On the public citation graph
Cinema, Censorship, and Sexuality, 1909-1925.
0 signed · 64 inferred · view as graph
Inferred edges come from two machine sources: sweeps of open repository metadata (mostly SSRN and Zenodo), and a bulk OpenAlex citation snapshot. Every row below is labelled with the one it came from. Neither is a complete citation index — absence here is not evidence of absence.
Is this your work? Sign in with ORCID and put your name on the
claims that are yours.
Reference health. See whether every reference in this work resolves to a
known work and none has been retracted — and get a dated CiteStamped
badge you can embed.
What points at this work
Incoming claims: where this work appears in other papers’ reference lists and arguments.
inferred← citeshttps://doi.org/10.1007/978-3-031-38789-0_9openalex-snapshot
Film Consumption and Censorship Pre- and Post-COVID-19 Global Pandemic: A Comparison on Undergraduate Perspective in The Bahamas
inferred← citeshttps://doi.org/10.1017/9781108367592openalex-snapshot
The Battle for Christian Britain: Sex, Humanists and Secularisation, 1945–1980
inferred← citeshttps://doi.org/10.1017/cbo9781316443750.006openalex-snapshot
Censorship in theSozialstaat: Weimar’s Film and Publications Laws
inferred← citeshttps://doi.org/10.1017/s0007087417000632openalex-snapshot
‘A machine for recreating life’: an introduction to reproduction on film
inferred← citeshttps://doi.org/10.1017/s0963926813000023openalex-snapshot
Cinema-going in a port town, 1914–1951: film booking patterns at the Queens Cinema, Portsmouth
inferred← citeshttps://doi.org/10.1017/ssh.2015.44openalex-snapshot
What Is an Enlightenment Film?Cinema and the Rhetoric of Social Hygiene in Interwar Germany
inferred← citeshttps://doi.org/10.1051/shsconf/20141304001openalex-snapshot
MedFilm. Enseigner « par et pour la recherche » les SHS en milieu médical à l'aide du film « utilitaire »
inferred← citeshttps://doi.org/10.1057/9780230304628_10openalex-snapshot
Venereal Disease in Interwar Northern Ireland
inferred← citeshttps://doi.org/10.1057/9781137061980_10openalex-snapshot
The Censor and the State in Britain
inferred← citeshttps://doi.org/10.1057/sth.2009.3openalex-snapshot
Sexually transmitted infection and public health in South Africa: Educational campaigns for prevention, 1935–1948 and 1999–2008
inferred← citeshttps://doi.org/10.1080/01956051.1993.9943981openalex-snapshot
Television Wipes its Feet: The Commercial and Ethical Considerations
inferred← citeshttps://doi.org/10.1080/02500169408537975openalex-snapshot
An exploration of poststructuralist discursive critique and its implication for the study of communication
inferred← citeshttps://doi.org/10.1080/09612020500200422openalex-snapshot
‘A world on wings’: young female workers and cinema in world war I
inferred← citeshttps://doi.org/10.1086/505956openalex-snapshot
Art or Indecency?Tableaux Vivantson the London Stage and the Failure of Late Victorian Moral Reform
inferred← citeshttps://doi.org/10.1086/665396openalex-snapshot
Sex Education and the Great War Soldier: A Queer Analysis of the Practice of “Hetero” Sex
inferred← citeshttps://doi.org/10.1163/22977953-07201001openalex-snapshot
Screening Diseases. Films on Sex Hygiene in Germany and France in the First Half of the 20th Century
inferred← citeshttps://doi.org/10.1163/22977953-07201002openalex-snapshot
“A word from man to man”. Interwar Venereal Disease Education Films for Military Audiences in France
inferred← citeshttps://doi.org/10.1163/22977953-07201005openalex-snapshot
Debating Sex: Education Films and Sexual Morality for the Young in Post-War Germany, 1945–1955
inferred← citeshttps://doi.org/10.1163/9789401200950_010openalex-snapshot
TOWARDS A REDEFINITION OF CENSORSHIP
inferred← citeshttps://doi.org/10.1177/09571558221120881openalex-snapshot
Censure et consensus dans le cinéma de l’après-guerre : La genèse parallèle d’ Au royaume des cieux (Julien Duvivier, 1949) et La Cage aux filles (Maurice Cloche, 1950)
inferred← citeshttps://doi.org/10.13021/mars/5467openalex-snapshot
Diminished Citizenship: A Genealogy of the Development of 'Soft Citizenship' at the Intersection of US Mass and Political Culture
inferred← citeshttps://doi.org/10.1353/cj.0.0217openalex-snapshot
The Central Board of Film Certification Correspondence Files (1992–2002): A Discursive Rhetoric of Moral Panic, "Public" Protest, and Political Pressure
inferred← citeshttps://doi.org/10.1353/dis.2005.0016openalex-snapshot
Gazes and Cinematic Readings of Gender: Danzon and its Relationship to its Audience
inferred← citeshttps://doi.org/10.1353/elh.2003.0003openalex-snapshot
Abortion and the Individual Talent
