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Accent Structures in Music Performance
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What this work says
Outgoing claims: the papers this work cites, builds on, or argues with.
inferredcites →https://doi.org/10.1001/jama.1952.02930050088038openalex-snapshot
Handbook of Experimental Psychology
inferredcites →https://doi.org/10.1007/bf00309269openalex-snapshot
The perception of expressive timing in music
inferredcites →https://doi.org/10.1016/0010-0277(85)90005-8openalex-snapshot
Metre and rhythm in piano playing
inferredcites →https://doi.org/10.1016/0010-0285(81)90013-xopenalex-snapshot
Performances of Chopin, Bach, and Bartok: Studies in motor programming
inferredcites →https://doi.org/10.1037//0096-1523.15.2.331openalex-snapshot
Mapping musical thought to musical performance.
inferredcites →https://doi.org/10.1037//0096-1523.16.4.728openalex-snapshot
Mental representations for musical meter.
inferredcites →https://doi.org/10.1037/0096-1523.7.1.3openalex-snapshot
Internal representation of simple temporal patterns.
inferredcites →https://doi.org/10.1037/h0037360openalex-snapshot
Perceiving melodic and rhythmic auditory patterns.
inferredcites →https://doi.org/10.1080/14640746808400137openalex-snapshot
The Perception and Learning of Temporal Patterns
inferredcites →https://doi.org/10.1080/14640748308402140openalex-snapshot
The Communication of Musical Metre in Piano Performance
inferredcites →https://doi.org/10.1111/j.1467-9450.1973.tb00105.xopenalex-snapshot
Similarity ratings and dimension analyses of auditory rhythm patterns. 1
inferredcites →https://doi.org/10.1111/j.1467-9450.1974.tb00557.xopenalex-snapshot
Performance of rhythm patterns
inferredcites →https://doi.org/10.1121/1.2027087openalex-snapshot
Timing in skilled piano performance
inferredcites →https://doi.org/10.1121/1.387814openalex-snapshot
Melodic accent: Experiments and a tentative model
inferredcites →https://doi.org/10.2307/1578337openalex-snapshot
The Musical Mind: The Cognitive Psychology of Music
inferredcites →https://doi.org/10.2307/40285301openalex-snapshot
Some Aspects of Rhythm and Expression in Performances of Erik Satie's "Gnossienne No. 5"
inferredcites →https://doi.org/10.2307/40285320openalex-snapshot
Pitch and Duration as Determinants of Musical Space
inferredcites →https://doi.org/10.2307/40285321openalex-snapshot
A Model of Expressive Timing in Tonal Music
inferredcites →https://doi.org/10.2307/40285378openalex-snapshot
Grouping Conditions in Listening to Music: An Approach to Lerdahl & Jackendoff's Grouping Preference Rules
inferredcites →https://doi.org/10.2307/40285505openalex-snapshot
Accent Structures in the Reproduction of Simple Tunes by Children and Adult Pianists
inferredcites →https://doi.org/10.2458/azu_acku_pamphlet_m1824_a34_h69_1985openalex-snapshot
musical structure and cognition
inferredcites →https://doi.org/10.3758/bf03199347openalex-snapshot
Cognitive processing and time perception
inferredcites →https://doi.org/10.3758/bf03204997openalex-snapshot
Studies in auditory timing: 1. Simple patterns
inferredcites →https://doi.org/10.3758/bf03204998openalex-snapshot
Studies in auditory timing: 2. Rhythm patterns
inferredcites →https://doi.org/10.3758/bf03206204openalex-snapshot
Duration discrimination in a series of rhythmic events
inferredcites →https://doi.org/10.3758/bf03206225openalex-snapshot
Controlled attending as a function of melodic and temporal context
inferredcites →https://doi.org/10.3758/bf03210485openalex-snapshot
Pitch and temporal contributions to musical phrase perception: Effects of harmony, performance timing, and familiarity
inferredcites →https://doi.org/10.3758/bf03210487openalex-snapshot
The communication of dynamics between musicians and listeners through musical performance
inferredcites →https://doi.org/10.3758/bf03210491openalex-snapshot
The effect of melodic and temporal contour on recognition memory for pitch change
inferredcites →https://doi.org/10.3758/bf03210494openalex-snapshot
Dynamic pattern structure in music: Recent theory and research
inferredcites →https://doi.org/10.5860/choice.39-1467openalex-snapshot
Generative processes in music: the psychology of performance, improvisation, and composition
inferredcites →https://doi.org/10.7551/mitpress/4360.003.0019openalex-snapshot
An Overview of Hierarchical Structure in Music
What points at this work
Incoming claims: where this work appears in other papers’ reference lists and arguments.
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A Preliminary Computational Model Of Immanent Accent Salience In Tonal Music
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Focal Impulses and Expressive Performance
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Does expressive timing in music performance scale proportionally with tempo?
