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Old Factories, New Stakhanovites: Moscow Contemporary Art-Centres as Workplaces

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Inferred edges come from two machine sources: sweeps of open repository metadata (mostly SSRN and Zenodo), and a bulk OpenAlex citation snapshot. Every row below is labelled with the one it came from. Neither is a complete citation index — absence here is not evidence of absence.

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inferredcites →https://doi.org/10.1016/j.poetic.2009.10.001openalex-extracted
‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries
inferredcites →https://doi.org/10.1057/palgrave.fr.9400034openalex-extracted
Fashion Culture: Creative Work, Female Individualization
inferredcites →https://doi.org/10.1080/10350330500310111openalex-extracted
Entrepreneurial Labor among Cultural Producers: “Cool” Jobs in “Hot” Industries
inferredcites →https://doi.org/10.1111/1467-954x.12237openalex-extracted
Gender and Creative Labour
inferredcites →https://doi.org/10.1146/annurev.soc.25.1.541openalex-extracted
ARTISTIC LABOR MARKETS AND CAREERS
inferredcites →https://doi.org/10.1177/0263276408097794openalex-extracted
In the Social Factory?
inferredcites →https://doi.org/10.1515/hzhz-2016-0245openalex-extracted
Matthew Jefferies (Ed.), The Ashgate Research Companion to Imperial Germany. Farnham/Surrey, Ashgate Publishing 2015
inferredcites →https://doi.org/10.4324/9781315573847openalex-extracted
Contemporary Identities of Creativity and Creative Work
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