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Heuristic Pleasure, Systematic Aversion: The Psychological Mechanisms of AI Music Appreciation

https://doi.org/10.2139/ssrn.6100677
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Outgoing claims: the papers this work cites, builds on, or argues with.

inferredcites →https://doi.org/10.1007/978-3-319-53280-6_8openalex-snapshot
Turing and the History of Computer Music
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Drawing the full picture on diverging findings: adjusting the view on the perception of art created by artificial intelligence
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The power of repetition: repetitive lyrics in a song increase processing fluency and drive market success
inferredcites →https://doi.org/10.1016/j.jebo.2009.04.001openalex-snapshot
Do consumers pay voluntarily? The case of online music
inferredcites →https://doi.org/10.1017/s0140525x08005293openalex-snapshot
Emotional responses to music: The need to consider underlying mechanisms
inferredcites →https://doi.org/10.1017/s0140525x12000489openalex-snapshot
The artful mind meets art history: Toward a psycho-historical framework for the science of art appreciation
inferredcites →https://doi.org/10.1037/0022-3514.39.5.752openalex-snapshot
Heuristic versus systematic information processing and the use of source versus message cues in persuasion.
inferredcites →https://doi.org/10.1037/aca0000570openalex-snapshot
Artificial intelligence and art: Identifying the aesthetic judgment factors that distinguish human- and machine-generated artwork.
inferredcites →https://doi.org/10.1037/h0077714openalex-snapshot
A circumplex model of affect.
inferredcites →https://doi.org/10.1037/h0094090openalex-snapshot
Subjective complexity, familiarity, and liking for popular music.
inferredcites →https://doi.org/10.1037/qup0000196openalex-snapshot
Conceptual and design thinking for thematic analysis.
inferredcites →https://doi.org/10.1037/rev0000364openalex-snapshot
The psychological basis of music appreciation: Structure, self, source.
inferredcites →https://doi.org/10.1037/xge0000033openalex-snapshot
Algorithm Aversion: People Erroneously Avoid Algorithms after Seeing Them Err
inferredcites →https://doi.org/10.1038/s41598-023-45202-3openalex-snapshot
Bias against AI art can enhance perceptions of human creativity
inferredcites →https://doi.org/10.1073/pnas.2500494122openalex-snapshot
Predictive processes shape individual musical preferences
inferredcites →https://doi.org/10.1093/oso/9780190662158.001.0001openalex-snapshot
Attentional Engines
inferredcites →https://doi.org/10.1108/jcm-02-2020-3671openalex-snapshot
Artificial intelligence became Beethoven: how do listeners and music professionals perceive artificially composed music?
inferredcites →https://doi.org/10.1111/jaac.12749openalex-snapshot
The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes
inferredcites →https://doi.org/10.1126/science.185.4157.1124openalex-snapshot
Judgment under Uncertainty: Heuristics and Biases
inferredcites →https://doi.org/10.1177/0305735617697507openalex-snapshot
Back to the inverted-U for music preference: A review of the literature
inferredcites →https://doi.org/10.1177/0305735691192002openalex-snapshot
Music Structure and Emotional Response: Some Empirical Findings
inferredcites →https://doi.org/10.1177/1029864920988883openalex-snapshot
The impact of biographical information about a composer on emotional responses to their music
inferredcites →https://doi.org/10.1177/1461444820925798openalex-snapshot
Are you ready for artificial Mozart and Skrillex? An experiment testing expectancy violation theory and AI music
inferredcites →https://doi.org/10.1177/17470218221113761openalex-snapshot
The Behavioural Economics of Music: Systematic review and future directions
inferredcites →https://doi.org/10.1177/1754073919897295openalex-snapshot
Cross-Cultural Emotion Recognition and In-Group Advantage in Vocal Expression: A Meta-Analysis
inferredcites →https://doi.org/10.1201/9781003682325-6openalex-snapshot
Music generation using transformer model: A comprehensive study
inferredcites →https://doi.org/10.1207/s15327957pspr0804_3openalex-snapshot
Processing Fluency and Aesthetic Pleasure: Is Beauty in the Perceiver's Processing Experience?
inferredcites →https://doi.org/10.1523/jneurosci.1399-19.2020openalex-snapshot
The Rapid Emergence of Musical Pitch Structure in Human Cortex
inferredcites →https://doi.org/10.1525/mp.2017.35.1.94openalex-snapshot
The Repeated Recording Illusion
inferredcites →https://doi.org/10.2307/3345279openalex-snapshot
The Effects of Repetition on Liking for Music
inferredcites →https://doi.org/10.2307/40285732openalex-snapshot
The Aesthetic Quality of a Quantitatively Average Music Performance: Two Preliminary Experiments
inferredcites →https://doi.org/10.2501/jar-2020-016openalex-snapshot
The Impact of Source Effects on the Evaluation of Music for Advertising
inferredcites →https://doi.org/10.4324/9781315620633openalex-snapshot
Australian Indigenous Hip Hop
inferredcites →https://doi.org/10.5429/2079-3871(2016)v6i2.7enopenalex-snapshot
Air Flows: Breath, Voice, and Authenticity in Three Recordings
inferredcites →https://doi.org/10.5840/zfs1941913openalex-snapshot
On Popular Music
inferredcites →https://doi.org/10.7551/mitpress/7476.001.0001openalex-snapshot
Embodied Music Cognition and Mediation Technology
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