On the public citation graph

Selling Digital Music, Formatting Culture

https://doi.org/10.1525/9780520962934
0 signed · 215 inferred · view as graph

Inferred edges come from two machine sources: sweeps of open repository metadata (mostly SSRN and Zenodo), and a bulk OpenAlex citation snapshot. Every row below is labelled with the one it came from. Neither is a complete citation index — absence here is not evidence of absence.

Is this your work? Sign in with ORCID and put your name on the claims that are yours.
Claim with ORCID
Reference health. See whether every reference in this work resolves to a known work and none has been retracted — and get a dated CiteStamped badge you can embed.
See reference health

What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

inferred← citeshttps://doi.org/10.2139/ssrn.5184608openalex-extracted
Linguistic Complexity and Socio-cultural Patterns in Hip-Hop Lyrics
inferred← citeshttps://doi.org/10.1002/9781118646151.ch15openalex-snapshot
Television Music
inferred← citeshttps://doi.org/10.1007/978-3-030-16569-7_5openalex-snapshot
Multimodal Scholarship in World Soundscape Project Composition: Toward a Different Media-Theoretical Legacy (Or: The WSP as OG DH)
inferred← citeshttps://doi.org/10.1007/978-3-030-44659-8_2openalex-snapshot
Music Scenes as Infrastructures: From Live Venues to Algorithmic Data
inferred← citeshttps://doi.org/10.1007/978-3-031-43965-0_2openalex-snapshot
Streaming: Where It Comes From
inferred← citeshttps://doi.org/10.1007/978-3-031-55217-5_18openalex-snapshot
Raising My Voice: Japanese Visual Kei and Musical (Self-)discovery
inferred← citeshttps://doi.org/10.1007/978-3-031-64013-1_10openalex-snapshot
Solidarity Under Monopoly and Labor Withdrawal in the Music Industry
inferred← citeshttps://doi.org/10.1007/978-3-031-66363-5_10openalex-snapshot
Digitalization and the Long Tail: Perspectives of Music Producers from Småland
inferred← citeshttps://doi.org/10.1007/978-3-031-67814-1_1openalex-snapshot
What Are the Challenges Facing the BBC?
inferred← citeshttps://doi.org/10.1007/978-3-658-21165-3_6openalex-snapshot
Recommender Systems in der populären Musik
inferred← citeshttps://doi.org/10.1007/s00146-023-01692-3openalex-snapshot
The unwitting labourer: extracting humanness in AI training
inferred← citeshttps://doi.org/10.1016/j.intman.2025.101237openalex-snapshot
The culprit behind bootleg music: The diverging roles of formal and informal institutions
inferred← citeshttps://doi.org/10.1017/9781316676639openalex-snapshot
The Cambridge Companion to Music in Digital Culture
inferred← citeshttps://doi.org/10.1017/9781316676639.001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1017/9781316676639.002openalex-snapshot
Digital Technology and Cultural Practice
inferred← citeshttps://doi.org/10.1017/9781316676639.003openalex-snapshot
Whatever Happened to Tape-Trading?
inferred← citeshttps://doi.org/10.1017/9781316676639.004openalex-snapshot
Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes
inferred← citeshttps://doi.org/10.1017/9781316676639.005openalex-snapshot
On Serving as an Expert Witness in the ‘Blurred Lines’ Case
inferred← citeshttps://doi.org/10.1017/9781316676639.006openalex-snapshot
Shaping the Stream: Techniques and Troubles of Algorithmic Recommendation
inferred← citeshttps://doi.org/10.1017/9781316676639.007openalex-snapshot
Being a Curator
inferred← citeshttps://doi.org/10.1017/9781316676639.008openalex-snapshot
Can Machines Have Taste?
inferred← citeshttps://doi.org/10.1017/9781316676639.009openalex-snapshot
Technologies of the Musical Selfie
inferred← citeshttps://doi.org/10.1017/9781316676639.010openalex-snapshot
Vaporwave is Dead, Long Live Vaporwave!
