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The Aesthetic Quality of a Quantitatively Average Music Performance: Two Preliminary Experiments

https://doi.org/10.2307/40285732
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What this work says

Outgoing claims: the papers this work cites, builds on, or argues with.

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Infant preferences for attractive faces: Rudiments of a stereotype?
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Attractive Faces Are Only Average
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What Is Average and What Is Not Average About Attractive Faces?
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Averageness, Exaggeration, and Facial Attractiveness
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The effects of categorization and prototypicality on aesthetic choice in a furniture selection task
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The dynamics of dynamics: A model of musical expression
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Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’
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Expressive timing in Schumann’s ‘‘Träumerei:’’ An analysis of performances by graduate student pianists
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The dynamics of expressive piano performance: Schumann’s ‘‘Träumerei’’ revisited
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Pedal Timing and Tempo in Expressive Piano Performance: A Preliminary Investigation
inferredcites →https://doi.org/10.1177/102986499700100206openalex-snapshot
Expressive Timing in a Debussy Prelude: A Comparison of Student and Expert Pianists
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The History of Remembered Innovation: Tradition and Its Role in the Relationship between Musical Works and Their Performances
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Relationship of Preference Judgments to Typicality, Novelty, and Mere Exposure
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The Dialogic Imagination: Four Essays
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The Art of Inaccuracy: Why Pianists' Errors Are Difficult to Hear

