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Reduced Memory Representations for Music

https://doi.org/10.1207/s15516709cog1901_2
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What this work says

Outgoing claims: the papers this work cites, builds on, or argues with.

inferredcites →https://doi.org/10.1007/978-94-011-2624-3_3openalex-snapshot
Syntactic Transformations on Distributed Representations
inferredcites →https://doi.org/10.1016/0004-3702(90)90005-kopenalex-snapshot
Recursive distributed representations
inferredcites →https://doi.org/10.1016/0010-0277(88)90031-5openalex-snapshot
Connectionism and cognitive architecture: A critical analysis
inferredcites →https://doi.org/10.1016/0010-0285(79)90016-1openalex-snapshot
The psychological representation of musical pitch in a tonal context
inferredcites →https://doi.org/10.1037//0033-295x.88.6.503openalex-snapshot
The internal representation of pitch sequences in tonal music.
inferredcites →https://doi.org/10.1037//0033-295x.96.3.459openalex-snapshot
Dynamic attending and responses to time.
inferredcites →https://doi.org/10.1037//0096-1523.15.2.331openalex-snapshot
Mapping musical thought to musical performance.
inferredcites →https://doi.org/10.1037//0096-1523.16.4.728openalex-snapshot
Mental representations for musical meter.
inferredcites →https://doi.org/10.1037/0033-295x.101.2.343openalex-snapshot
The magical number seven, plus or minus two: Some limits on our capacity for processing information.
inferredcites →https://doi.org/10.1037/0033-295x.83.5.323openalex-snapshot
Time, our lost dimension: Toward a new theory of perception, attention, and memory.
inferredcites →https://doi.org/10.1037/0096-1523.13.1.116openalex-snapshot
Independent temporal and pitch structures in determination of musical phrases.
inferredcites →https://doi.org/10.1037/h0028113openalex-snapshot
A coded element model of the perceptual processing of sequential stimuli.
inferredcites →https://doi.org/10.1037/h0029964openalex-snapshot
Theory of serial pattern learning: Structural trees.
inferredcites →https://doi.org/10.1037/h0033118openalex-snapshot
Complexity and the representation of patterned sequences of symbols.
inferredcites →https://doi.org/10.1037/h0043158openalex-snapshot
The magical number seven, plus or minus two: Some limits on our capacity for processing information.
inferredcites →https://doi.org/10.1037/h0043901openalex-snapshot
Human acquisition of concepts for sequential patterns.
inferredcites →https://doi.org/10.1037/h0094282openalex-snapshot
Music as a stimulus for psychological motion: Part I. Some determinants of expectancies.
inferredcites →https://doi.org/10.1068/p110115openalex-snapshot
The Perception of Musical Rhythms
inferredcites →https://doi.org/10.1080/09298217808570260openalex-snapshot
An index of melodic activity
inferredcites →https://doi.org/10.1080/09540099008915662openalex-snapshot
Syntactic Transformations on Distributed Representations
inferredcites →https://doi.org/10.1080/09540099108946592openalex-snapshot
Learning Recursive Distributed Representations for Holistic Computation
inferredcites →https://doi.org/10.1080/09540099308915684openalex-snapshot
Learning Simple Arithmetic Procedures
inferredcites →https://doi.org/10.1080/09540099408915723openalex-snapshot
Resonance and the Perception of Musical Meter
inferredcites →https://doi.org/10.1080/14640746808400137openalex-snapshot
The Perception and Learning of Temporal Patterns
inferredcites →https://doi.org/10.1080/14640748308402140openalex-snapshot
The Communication of Musical Metre in Piano Performance
inferredcites →https://doi.org/10.1093/acprof:oso/9780195148367.001.0001openalex-snapshot
Cognitive Foundations of Musical Pitch
inferredcites →https://doi.org/10.1093/acprof:oso/9780198508465.003.0007openalex-snapshot
Improvisation: methods and models
inferredcites →https://doi.org/10.1093/acprof:oso/9780198521280.001.0001openalex-snapshot
The Musical Mind
inferredcites →https://doi.org/10.1201/b12385-10openalex-snapshot
Human Information Processing
inferredcites →https://doi.org/10.1207/s15516709cog1402_1openalex-snapshot
Finding Structure in Time
inferredcites →https://doi.org/10.21236/ada164453openalex-snapshot
Learning Internal Representations by Error Propagation
inferredcites →https://doi.org/10.21236/ada216581openalex-snapshot
High-Level Connectionist Models
inferredcites →https://doi.org/10.2307/1421959openalex-snapshot
Coding Processes in Human Memory
inferredcites →https://doi.org/10.2307/1422945openalex-snapshot
Cognitive Foundations of Musical Pitch
inferredcites →https://doi.org/10.2307/1423234openalex-snapshot
Advances in Cognitive Science
inferredcites →https://doi.org/10.2307/3679551openalex-snapshot
A Connectionist Approach to Algorithmic Composition
inferredcites →https://doi.org/10.2307/3679552openalex-snapshot
Modeling the Perception of Tonal Structure with Neural Nets
inferredcites →https://doi.org/10.2307/3679778openalex-snapshot
A Generative Theory of Tonal Music
inferredcites →https://doi.org/10.2307/40285257openalex-snapshot
An Overview of Hierarchical Structure in Music
inferredcites →https://doi.org/10.2307/40285282openalex-snapshot
A Generative Grammar for Jazz Chord Sequences
inferredcites →https://doi.org/10.2307/40285321openalex-snapshot
A Model of Expressive Timing in Tonal Music
inferredcites →https://doi.org/10.2307/40285440openalex-snapshot
The Cognitive Reality of Hierarchic Structure in Music
inferredcites →https://doi.org/10.2307/40285574openalex-snapshot
Accent Structures in Music Performance
inferredcites →https://doi.org/10.2307/430390openalex-snapshot
The Stratification of Musical Rhythm
inferredcites →https://doi.org/10.2307/842875openalex-snapshot
The Rhythmic Structure of Music
inferredcites →https://doi.org/10.2307/894220openalex-snapshot
The Rhythmic Structure of Music
inferredcites →https://doi.org/10.2307/897288openalex-snapshot
The Stratification of Musical Rhythm
inferredcites →https://doi.org/10.3758/bf03204269openalex-snapshot
Key distance effects on perceived harmonic structure in music
inferredcites →https://doi.org/10.3758/bf03206225openalex-snapshot
Controlled attending as a function of melodic and temporal context
inferredcites →https://doi.org/10.3758/bf03207132openalex-snapshot
Metrical and nonmetrical representations of temporal patterns
inferredcites →https://doi.org/10.3758/bf03210485openalex-snapshot
Pitch and temporal contributions to musical phrase perception: Effects of harmony, performance timing, and familiarity
inferredcites →https://doi.org/10.5860/choice.39-1467openalex-snapshot
Generative processes in music: the psychology of performance, improvisation, and composition
inferredcites →https://doi.org/10.7551/mitpress/4804.001.0001openalex-snapshot
Music and Connectionism
inferredcites →https://doi.org/10.7551/mitpress/5236.001.0001openalex-snapshot
Parallel Distributed Processing

