On the public citation graph

The GigaMIDI Dataset with Features for Expressive Music Performance Detection

https://doi.org/10.5334/tismir.203
0 signed · 68 inferred · view as graph

Inferred edges come from two machine sources: sweeps of open repository metadata (mostly SSRN and Zenodo), and a bulk OpenAlex citation snapshot. Every row below is labelled with the one it came from. Neither is a complete citation index — absence here is not evidence of absence.

Is this your work? Sign in with ORCID and put your name on the claims that are yours.
Claim with ORCID
Reference health. See whether every reference in this work resolves to a known work and none has been retracted — and get a dated CiteStamped badge you can embed.
See reference health

What this work says

Outgoing claims: the papers this work cites, builds on, or argues with.

inferredcites →https://doi.org/10.1007/978-3-031-29956-8_1openalex-snapshot
LooperGP: A Loopable Sequence Model for Live Coding Performance Using GuitarPro Tablature
inferredcites →https://doi.org/10.1007/978-3-031-29956-8_17openalex-snapshot
GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with Transformers
inferredcites →https://doi.org/10.1007/s00521-018-3813-6openalex-snapshot
Deep learning for music generation: challenges and directions
inferredcites →https://doi.org/10.1007/s00521-020-05399-0openalex-snapshot
From artificial neural networks to deep learning for music generation: history, concepts and trends
inferredcites →https://doi.org/10.1016/j.patcog.2015.03.009openalex-snapshot
Performance evaluation of classification algorithms by k-fold and leave-one-out cross validation
inferredcites →https://doi.org/10.1080/09298210500236051openalex-snapshot
Automatic formatting of music sheets through MILLA rule-based language and engine
inferredcites →https://doi.org/10.1080/09298215.2012.731071openalex-snapshot
Linear Basis Models for Prediction and Analysis of Musical Expression
inferredcites →https://doi.org/10.1080/09298215.2016.1182191openalex-snapshot
Evaluation and combination of pitch estimation methods for melody extraction in symphonic classical music
inferredcites →https://doi.org/10.1080/09298215.2020.1806887openalex-snapshot
Drum rhythm spaces: From polyphonic similarity to generative maps
inferredcites →https://doi.org/10.1080/09298219808570746openalex-snapshot
Saxex: A case‐based reasoning system for generating expressive musical performances
inferredcites →https://doi.org/10.1098/rsos.150081openalex-snapshot
The evolution of popular music: USA 1960–2010
inferredcites →https://doi.org/10.1109/icassp.2016.7471641openalex-snapshot
Optimizing DTW-based audio-to-MIDI alignment and matching
inferredcites →https://doi.org/10.1109/icce-tw52618.2021.9602937openalex-snapshot
Velocity Prediction for MIDI Notes with Deep Learning
inferredcites →https://doi.org/10.1109/lsp.2024.3363646openalex-snapshot
A Data-Driven Analysis of Robust Automatic Piano Transcription
inferredcites →https://doi.org/10.1109/tmm.2022.3161851openalex-snapshot
Theme Transformer: Symbolic Music Generation With Theme-Conditioned Transformer
inferredcites →https://doi.org/10.1109/tnnls.2020.2990746openalex-snapshot
Learning Adversarial Transformer for Symbolic Music Generation
inferredcites →https://doi.org/10.1121/1.1376133openalex-snapshot
Melody lead in piano performance: Expressive device or artifact?
inferredcites →https://doi.org/10.1121/1.420110openalex-snapshot
Acoustics, perception, and production of legato articulation on a computer-controlled grand piano
inferredcites →https://doi.org/10.1145/3243274.3243301openalex-snapshot
Symbolic Music Similarity through a Graph-Based Representation
inferredcites →https://doi.org/10.1146/annurev.psych.48.1.115openalex-snapshot
MUSIC PERFORMANCE
inferredcites →https://doi.org/10.1155/2016/8363507openalex-snapshot
Score-Informed Source Separation for Multichannel Orchestral Recordings
inferredcites →https://doi.org/10.1162/dint_r_00024openalex-snapshot
FAIR Principles: Interpretations and Implementation Considerations
inferredcites →https://doi.org/10.1525/jams.2016.69.1.273openalex-snapshot