What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

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Mean Rhythm. Listeners Prefer Speech with Quantitatively Average Syllable Durations
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Expressive Performance Rendering: Introducing Performance Context
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Investigations Into the Phenomenology and the Ontology of the Work of Art
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Geboren nach 1960 - Interpretation außerhalb der Musikgeschichte
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The Background of the Study on Interpersonal Coordination
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Obligatory "expectations" of expressive timing induced by perception of musical structure
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Literary Aesthetics
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PRODUCT AESTHETICS
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Know thy sound: Perceiving self and others in musical contexts
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Aesthetics of musical timing: Culture and expertise affect preferences for isochrony but not synchrony
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Follow your nose when it sounds right: How brand names influence consumer responses to product scents
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The Power of Simplicity: Processing Fluency and the Effects of Olfactory Cues on Retail Sales
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The extraordinary attraction of being ordinary: A moderated mediation model of purchase for prototypical products
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Fundamental frequency of the female's voice: A cross-country empirical study on its influence on social and sexual selection
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Individual differences in music performance
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Musical Ensemble Performance
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Attractiveness bias: A cognitive explanation
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Variations on a theme by Chopin: Relations between perception and production of timing in music.
inferred← citeshttps://doi.org/10.1037/a0028130openalex-snapshot
The perception of prototypical motion: Synchronization is enhanced with quantitatively morphed gestures of musical conductors.
inferred← citeshttps://doi.org/10.1037/h0094008openalex-snapshot
Automatically extracting performance data from recordings of trained singers.
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The Role of Femininity and Averageness of Voice Pitch in Aesthetic Judgments of Women's Voices
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Perceiving Musical Individuality: Performer Identification is Dependent on Performer Expertise and Expressiveness, but Not on Listener Expertise
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Relationships between performance timing, perception of timing perturbations, and perceptual-motor synchronisation in two chopin preludes
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Control of Expressive and Metronomic Timing in Pianists
inferred← citeshttps://doi.org/10.1080/02699931.2010.496994openalex-snapshot
An exploratory mindset reduces preference for prototypes and increases preference for novel exemplars
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Methodologies for Expressiveness Modelling of and for Music Performance
inferred← citeshttps://doi.org/10.1080/13528165.2024.2537581openalex-snapshot
Musicology, Mind Palaces and Machines
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The Influence of Food Aromas on Restaurant Consumer Emotions, Perceptions, and Purchases
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Psychology for Musicians
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Copyright Page
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195146103.002.0004openalex-snapshot
Preface
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Science and Musical Skills
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195146103.003.0002openalex-snapshot
Development
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Motivation
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Practice
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Expression and Interpretation
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195146103.003.0006openalex-snapshot
Reading or Listening and Remembering
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Composition and Improvisation
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Managing Performance Anxiety
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195146103.003.0009openalex-snapshot
The Performer
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195146103.003.0010openalex-snapshot
The Teacher
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The Listener
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780195146103.003.0012openalex-snapshot
The User
inferred← citeshttps://doi.org/10.1093/acprof:oso/9780199659647.002.0011openalex-snapshot
Introduction
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Philosophical Reflections on Expressive Music Performance
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Expressiveness in Jazz Performance
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Musical Emotions Explained
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Copyright Page
inferred← citeshttps://doi.org/10.1093/oso/9780198753421.002.0004openalex-snapshot
Preface
inferred← citeshttps://doi.org/10.1093/oso/9780198753421.002.0008openalex-snapshot
Musical Emotions Explained
inferred← citeshttps://doi.org/10.1093/oso/9780198753421.003.0001openalex-snapshot
Setting the Stage
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The Book’s Composition
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The Value of a Psychological Approach
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Music, Experience, and Affect
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What is Meant by Emotional Expression?
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Empirical Studies
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Music as Expression
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Breaking the Code
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How are Music and Emotion Links Studied?
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Viewing Music Through a Brunswikian Lens
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The Voice of Angels?
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Further Layers
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Deviation from the Exact
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Beyond Perception
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Does Music Arouse Emotions? How do We Know?
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The Prevalence of Emotional Reactions
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How does Music Arouse Emotions?
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Jumping at Shadows
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Get Into the Groove
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Mirroring the Expression
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Ring My Bell
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Blast from the Past
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Seeing in the Mind’s Eye
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What Comes Next?
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Predictions, Implications, Complications
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Aesthetics
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Traditional Approaches to Aesthetics
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What’s Special?
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Aesthetic Criteria
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A Novel Approach Towards Aesthetic Judgment
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Aesthetics and Affect in Broader Perspective
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The Last Chorus
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Coda
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The Lens Model Equation and Its Use in Modeling Musical Communication
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Musical Expression
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Social evaluative implications of sensory adaptation to human voices
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The Attractiveness of Nonface Averages: Implications for an Evolutionary Explanation of the Attractiveness of Average Faces
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A microcosm of musical expression. I. Quantitative analysis of pianists’ timing in the initial measures of Chopin’s Etude in E major
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A microcosm of musical expression: II. Quantitative analysis of pianists’ dynamics in the initial measures of Chopin’s Etude in E major
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A microcosm of musical expression. III. Contributions of timing and dynamics to the aesthetic impression of pianists’ performances of the initial measures of Chopin’s Etude in E Major
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Sounding Out Reconstruction Error-Based Evaluation of Generative Models of Expressive Performance
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CaRo 2.0: An Interactive System for Expressive Music Rendering
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Adolescent Musicians' Perceptions of Conductors Within Musical Context
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A Study of Music Students’ Tempo Changes of a Soloist’s Performance of Mozart’s 1st Horn Concerto
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Listener Perception of Expressivity in Collaborative Performances Containing Expressive and Unexpressive Playing by the Pianist
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The Attractiveness of Average Speech Rhythms: Revisiting the Average Effect From a Crosslinguistic Perspective
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Music Performance Research at the Millennium
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Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance
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Genre identification of very brief musical excerpts
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“But they told me it was professional”: Extrinsic factors in the evaluation of musical performance
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A longitudinal study of the development of expressive timing
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What Is Typical Is Good
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The Role of the Body in the Production and Perception of Solo Vocal Performance: A Case Study of Annie Lennox
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Toward a computational model of expression in music performance: The GERM model
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Creativity in performance
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Similarity relations between groups of notes: Music-theoretical and music-psychological perspectives
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Expressive Timing in a Debussy Prelude: A Comparison of Student and Expert Pianists
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Afrikanische Trommler (Ghana) bewerten und spielen europäml;ische Rhythmen
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Typical is Trustworthy - Evidence for a Generalized Heuristic
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Negotiating a Shared Interpretation During Piano Duo Performance
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Processing Fluency and Aesthetic Pleasure: Is Beauty in the Perceiver's Processing Experience?
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The Generality and Ultimate Origins of the Attractiveness of Prototypes
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Idea Generation, Creativity, and Prototypicality
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‘Most advanced, yet acceptable’: Typicality and novelty as joint predictors of aesthetic preference in industrial design
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Tracking Performance Correlates of Changes in Perceived Intensity of Emotion During Different Interpretations of a Chopin Piano Prelude
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On the Contextual Appropriateness of Expression
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Mine Doğantan, Mathis Lussy: A Pioneer in Studies of Expressive Performance
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Final Ritardandi and the Expression of Musical Emotion
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Tendency Towards the Average? The Aesthetic Evaluation of a Quantitatively Average Music Performance
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Emotion and the experience of listening to music: a framework for empirical research.
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Historical Trends in Expressive Timing Strategies: Chopin's Etude, Op. 25 no. 1
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Tempovariasjon i musikkframføringar – Studie av lyttarens evne til bevisst registrering, og betydning for interpretasjon
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The influence of Typicality and Harmony of Product Design on Consumer’s Responses
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Heuristic Pleasure, Systematic Aversion: The Psychological Mechanisms of AI Music Appreciation
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Heuristic Pleasure, Systematic Aversion: The Psychological Mechanisms of AI Music Appreciation
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Effect of Rubato Magnitude on the Perception of Musicianship in Musical Performance
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The Detectability of Local Deviations from a Typical Expressive Timing Pattern
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Music Expectation by Cognitive Rule-Mapping
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Pattern Typicality and Dimensional Interactions in Pianists' Imitation of Expressive Timing and Dynamics
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Expressive Meaning and the Empirical Analysis of Musical Gesture
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Towards a new understanding of the score-performance dilemmas
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Extraction and Generation of the Expressive Intentions in Musical Performance
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Dimensions of Musical Creativity
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How to quantify individuality in music performance? Studying artistic expression with averaging procedures
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Perceiving individuality in harpsichord performance
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Why live recording sounds better: a case study of Schumann's Träumerei
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Flexibility of Expressive Timing in Repeated Musical Performances
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Collaborative Musical Creativity: How Ensembles Coordinate Spontaneity
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The impact of symmetry design of intangible cultural heritage souvenir on tourists’ aesthetic pleasure
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Detecting deviations from metronomic timing in music: Effects of perceptual structure on the mental timekeeper
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Variability of timing in expressive piano performance increases with interval duration
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Context effects on tempo and pleasantness judgments for Beatles songs
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Testing the absolute-tempo hypothesis: Context effects for familiar and unfamiliar songs
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On the Characterization of Expressive Performance in Classical Music: First Results of the Con Espressione Game
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A Formalization Of Relative Local Tempo Variations In Collections Of Performances.
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Identifying The Bottlenecks & Increasing The Production Of Finishing Area In A Steel Manufacturing Process Industry – A Case Study
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The GigaMIDI Dataset with Features for Expressive Music Performance Detection
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An Interdisciplinary Review of Music Performance Analysis
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Expressiveness in popular music performance and production: a reasoned review of interviews with leading engineers, producers and performers
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Expressive Gestures in Schubert Singing on Record
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