inferred← citeshttps://doi.org/10.1017/9781316676639.011openalex-snapshot
Witnessing Race in the New Digital Cinema
inferred← citeshttps://doi.org/10.1017/9781316676639.012openalex-snapshot
Giving History a Voice
inferred← citeshttps://doi.org/10.1017/9781316676639.013openalex-snapshot
Digital Devotion: Musical Multimedia in Online Ritual and Religious Practice
inferred← citeshttps://doi.org/10.1017/9781316676639.014openalex-snapshot
Technicians of Ecstasy
inferred← citeshttps://doi.org/10.1017/9781316676639.015openalex-snapshot
Live Coded Mashup with the Humming Wires
inferred← citeshttps://doi.org/10.1017/9781316676639.016openalex-snapshot
Algorave: Dancing to Algorithms
inferred← citeshttps://doi.org/10.1017/9781316676639.017openalex-snapshot
Rethinking Liveness in the Digital Age
inferred← citeshttps://doi.org/10.1017/9781316676639.018openalex-snapshot
Augmenting Musical Performance
inferred← citeshttps://doi.org/10.1017/9781316676639.019openalex-snapshot
Digital Demons, Real and Imagined
inferred← citeshttps://doi.org/10.1017/9781316676639.020openalex-snapshot
Composing with Sounds as Images
inferred← citeshttps://doi.org/10.1017/9781316676639.021openalex-snapshot
Compositional Approaches to Film, TV and Video Games
inferred← citeshttps://doi.org/10.1017/9781316676639.022openalex-snapshot
Virtual Worlds from Recording to Video Games
inferred← citeshttps://doi.org/10.1017/9781316676639.023openalex-snapshot
Digital Voices: Posthumanism and the Generation of Empathy
inferred← citeshttps://doi.org/10.1017/9781316676639.024openalex-snapshot
In the Wake of the Virtual
inferred← citeshttps://doi.org/10.1017/9781316676639.025openalex-snapshot
Digital Inequalities and Global Sounds
inferred← citeshttps://doi.org/10.1017/9781316676639.026openalex-snapshot
The Political Economy of Streaming
inferred← citeshttps://doi.org/10.1017/9781316676639.027openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.1017/9781316676639.028openalex-snapshot
Index
inferred← citeshttps://doi.org/10.1017/s0021911820002405openalex-snapshot
The Platformization of Culture: Webtoon Platforms and Media Ecology in Korea and Beyond
inferred← citeshttps://doi.org/10.1017/s1752196318000196openalex-snapshot
Music as a Technology of Surveillance
inferred← citeshttps://doi.org/10.1080/03007766.2021.1921909openalex-snapshot
Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization
inferred← citeshttps://doi.org/10.1080/03007766.2021.2010028openalex-snapshot
Independent Canadian Music in the Streaming Age: The Sound from above (Critical Political Economy) and below (Ethnography of Musicians)
inferred← citeshttps://doi.org/10.1080/03007766.2022.2163836openalex-snapshot
Musicking Assemblages and the Material Contingency of Sound: Mostly Other People Do the Killing’s Re-enactment of Kind of Blue
inferred← citeshttps://doi.org/10.1080/03007766.2025.2492500openalex-snapshot
“More Where That Came From”: How the Voice of Randy Travis Helps to Normalize AI
inferred← citeshttps://doi.org/10.1080/03007766.2025.2516992openalex-snapshot
Safer Covachas —Preserving Digital Music in Cassettes: Grassroots Archiving Practices of Independent Record Labels in Contemporary Argentina
inferred← citeshttps://doi.org/10.1080/09502386.2021.1895247openalex-snapshot
Tuning sound for infrastructures: artificial intelligence, automation, and the cultural politics of audio mastering
inferred← citeshttps://doi.org/10.1080/10286632.2016.1248951openalex-snapshot
The social and built infrastructure of cultural policy: between selective popular memory and future plans
inferred← citeshttps://doi.org/10.1080/10286632.2024.2318392openalex-snapshot
Toward a decentralized copyright infrastructure as a ‘public service’: the case of Digiciti and Estonia
inferred← citeshttps://doi.org/10.1080/10286632.2024.2356169openalex-snapshot
