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WORK AND THE CITY IN THE e-SOCIETY A critical investigation of the sociospatially situated character of economic production in the digital content industries in the UK
The Only Place Where One Can Feel Connected to an International Context and Still Speak Russian: Hybrid Creative Work in Post-Soviet Contemporary Art Institutions
Re-evaluating creative labor in the age of artificial intelligence: a qualitative case study of creative workers’ perspectives on technological transformation in creative industries
Temporary migration, precarious employment and unfree labour relations: Exploring the ‘continuum of exploitation’ in Canada’s Temporary Foreign Worker Program
Illuminating the practice of Knowledge Exchange as a ‘pathway to impact’ within an Arts and Humanities Research Council ‘Creative Economy Knowledge Exchange’ project
The consumption-production nexus in home-located work: a class-based approach to understand the residential differentiation of artists and designers in Melbourne, Australia
The future of the cultural workforce: Perspectives from early career arts professionals on the challenges and future of the cultural industries in the context of COVID-19
The Production and Consumption of Music in the Digital Age. Edited by Brian J. Hracs , Michael Seman and Tarek E. Virani . Abingdon: Routledge, 2016. 277 pp. ISBN 978-1138851658
Understanding the ‘Tipped Minimum Wage’: Critical Directions for US Policy Research
showing the first 200 of 1271
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