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https://doi.org/10.2139/ssrn.4633954
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Outgoing claims: the papers this work cites, builds on, or argues with.
inferredcites →https://doi.org/10.1007/978-1-349-05893-8_4openalex-extracted
The people and the pictures. The British working class and film in the 1930s
inferredcites →https://doi.org/10.1007/978-1-349-05893-8_5openalex-extracted
The political censorship of films in Britain between the wars
inferredcites →https://doi.org/10.1007/978-1-349-20128-0openalex-extracted
Political Censorship of the Arts and the Press in Nineteenth-Century Europe
inferredcites →https://doi.org/10.1007/978-1-84457-722-4_5openalex-extracted
The Trevelyan Years: British Censorship and 1960s Cinema
inferredcites →https://doi.org/10.1007/978-1-84457-722-4_7openalex-extracted
The ‘Poacher Turned Gamekeeper’: James Ferman and the Increasing Intervention of the Law
inferredcites →https://doi.org/10.1007/9780230206229_3openalex-extracted
History and Representation: The Case of 1970s British Cinema
inferredcites →https://doi.org/10.1057/9781137061980_10openalex-extracted
The Censor and the State in Britain
inferredcites →https://doi.org/10.1080/01439680220133792openalex-extracted
Children, 'Horrific' Films, and Censorship in 1930s Britain
inferredcites →https://doi.org/10.1080/01439685.2015.1119360openalex-extracted
Exploiting local controversy: regional British censorship of Last Tango in Paris (1972)
inferredcites →https://doi.org/10.1080/01439688100260101openalex-extracted
The British Board of Film Censors and content control in the 1930s: images of Britain
inferredcites →https://doi.org/10.1080/01439688200260031openalex-extracted
The British Board of Film Censors and content control in the 1930s: foreign affairs
inferredcites →https://doi.org/10.1080/01439689000260211openalex-extracted
Soviet films, censorship and the British government: A matter of the public interest
inferredcites →https://doi.org/10.1080/02666286.2014.938524openalex-extracted
Eroticismà la française: text, image, and display in nineteenth-century English translations of Boccaccio’sDecameron
inferredcites →https://doi.org/10.1080/14708470903267392openalex-extracted
Stories of Frenchness: becoming a Francophile
inferredcites →https://doi.org/10.1080/17400309.2014.982910openalex-extracted
A new media landscape? The BBFC, extreme cinema as cult, and technological change
inferredcites →https://doi.org/10.1080/17411548.2021.1886443openalex-extracted
A ‘space to imagine’: Frenchness and the pleasures and labours of art cinema in the English regions
inferredcites →https://doi.org/10.1080/17460654.2013.876923openalex-extracted
The ‘khaki fever’ moral panic: Women’s patrols and the policing of cinemas in London, 1913–19
inferredcites →https://doi.org/10.1080/23268743.2018.1489301openalex-extracted
Original Climax Films: historicizing the British hardcore pornography film business
inferredcites →https://doi.org/10.1080/23268743.2023.2189926openalex-extracted
‘Pornophobia’: Lord Porn and the fall of Britain’s domestic pornography trade
inferredcites →https://doi.org/10.1086/495366openalex-extracted
The Representation of Female Desire in Early Modern Pornographic Texts, 1660-1745
inferredcites →https://doi.org/10.1093/fs/knr263openalex-extracted
Brutal Intimacy: Analyzing Contemporary French Cinema Brutal Intimacy: Analyzing Contemporary French Cinema . By T im P almer . (Wesleyan Film). Middletown, CT: Wesleyan University Press, 2011. x + 290 pp., ill. Hb $80.00. Pb $28.95.