Mirroring the inequalities of mainstream music platforms: popularity, revenue, and monetization strategies on Bandcamp
inferred← citeshttps://doi.org/10.1080/10304312.2025.2456022openalex-snapshot
Between commodification and politicization: the social invention of Bella Ciao
inferred← citeshttps://doi.org/10.1080/1369118x.2017.1340498openalex-snapshot
What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector
inferred← citeshttps://doi.org/10.1080/1369118x.2020.1761859openalex-snapshot
Platform pop: disentangling Spotify’s intermediary role in the music industry
inferred← citeshttps://doi.org/10.1080/13696815.2018.1546569openalex-snapshot
Mobilising African music: how mobile telecommunications and technology firms are transforming African music sectors
inferred← citeshttps://doi.org/10.1080/15295036.2022.2069279openalex-snapshot
Journey to the stars program: the gendered and generational governance of professionalization on Wattpad
inferred← citeshttps://doi.org/10.1080/15358593.2021.1934522openalex-snapshot
Engineering culture: logics of optimization in music, games, and apps
inferred← citeshttps://doi.org/10.1080/15405702.2016.1199025openalex-snapshot
Music and discovery
inferred← citeshttps://doi.org/10.1080/15405702.2020.1715980openalex-snapshot
Organizing music, organizing gender: algorithmic culture and Spotify recommendations
inferred← citeshttps://doi.org/10.1080/15405702.2023.2280649openalex-snapshot
‘Experimentation will be at the forefront’: Industrial reflexivity and data science on Disney Streaming’s The Art of Possible blog
inferred← citeshttps://doi.org/10.1080/17510694.2020.1839702openalex-snapshot
Copyright, compensation, and commons in the music AI industry
inferred← citeshttps://doi.org/10.1080/17510694.2025.2510847openalex-snapshot
From CDs to MP3s: The discursive politics of technological valuation
inferred← citeshttps://doi.org/10.1080/17530350.2019.1708780openalex-snapshot
The editorial playlist as container technology: on Spotify and the logistical role of digital music packages
inferred← citeshttps://doi.org/10.1080/17530350.2021.1952099openalex-snapshot
Digitizing death: commodification of joss paper on Chinese online cemetery
inferred← citeshttps://doi.org/10.1080/17530350.2022.2028653openalex-snapshot
Negotiating platformisation: MusicTech, intellectual property rights and third wave platform reintermediation in the music industry
inferred← citeshttps://doi.org/10.1080/17530350.2022.2087720openalex-snapshot
Does social media pay for music artists? Quantitative evidence on the co-evolution of social media, streaming and live music
inferred← citeshttps://doi.org/10.1080/17530350.2023.2225525openalex-snapshot
‘A video or a flat fee?’ on the performances of concert fees
inferred← citeshttps://doi.org/10.1080/17530350.2024.2302152openalex-snapshot
Poverty among riches: understanding the contracted economy for recorded music and its impact on market actors
inferred← citeshttps://doi.org/10.1080/17547075.2024.2446753openalex-snapshot
Digital Visual Identifiers for Sound from Palestine: Exploring Less-Charted Areas in Design Discourse
inferred← citeshttps://doi.org/10.1080/19376529.2020.1738438openalex-snapshot
Brick, Mortar, and Screen: Networked Digital Media, Popular Music, and the Reinvention of the Public Radio Station
inferred← citeshttps://doi.org/10.1080/19401159.2026.2699613openalex-snapshot
Aspirational Capitalism: The Economic Realities of Private Music Production
inferred← citeshttps://doi.org/10.1093/ml/gcx095openalex-snapshot
From Microsound to Vaporwave: Internet-Mediated Musics, Online Methods, and Genre
inferred← citeshttps://doi.org/10.1093/obo/9780199757824-0299openalex-snapshot
Music in the Digital World
inferred← citeshttps://doi.org/10.1093/obo/9780199757824-0329openalex-snapshot
Music Industries
inferred← citeshttps://doi.org/10.1093/oso/9780190923525.001.0001openalex-snapshot
