.org/10.1177/02762374221128729openalex-snapshot
The Curation of Music Discovery: The Presentation of Unfamiliar Classical Music on Radio, Digital Playlists and Concert Programmes
inferred← citeshttps://doi.org/10.1177/13675494251329239openalex-snapshot
Music streaming, cultural consumption and the everyday routines of algorithm management: Exploring how trust and objective setting shape everyday encounters with algorithmic systems
inferred← citeshttps://doi.org/10.1177/14614448211022161openalex-snapshot
“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system
inferred← citeshttps://doi.org/10.1177/14614448211027863openalex-snapshot
The promise of personalisation: Exploring how music streaming platforms are shaping the performance of class identities and distinction
inferred← citeshttps://doi.org/10.1177/14614448211036356openalex-snapshot
Beyond the platform: Music streaming as a site of logistical and symbolic struggle
inferred← citeshttps://doi.org/10.1177/2056305120933291openalex-snapshot
Locating Power in Platformization: Music Streaming Playlists and Curatorial Power
inferred← citeshttps://doi.org/10.1177/20563051231224272openalex-snapshot
Make-Do-With Listening: Competence, Distinction, and Resignation on Music Streaming Platforms
inferred← citeshttps://doi.org/10.1177/20563051241274658openalex-snapshot
Being a “Global Music Platform”: Platform Work in Light-Tech Capitalism
inferred← citeshttps://doi.org/10.1177/27523543241269047openalex-snapshot
Impacts of AI on Music Consumption and Fairness
inferred← citeshttps://doi.org/10.1215/9781478027874-001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1215/9781478027874-002openalex-snapshot
Streaming Music
inferred← citeshttps://doi.org/10.1215/9781478027874-003openalex-snapshot
Streaming Capital
inferred← citeshttps://doi.org/10.1215/9781478027874-004openalex-snapshot
Music as a Technology of Surveillance
inferred← citeshttps://doi.org/10.1215/9781478027874-005openalex-snapshot
Counterfeiting Attention in the Streaming Economy: Spam, Click Fraud, and Fake Artists
inferred← citeshttps://doi.org/10.1215/9781478027874-006openalex-snapshot
Streaming, Cheap Music, and the Crises of Social Reproduction
inferred← citeshttps://doi.org/10.1215/9781478027874-007openalex-snapshot
Epilogue
inferred← citeshttps://doi.org/10.1215/9781478027874-008openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.1215/9781478027874-009openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.15517/es.v81i2.49478openalex-snapshot
Capitalismo de plataformas, producción y consumo de música: el caso de Spotify
inferred← citeshttps://doi.org/10.21529/recadm.2022010openalex-snapshot
O impacto da Covid-19 na transformação digital da indústria da música
inferred← citeshttps://doi.org/10.26481/dis.20230704dpopenalex-snapshot
Archives of change
inferred← citeshttps://doi.org/10.31449/inf.v48i5.5474openalex-snapshot
Multi-genre Digital Music Based on Artificial Intelligence Automation Assisted Composition System
inferred← citeshttps://doi.org/10.3145/epi.2022.sep.16openalex-snapshot
Big data in radio broadcasting companies: applications and evolution
inferred← citeshttps://doi.org/10.3390/s22103722openalex-snapshot
Controllable Music Playlist Generation Based on Knowledge Graph and Reinforcement Learning
inferred← citeshttps://doi.org/10.4337/9781789906271.00013openalex-snapshot
References
inferred← citeshttps://doi.org/10.5507/ff.25.24466422openalex-snapshot
Hudba z periferie. Prostředníci a nerovnosti v přeshraniční distribuci české hudby v éře platforem
inferred← citeshttps://doi.org/10.5617/jea.10298openalex-snapshot
Music, Phones and Bank Loans
inferred← citeshttps://doi.org/10.56849/jpf.v4i1.80openalex-snapshot
Analisis Komprehensif terhadap Tantangan dan Peluang dalam Produksi Video dan Audio Digital Tingkat Lanjut
inferred← citeshttps://doi.org/10.5771/9783748943815-303openalex-snapshot
A New Value of Music? Some Preliminary Elements on the Emergence of the MusicTech
inferred← citeshttps://doi.org/10.64628/aa.3em9myg5yopenalex-snapshot
Criticisms against Spotify keep mounting. Luckily there are alternatives
inferred← citeshttps://doi.org/10.70675/067705c4z4710z45b7za2c2z2c82fd9a0b13openalex-snapshot
The platformization of the news : publishers' relationships with messaging platforms and the adoption of thesetools for news distribution and audience engagement
inferred← citeshttps://doi.org/10.70675/c0ded99cz3d21z47f6zaddbzece055dbaf4eopenalex-snapshot
Faire compter la musique. Comment recomposer le live à travers le numérique (Sofar Sounds, 2017-2020)
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