inferred← citeshttps://doi.org/10.1353/fih.2013.0001openalex-snapshot
VD Propaganda, Dr. Ehrlich's Magic Bullet, and the Production Code
inferred← citeshttps://doi.org/10.1353/jowh.1999.0010openalex-snapshot
"Hearts Uplifted and Minds Refreshed": The Woman's Christian Temperance Union and the Production of Pure Culture in the United States, 1880-1930
inferred← citeshttps://doi.org/10.1353/jowh.2011.0044openalex-snapshot
“Pictures with a Purpose”: The Birth Control Debate on the Big Screen
inferred← citeshttps://doi.org/10.1353/sex.2010.0004openalex-snapshot
Paying for Love: Women's Work and Love in Popular Film in Interwar Britain
inferred← citeshttps://doi.org/10.1353/vlt.0.0023openalex-snapshot
Media Effects and the Subjectification of Film Regulation
inferred← citeshttps://doi.org/10.1515/9781800103665openalex-snapshot
Cancer, Research, and Educational Film at Midcentury
inferred← citeshttps://doi.org/10.1515/9781845459031-005openalex-snapshot
INTRODUCTION Censorship, Society, and Literary Life in Imperial Germany
inferred← citeshttps://doi.org/10.1524/9783110353716.437openalex-snapshot
Quellen- und Literaturverzeichnis
inferred← citeshttps://doi.org/10.1632/pmla.2012.127.3.542openalex-snapshot
Thackeray, Sturges, and the Scandal of Censorship
inferred← citeshttps://doi.org/10.20287/eikon-n03-a10openalex-snapshot
Corpo Feminino e os Sentidos de Abjecao: A heranca das heroinas do exploitation em Quentin Tarantino
inferred← citeshttps://doi.org/10.2307/1225586openalex-snapshot
Into Africa: Orson Welles and "Heart of Darkness"
inferred← citeshttps://doi.org/10.2307/4054740openalex-snapshot
Sex in the Cinema: War, Moral Panic, and the British Film Industry, 1906–1918
inferred← citeshttps://doi.org/10.2307/j.ctv2r3360ropenalex-snapshot
Cancer, Research, and Educational Film at Midcentury
inferred← citeshttps://doi.org/10.24908/ss.v16i2.6826openalex-snapshot
Cinema Censorship and Media Citizenship in the Hong Kong Film Ten Years
inferred← citeshttps://doi.org/10.26686/wgtn.17064764openalex-snapshot
Film and Video Censorship in New Zealand, 1976-1994
inferred← citeshttps://doi.org/10.26686/wgtn.17064764.v1openalex-snapshot
Film and Video Censorship in New Zealand, 1976-1994
inferred← citeshttps://doi.org/10.31165/nk.2014.64.347openalex-snapshot
Early Cinema and Juvenile Crime in Scotland: Edinburgh’s Chief Constable at the 1917 Cinema Commission
inferred← citeshttps://doi.org/10.32001/sinecine.422313openalex-snapshot
REGULATING EXHIBITIONS AT CINEMA-HOUSES IN IMPERIAL ISTANBUL
inferred← citeshttps://doi.org/10.3366/jbctv.2007.4.1.1openalex-snapshot
Reframing Women in 1920s British Cinema: the Case of Violet Hopson and Dinah Shurey
inferred← citeshttps://doi.org/10.3366/jbctv.2015.0283openalex-snapshot
Witch-hunt: The Word, the Press and The Devils
inferred← citeshttps://doi.org/10.3366/jbctv.2018.0416openalex-snapshot
‘An almost continuous picture of sordid vice’: The Keeler Affair, the Profumo Scandal and ‘Political’ Film Censorship in the 1960s
inferred← citeshttps://doi.org/10.3366/jbctv.2018.0439openalex-snapshot
A Licence Not to Censor: The Cinematograph Act 1909 in Scotland
inferred← citeshttps://doi.org/10.3366/jbctv.2019.0468openalex-snapshot
Shock Value: Audiences on the Censorship ofA Serbian Film
inferred← citeshttps://doi.org/10.3366/jbctv.2024.0699openalex-snapshot
‘Lewd, pornographic filth’: Managing Culture through Local Film Censorship in Britain, 1948–1968
inferred← citeshttps://doi.org/10.3366/nor.2020.0201openalex-snapshot
The Media and Modernity: Film and New Media in the Highlands and Islands 1946–1971: Introduction
inferred← citeshttps://doi.org/10.38051/9781800103672openalex-snapshot
Cancer, Research, and Educational Film at Midcentury: The Making of the Movie "Challenge: Science Against Cancer"
inferred← citeshttps://doi.org/10.3917/pope.903.0477openalex-snapshot
Pro-Natalism and Hygienism in France, 1900-1940. The Example of the Fight against Venereal Disease
inferred← citeshttps://doi.org/10.4000/rhc.1733openalex-snapshot
La sexualité au risque de la syphilis
inferred← citeshttps://doi.org/10.5860/choice.36-0071openalex-snapshot
Technologies of truth: cultural citizenship and the popular media
inferred← citeshttps://doi.org/10.5860/choice.49-5567openalex-snapshot
Subjectivity: filmic representation and the spectator's experience
inferred← citeshttps://doi.org/10.7765/9780719098758.00017openalex-snapshot
Select bibliography and resources
Editorial review for independent work. ICSAC — the Institute for Complexity
Science and Advanced Computing — runs a structured editorial panel for researchers
publishing outside journals, and publishes on CiteStamp rails. Submission is free
and goes through ORCID: icsacinstitute.org/submit.