Bossa Mundo
inferred← citeshttps://doi.org/10.1093/oso/9780190923525.002.0004openalex-snapshot
Copyright Page
inferred← citeshttps://doi.org/10.1093/oso/9780190923525.002.0005openalex-snapshot
Dedication
inferred← citeshttps://doi.org/10.1093/oso/9780190923525.002.0008openalex-snapshot
Epilogue
inferred← citeshttps://doi.org/10.1093/oso/9780190923525.003.0001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1093/oso/9780190923525.003.0002openalex-snapshot
Copying the Bossa Nova
inferred← citeshttps://doi.org/10.1093/oso/9780190923525.003.0003openalex-snapshot
Adult Contemporary Bossa Nova
inferred← citeshttps://doi.org/10.1093/oso/9780190923525.003.0004openalex-snapshot
From Fusion to Funk
inferred← citeshttps://doi.org/10.1093/oso/9780190923525.003.0005openalex-snapshot
Brazilian Music as World Music in the Late 1980s
inferred← citeshttps://doi.org/10.1093/oso/9780190923525.003.0006openalex-snapshot
Remixing Brazil
inferred← citeshttps://doi.org/10.1093/oso/9780190923525.003.0007openalex-snapshot
Constructing a New Music Industry
inferred← citeshttps://doi.org/10.1093/oso/9780197620458.001.0001openalex-snapshot
Spectacular Listening
inferred← citeshttps://doi.org/10.1093/oso/9780197620458.002.0003openalex-snapshot
Copyright Page
inferred← citeshttps://doi.org/10.1093/oso/9780197620458.002.0006openalex-snapshot
Preface
inferred← citeshttps://doi.org/10.1093/oso/9780197620458.002.0007openalex-snapshot
Figures
inferred← citeshttps://doi.org/10.1093/oso/9780197620458.002.0008openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.1093/oso/9780197620458.003.0001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1093/oso/9780197620458.003.0002openalex-snapshot
Use Your Illusion
inferred← citeshttps://doi.org/10.1093/oso/9780197620458.003.0003openalex-snapshot
Fluent Circulation
inferred← citeshttps://doi.org/10.1093/oso/9780197620458.003.0004openalex-snapshot
Tactical Reactions
inferred← citeshttps://doi.org/10.1093/oso/9780197620458.003.0005openalex-snapshot
Accessible Listening
inferred← citeshttps://doi.org/10.1093/oso/9780197620458.003.0006openalex-snapshot
Conclusion
inferred← citeshttps://doi.org/10.1093/oso/9780197656389.001.0001openalex-snapshot
Digital Flows
inferred← citeshttps://doi.org/10.1093/oso/9780197656389.002.0003openalex-snapshot
Copyright Page
inferred← citeshttps://doi.org/10.1093/oso/9780197656389.003.0001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1093/oso/9780197656389.003.0002openalex-snapshot
How Hip Hop Became the Leading Music Genre in the Digital Streaming Era
inferred← citeshttps://doi.org/10.1093/oso/9780197656389.003.0003openalex-snapshot
Internet Rap and Generational Tensions in Hip Hop’s SoundCloud Era
inferred← citeshttps://doi.org/10.1093/oso/9780197656389.003.0004openalex-snapshot
Lofi Hip Hop and Community in YouTube Comments During the COVID-19 Pandemic
inferred← citeshttps://doi.org/10.1093/oso/9780197656389.003.0005openalex-snapshot
Online Hip Hop Feminism, Rap Music Videos, and Gender in YouTube Comments
inferred← citeshttps://doi.org/10.1093/oso/9780197656389.003.0006openalex-snapshot
Hip Hop and Online Cultural Appropriation Discourse
inferred← citeshttps://doi.org/10.1093/oso/9780197656389.003.0007openalex-snapshot
Virtual Hip Hop Concerts in Video Games
inferred← citeshttps://doi.org/10.1093/oso/9780197656389.003.0008openalex-snapshot
Conclusion
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780197551127.013.1openalex-snapshot
Freeform Radio and the History of Music Streaming
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780197551127.013.2openalex-snapshot
New Music Fridays
inferred← citeshttps://doi.org/10.1093/oxfordhb/9780197551127.013.4openalex-snapshot
Punch Cards and Playlists
inferred← citeshttps://doi.org/10.1145/3313831.3376308openalex-snapshot