inferredcites →https://doi.org/10.1093/oso/9780195137095.001.0001openalex-extracted
Before Pornography
inferredcites →https://doi.org/10.1093/oso/9780198159346.001.0001openalex-extracted
British Cinema of the 1950s
inferredcites →https://doi.org/10.1093/screen/11.3.19openalex-extracted
Film Censorship in Great Britain
inferredcites →https://doi.org/10.1111/j.1467-6478.2010.00500.xopenalex-extracted
Extreme Concern: Regulating ‘Dangerous Pictures’ in the United Kingdom
inferredcites →https://doi.org/10.1177/1750698016670794openalex-extracted
Windows on the world: Memories of European cinema in 1960s Britain
inferredcites →https://doi.org/10.1215/9780822395966openalex-extracted
“Bold! Daring! Shocking! True!”
inferredcites →https://doi.org/10.1515/9780822376804-010openalex-extracted
8. “I’ll Take Sweden”: The Shifting Discourse of the “Sexy Nation” in Sexploitation Films
inferredcites →https://doi.org/10.1515/9781478093497-010openalex-extracted
8 * “I’ll Take Sweden”: The Shifting Discourse of the “Sexy Nation” in Sexploitation Films
inferredcites →https://doi.org/10.1515/9781845458553-005openalex-extracted
1 The Exhibition, Distribution and Reception of French Films in Great Britain during the 1930s
inferredcites →https://doi.org/10.1515/9781845458553-010openalex-extracted
6 Disciplining the Nouvelle Vague: Censoring A Bout de Souffle and Other Early French New Wave Films (1956–1962)
inferredcites →https://doi.org/10.1515/9781845458553-014openalex-extracted
10 ‘Incredibly French’?: Nation as an Interpretative Context for Extreme Cinema
inferredcites →https://doi.org/10.18743/pub.00040346openalex-extracted
The rise of art cinema in postwar film culture : the exhibition, distribution, and reception of foreign language films in Britain 1945–1968
inferredcites →https://doi.org/10.2307/2162772openalex-extracted
Cinema, Censorship, and Sexuality, 1909-1925.
inferredcites →https://doi.org/10.2307/2674855openalex-extracted
"Bold! Daring! Shocking! True!" A History of Exploitation Films, 1919-1959
inferredcites →https://doi.org/10.2307/3736658openalex-extracted
Forbidden Fictions: Pornography and Censorship in Twentieth-Century French Literature
inferredcites →https://doi.org/10.2307/4054740openalex-extracted
Sex in the Cinema: War, Moral Panic, and the British Film Industry, 1906–1918
inferredcites →https://doi.org/10.3366/edinburgh/9780748625383.001.0001openalex-extracted
Film and Video Censorship in Contemporary Britain
inferredcites →https://doi.org/10.3366/jbctv.2010.0105openalex-extracted
Vulgar, Nasty and French: French Cinema in Britain in the 1950s
inferredcites →https://doi.org/10.3366/jbctv.2014.0201openalex-extracted
Naughty Realism: The Britishness of British Hardcore R18s
inferredcites →https://doi.org/10.3366/jbctv.2016.0299openalex-extracted
‘Knowledge-U-Like’: The British Board of Film Classification and its Research
inferredcites →https://doi.org/10.3366/jbctv.2017.0353openalex-extracted
‘Cuts are not a viable option’: The British Board of Film Classification, Hate Crime and Censorship for Adults in the Digital Age
inferredcites →https://doi.org/10.5860/choice.27-0042openalex-extracted
The hidden cinema: British film censorship in action, 1913-1972
inferredcites →https://doi.org/10.5860/choice.28-4386openalex-extracted
Oscar Wilde and the theatre of the 1890s
inferredcites →https://doi.org/10.5860/choice.38-2062openalex-extracted
American films of the '70s: conflicting visions
inferredcites →https://doi.org/10.5860/choice.39-0827openalex-extracted
British cinema in the fifties: gender, genre and the 'new look'
inferredcites →https://doi.org/10.5860/choice.43-6419openalex-extracted
Children, cinema, and censorship: from Dracula to the Dead End Kids
inferredcites →https://doi.org/10.5860/choice.45-1611openalex-extracted
That sweet enemy: the French and the British from the Sun King to the present
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