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Technology of interpretation and expressive pulses
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Sonological analysis of clarinet expressivity
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Sources of timing variations in music performance: A psychological segmentation model
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Dynamic allocation of attention to metrical and grouping accents in rhythmic sequences
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Continuation tapping to triggered melodies: motor resonance effects of melodic motion
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On the limits of anisochrony in pulse attribution
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Multiple temporal references in sensorimotor synchronization with metrical auditory sequences
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Comparing perceptual segmentation in pulsed and unpulsed music with diverse event densities
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Forecasting models for prediction in time series
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Rhythm and Timing in Music
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The Performance of Music
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Non-musicians’ perception of phrase boundaries in music: A cross-cultural ERP study
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Hearing a melody in different ways: Multistability of metrical interpretation, reflected in rate limits of sensorimotor synchronization
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Effects of metric hierarchy and rhyme predictability on word duration in The Cat in the Hat
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Early electrophysiological correlates of meter and rhythm processing in music perception
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Bimanual tapping of a syncopated rhythm reveals hemispheric preferences for relative movement frequencies
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Expressive timing in infant-directed singing between 3 and 6 months
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FMRI investigation of cross-modal interactions in beat perception: Audition primes vision, but not vice versa
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Distinct neuronal entrainment to beat and meter: Revealed by simultaneous EEG-fMRI
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Skill acquisition in music performance: relations between planning and temporal control
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What Is Musical Prosody?
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Perceiving temporal regularity in music
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Diversity of Rhythm from Oral Speech to Music
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Lerdahl and Jackendoff's Grouping Structure Rules in the Performance of a Hindemith Sonata
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Variations on a theme by Chopin: Relations between perception and production of timing in music.
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Cue utilization in communication of emotion in music performance: Relating performance to perception.
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The dynamics of attending: How people track time-varying events.
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Auditory feedback in music performance: Evidence for a dissociation of sequencing and timing.
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The Role of Melodic and Temporal Cues in Perceiving Musical Meter.
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Tracking musical patterns using joint accent structure.
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Monitoring and planning capacities in the acquisition of music performance skills.
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Pitch structure, but not selective attention, affects accent weightings in metrical grouping.
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Listeners lengthen phrase boundaries in self-paced music.
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Musicians have enhanced subcortical auditory and audiovisual processing of speech and music
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Attempts to Reproduce a Pianist?s Expressive Timing with Director Musices Performance Rules
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Musical Expression
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Pervasive patterns in the songs of passerine birds resemble human music universals and are linked with production and cognitive mechanisms
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Melodic contour supersedes short-term statistical learning in expressive accentuation
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Singing as a figure of speech, music as punctuation
inferred← citeshttps://doi.org/10.3389/fnhum.2014.01040openalex-snapshot
Context and meter enhance long-range planning in music performance
inferred← citeshttps://doi.org/10.3389/fpsyg.2019.00317openalex-snapshot
A Computational Model of Immanent Accent Salience in Tonal Music
inferred← citeshttps://doi.org/10.3389/fpsyg.2019.01024openalex-snapshot
Probing the Underlying Principles of Perceived Immanent Accents Using a Modeling Approach
inferred← citeshttps://doi.org/10.3389/fpsyg.2022.886570openalex-snapshot
A Perceiver-Centered Approach for Representing and Annotating Prosodic Functions in Performed Music
inferred← citeshttps://doi.org/10.3389/fpsyg.2023.1269715openalex-snapshot
Probing the underlying principles of dynamics in piano performances using a modelling approach
inferred← citeshttps://doi.org/10.3758/bf03193548openalex-snapshot
Tempo sensitivity in isochronous tone sequences: The multiple-look model revisited
inferred← citeshttps://doi.org/10.3758/bf03194417openalex-snapshot
Accenting and detection of timing variations in tone sequences: Different kinds of accents have different effects
inferred← citeshttps://doi.org/10.3758/bf03194900openalex-snapshot
Timing variations in music performance: Musical communication, perceptual compensation, and/or motor control?
inferred← citeshttps://doi.org/10.3758/bf03205262openalex-snapshot
Tempo sensitivity in auditory sequences: Evidence for a multiple-look model
inferred← citeshttps://doi.org/10.3758/bf03205553openalex-snapshot
Infants’ and adults’ use of duration and intensity cues in the segmentation of tone patterns
inferred← citeshttps://doi.org/10.4018/978-1-4666-2497-9.ch008openalex-snapshot
Expressiveness in Music Performance
inferred← citeshttps://doi.org/10.70675/7a9de0f1z6f2bz432eza15fz9023863f9721openalex-snapshot
Salience concept in auditory domain with regard to music cognition
inferred← citeshttps://doi.org/10.70675/820368cfz976ez4a7ezbde0z405502a88cc0openalex-snapshot
Capturing Musical Prosody Through Interactive Audio/Visual Annotations
inferred← citeshttps://doi.org/10.7202/1096927aropenalex-snapshot
La variabilité intra-individuelle du mouvement en performance pianistique. Une revue exploratoire
inferred← citeshttps://doi.org/10.7551/mitpress/4812.003.0005openalex-snapshot
Resonance and the Perception of Musical Meter
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