"My Library Has Just Been Obliterated": Producing New Norms of Use Via Software Update
inferred← citeshttps://doi.org/10.1162/leon_a_01541openalex-snapshot
A Note on “Demediation”: From Book Art to Transmedia Storytelling
inferred← citeshttps://doi.org/10.1177/0163443718799395openalex-snapshot
From creator to data: the post-record music industry and the digital conglomerates
inferred← citeshttps://doi.org/10.1177/0163443720904587openalex-snapshot
The dimensions of streaming: toward a typology of an evolving concept
inferred← citeshttps://doi.org/10.1177/01634437211045513openalex-snapshot
Auto-communicative reconstruction of meaningfulness in musical randomness: reclaiming musical order on Facebook
inferred← citeshttps://doi.org/10.1177/01634437261488262openalex-snapshot
The “Netflix Look”: Moving image aesthetics as data under platform logic
inferred← citeshttps://doi.org/10.1177/1354856519838741openalex-snapshot
Collecting and media change, or: Listening to Phish via app
inferred← citeshttps://doi.org/10.1177/13548565211070422openalex-snapshot
“This machine will not communicate”: The Decentralization of Authority in Radiohead’s Music and Digital Media
inferred← citeshttps://doi.org/10.1177/1461444818769694openalex-snapshot
The platformization of cultural production: Theorizing the contingent cultural commodity
inferred← citeshttps://doi.org/10.1177/1461444818800998openalex-snapshot
Rising tides? Data capture, platform accumulation, and new monopolies in the digital music economy
inferred← citeshttps://doi.org/10.1177/1461444819828987openalex-snapshot
Resisting the perpetual update: Struggles against protocological power in video games
inferred← citeshttps://doi.org/10.1177/1461444820918549openalex-snapshot
Popular music reaction videos: Reactivity, creator labor, and the performance of listening online
inferred← citeshttps://doi.org/10.1177/1461444820953541openalex-snapshot
Is music streaming bad for musicians? Problems of evidence and argument
inferred← citeshttps://doi.org/10.1177/14614448211027863openalex-snapshot
The promise of personalisation: Exploring how music streaming platforms are shaping the performance of class identities and distinction
inferred← citeshttps://doi.org/10.1177/14614448241232086openalex-snapshot
From cultural intermediaries to platform adaptors: The transformation of music planning and artist acquisition in the Chinese music industry
inferred← citeshttps://doi.org/10.1177/14614448251404427openalex-snapshot
Dead formats, living futures: Speculative nostalgia and the MiniDisc
inferred← citeshttps://doi.org/10.1177/1527476417741200openalex-snapshot
The Spotify Effect: Digital Distribution and Financial Growth
inferred← citeshttps://doi.org/10.1177/15274764261432171openalex-snapshot
Under the Cover of Blackness: The Racialized Dimensions of Netflix’s Personalized Cover Art
inferred← citeshttps://doi.org/10.1177/15554120211017044openalex-snapshot
Broken Games and the Perpetual Update Culture: Revising Failure With Ubisoft’s Assassin’s Creed Unity
inferred← citeshttps://doi.org/10.1177/1749602021996536openalex-snapshot
The platformisation of public service broadcasting in Germany: The network ‘funk’ and the case of Druck/Skam Germany
inferred← citeshttps://doi.org/10.1177/1749975519839524openalex-snapshot
Do People Value Recorded Music?
inferred← citeshttps://doi.org/10.1177/2056305119847525openalex-snapshot
Machine Learning in Context, or Learning from LANDR: Artificial Intelligence and the Platformization of Music Mastering
inferred← citeshttps://doi.org/10.1177/2056305120933291openalex-snapshot
Locating Power in Platformization: Music Streaming Playlists and Curatorial Power
inferred← citeshttps://doi.org/10.1177/2056305120940690openalex-snapshot
Music Platforms and the Optimization of Culture
inferred← citeshttps://doi.org/10.1177/2056305120944624openalex-snapshot