What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

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Backpropagation
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Modeling complexity in musical rhythm
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Episodic Memory for Musical Prosody
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Musical grouping as prosodic implementation
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Read my lips: speech distortions in musical lyrics can be overcome (slightly) by facial information
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The psychology of music
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The dynamics of attending: How people track time-varying events.
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Relationships Between Generated Musical Structure, Performers’ Physiological Arousal and Listener Perceptions in Solo Piano Improvisation
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Articulation Effects in Melody Recognition Memory
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Long‐term memory for music: infants remember tempo and timbre
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Music Cognition and the Cognitive Sciences
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Brain Organization for Music Processing
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Techniques for Generative Melodies Inspired by Music Cognition
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The Planning Behaviours of Musicians Engaging Traditional and Non-Traditional Scores
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Music: The Missing Humboldt system
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Themes as prototypes: Similarity judgments and categorization tasks in musical contexts
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Perception and Cognition in Music: Musically Trained and Untrained Adults Compared to Sixth-Grade and Eighth-Grade Children
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Listeners Can Discriminate among Major Chord Positions
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A Cognitive Information Theory of Music: A Computational Memetics Approach
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Collaborative Musical Creativity: How Ensembles Coordinate Spontaneity
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Listening to trees in the forest: Attentional set influences how semantic and acoustic factors interact in auditory perception
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Le cerveau musicien
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Automatic MIDI Genre Conversion
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