“You Need At Least One Picture Daily, if Not, You’re Dead”: Content Creators and Platform Evolution in the Social Media Ecology
inferred← citeshttps://doi.org/10.1177/20563051241274658openalex-snapshot
Being a “Global Music Platform”: Platform Work in Light-Tech Capitalism
inferred← citeshttps://doi.org/10.1177/27538702261439616openalex-snapshot
The digital infrastructures of music scenes: Perspectives from the Global South
inferred← citeshttps://doi.org/10.1215/17432197-10969188openalex-snapshot
All In
inferred← citeshttps://doi.org/10.1215/17432197-7515028openalex-snapshot
Music in the Work of Social Reproduction
inferred← citeshttps://doi.org/10.1215/9780822371991-013openalex-snapshot
Demands of Duration
inferred← citeshttps://doi.org/10.1215/9781478002192-003openalex-snapshot
Another Resonance
inferred← citeshttps://doi.org/10.1215/9781478027713-001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1215/9781478027713-002openalex-snapshot
Home Taping and Its Discontents
inferred← citeshttps://doi.org/10.1215/9781478027713-003openalex-snapshot
The Cassette Underground and Aboveground
inferred← citeshttps://doi.org/10.1215/9781478027713-004openalex-snapshot
Gatekeeping the Cassette Release
inferred← citeshttps://doi.org/10.1215/9781478027713-005openalex-snapshot
Cassettes in a Vinyl Universe
inferred← citeshttps://doi.org/10.1215/9781478027713-006openalex-snapshot
Cultures of Re-Recording
inferred← citeshttps://doi.org/10.1215/9781478027713-007openalex-snapshot
Mix Tape Memories and Fictions
inferred← citeshttps://doi.org/10.1215/9781478027713-008openalex-snapshot
Conclusion
inferred← citeshttps://doi.org/10.1215/9781478027713-009openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.1215/9781478027713-010openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.1215/9781478027874-001openalex-snapshot
Introduction
inferred← citeshttps://doi.org/10.1215/9781478027874-002openalex-snapshot
Streaming Music
inferred← citeshttps://doi.org/10.1215/9781478027874-003openalex-snapshot
Streaming Capital
inferred← citeshttps://doi.org/10.1215/9781478027874-004openalex-snapshot
Music as a Technology of Surveillance
inferred← citeshttps://doi.org/10.1215/9781478027874-005openalex-snapshot
Counterfeiting Attention in the Streaming Economy: Spam, Click Fraud, and Fake Artists
inferred← citeshttps://doi.org/10.1215/9781478027874-006openalex-snapshot
Streaming, Cheap Music, and the Crises of Social Reproduction
inferred← citeshttps://doi.org/10.1215/9781478027874-007openalex-snapshot
Epilogue
inferred← citeshttps://doi.org/10.1215/9781478027874-008openalex-snapshot
Notes
inferred← citeshttps://doi.org/10.1215/9781478027874-009openalex-snapshot
Bibliography
inferred← citeshttps://doi.org/10.1353/cj.2019.0072openalex-snapshot
Media Studies and the Internet
inferred← citeshttps://doi.org/10.1515/9789048530670openalex-snapshot
List Cultures
inferred← citeshttps://doi.org/10.1515/9789048554591openalex-snapshot
The Anthology in Digital Culture
inferred← citeshttps://doi.org/10.1515/9789048554591-003openalex-snapshot
1. History
inferred← citeshttps://doi.org/10.1525/jams.2016.69.1.288openalex-snapshot
Publications Received
inferred← citeshttps://doi.org/10.1558/jazz.39944openalex-snapshot
The politics, aesthetics and dissonance of music in everyday life
inferred← citeshttps://doi.org/10.17645/mac.v11i2.6422openalex-snapshot
Digital Platforms and Infrastructure in the Realm of Culture
inferred← citeshttps://doi.org/10.17646/kome.75672.94openalex-snapshot
The Role of Visual Identity in Music Perception
inferred← citeshttps://doi.org/10.17742/image.ld.8.2.7openalex-snapshot
“Hear the World’s Sounds”: Locality as Metadata in Two Music-Streaming Services
inferred← citeshttps://doi.org/10.18261/issn.0805-9535-2020-03-04openalex-snapshot
The Smirnoff Equaliser – en feministisk medieinterventionför strömmad musik?
inferred← citeshttps://doi.org/10.21810/strm.v12i1.283openalex-snapshot
Same as it ever was
inferred← citeshttps://doi.org/10.22230/cjc.2018v43n4a3400openalex-snapshot
Popular Music as Promotion: Music and Branding in the Digital Age
inferred← citeshttps://doi.org/10.22230/cjc.2020v45n3a3901openalex-snapshot
Platforms and Power: A Panel Discussion
inferred← citeshttps://doi.org/10.26481/dis.20230704dpopenalex-snapshot
Archives of change
inferred← citeshttps://doi.org/10.26686/wgtn.22961156openalex-snapshot
Copyright, Commodification and the Structure of Digital Media Economies: Independent Podcasting in Context
inferred← citeshttps://doi.org/10.2991/978-2-38476-004-6_110openalex-snapshot
AESPA: The Digital Music Era and Its Impact on Generation Z
inferred← citeshttps://doi.org/10.3145/epi.2022.sep.07openalex-snapshot
Audio communication in the face of the renaissance of digital audio
inferred← citeshttps://doi.org/10.31866/2709-846x.1.2024.304780openalex-snapshot
Digital Management in the Field of Art and Music Industry
inferred← citeshttps://doi.org/10.32564/117-118.3openalex-snapshot
„Pest megér egy testet” : A magyarországi pornóipar a hosszú kilencvenes években mint a világgazdaságba való reintegráció egy patriarchális formája
inferred← citeshttps://doi.org/10.3384/cu.2000.1525.1792openalex-snapshot
inferred← citeshttps://doi.org/10.3384/cu.2000.1525.1792130openalex-snapshot
Discovering Spotify - A Thematic Introduction
inferred← citeshttps://doi.org/10.3384/cu.2000.1525.1792146openalex-snapshot
If the Song has No Price, is it Still a Commodity? : Rethinking the Commodification of Digital Music
inferred← citeshttps://doi.org/10.3384/cu.2000.1525.1792163openalex-snapshot
Tracking Gendered Streams
inferred← citeshttps://doi.org/10.3390/su14105975openalex-snapshot
The Significance of Digital Network Platforms to Enforce Musicians’ Entrepreneurial Role: Assessing Musicians’ Satisfaction in Using Mobile Applications
inferred← citeshttps://doi.org/10.3828/msmi.2024.10openalex-snapshot
What Can Popular Music and Library Music Learn from Each Other?
inferred← citeshttps://doi.org/10.3998/mpub.11435021openalex-snapshot
Saving New Sounds
inferred← citeshttps://doi.org/10.4000/rac.1605openalex-snapshot
Music knowledge and science studies
inferred← citeshttps://doi.org/10.4000/rac.1703openalex-snapshot
Savoirs de la musique et études de sciences
inferred← citeshttps://doi.org/10.4000/rac.1704openalex-snapshot
Saberes de la música, estudio de ciencias
inferred← citeshttps://doi.org/10.4000/rac.1739openalex-snapshot
Infrastructures de la musique numérisée
inferred← citeshttps://doi.org/10.4000/sociologies.21823openalex-snapshot
Formats, industrie et patrimoine culturel : panorama des enjeux pour la recherche sur la captation de concert
inferred← citeshttps://doi.org/10.4000/ticetsociete.4666openalex-snapshot
La musique comme analyseur : mutations de la filière musicale et mutation de la recherche sur la musique
inferred← citeshttps://doi.org/10.4000/ticetsociete.4782openalex-snapshot
Vues vérifiées, écoute évacuée : la valorisation publicitaire de la musique sur YouTube
inferred← citeshttps://doi.org/10.4000/volume.11388openalex-snapshot
La valeur de la musique à l’ère du capitalisme cognitif
inferred← citeshttps://doi.org/10.4000/volume.11570openalex-snapshot
Que faire de la « valeur de la musique » ? Remarques préliminaires sur l’émergence de la Music Tech
inferred← citeshttps://doi.org/10.4000/volume.5437openalex-snapshot
Du charivari au big data. Les musiques populaires au prisme des sound studies
inferred← citeshttps://doi.org/10.4000/volume.7254openalex-snapshot
Hacking Jeff Minter’s Virtual Light Machine: Unpacking the Code and Community Behind an Early Software-Based Music Visualizer
inferred← citeshttps://doi.org/10.4324/9780429275340openalex-snapshot
The Routledge Companion to Media Industries
inferred← citeshttps://doi.org/10.4324/9780429275340-13openalex-snapshot
The infrastructural turn in media and internet research1
inferred← citeshttps://doi.org/10.4324/9781351208598openalex-snapshot
The Cultural Turn in International Aid
showing the first 200 of 215 · page through all 215
Editorial review for independent work. ICSAC — the Institute for Complexity Science and Advanced Computing — runs a structured editorial panel for researchers publishing outside journals, and publishes on CiteStamp rails. Submission is free and goes through ORCID: icsacinstitute.org/submit.