Review: Music Encoding Initiative
inferredcites →https://doi.org/10.1525/mp.2010.28.2.135openalex-snapshot
Acoustical Correlates of Timbre and Expressiveness in Clarinet Performance
inferredcites →https://doi.org/10.1609/aaai.v38i1.27774openalex-snapshot
MID-FiLD: MIDI Dataset for Fine-Level Dynamics
inferredcites →https://doi.org/10.17613/x49db-9dm53openalex-snapshot
Partitura: A Python Package for Symbolic Music Processing
inferredcites →https://doi.org/10.17743/jaes.2018.0012openalex-snapshot
Assessing Musical Similarity for Computational Music Creativity
inferredcites →https://doi.org/10.18653/v1/2021.findings-acl.70openalex-snapshot
MusicBERT: Symbolic Music Understanding with Large-Scale Pre-Training
inferredcites →https://doi.org/10.2307/40285732openalex-snapshot
The Aesthetic Quality of a Quantitatively Average Music Performance: Two Preliminary Experiments
inferredcites →https://doi.org/10.3389/fdigh.2018.00025openalex-snapshot
Computational Models of Expressive Music Performance: A Comprehensive and Critical Review
inferredcites →https://doi.org/10.3389/fpsyg.2019.00776openalex-snapshot
Phrase-Level Modeling of Expression in Violin Performances
inferredcites →https://doi.org/10.3390/math9050530openalex-snapshot
DBTMPE: Deep Bidirectional Transformers-Based Masked Predictive Encoder Approach for Music Genre Classification
inferredcites →https://doi.org/10.3929/ethz-b-000292318openalex-snapshot
MIDI-VAE: Modeling Dynamics and Instrumentation of Music with Applications to Style Transfer
inferredcites →https://doi.org/10.48550/arxiv.1206.6392openalex-snapshot
Modeling Temporal Dependencies in High-Dimensional Sequences: Application to Polyphonic Music Generation and Transcription
inferredcites →https://doi.org/10.48550/arxiv.1806.04278openalex-snapshot
The NES Music Database: A multi-instrumental dataset with expressive performance attributes
inferredcites →https://doi.org/10.48550/arxiv.1806.09905openalex-snapshot
Conditioning Deep Generative Raw Audio Models for Structured Automatic Music
inferredcites →https://doi.org/10.48550/arxiv.1806.10474openalex-snapshot
The challenge of realistic music generation: modelling raw audio at scale
inferredcites →https://doi.org/10.48550/arxiv.1810.08611openalex-snapshot
A database linking piano and orchestral MIDI scores with application to automatic projective orchestration
inferredcites →https://doi.org/10.48550/arxiv.1810.12247openalex-snapshot
Enabling Factorized Piano Music Modeling and Generation with the MAESTRO Dataset
inferredcites →https://doi.org/10.48550/arxiv.1905.06118openalex-snapshot
Learning to Groove with Inverse Sequence Transformations
inferredcites →https://doi.org/10.48550/arxiv.2008.06048openalex-snapshot
MMM : Exploring Conditional Multi-Track Music Generation with the Transformer
inferredcites →https://doi.org/10.48550/arxiv.2008.07142openalex-snapshot
POP909: A Pop-song Dataset for Music Arrangement Generation
inferredcites →https://doi.org/10.48550/arxiv.2201.10936openalex-snapshot
FIGARO: Generating Symbolic Music with Fine-Grained Artistic Control
inferredcites →https://doi.org/10.48550/arxiv.2205.05448openalex-snapshot
Symphony Generation with Permutation Invariant Language Model
inferredcites →https://doi.org/10.48550/arxiv.2211.09385openalex-snapshot
ComMU: Dataset for Combinatorial Music Generation
inferredcites →https://doi.org/10.48550/arxiv.2306.06040openalex-snapshot
Reconstructing Human Expressiveness in Piano Performances with a Transformer Network
inferredcites →https://doi.org/10.48550/arxiv.2307.05324openalex-snapshot
ShredGP: Guitarist Style-Conditioned Tablature Generation
inferredcites →https://doi.org/10.48550/arxiv.2309.02399openalex-snapshot
The Batik-plays-Mozart Corpus: Linking Performance to Score to Musicological Annotations
inferredcites →https://doi.org/10.48550/arxiv.2310.17202openalex-snapshot
miditok: A Python package for MIDI file tokenization
inferredcites →https://doi.org/10.5281/zenodo.1416113openalex-snapshot
Music21: A Toolkit For Computer-Aided Musicology And Symbolic Music Data.
inferredcites →https://doi.org/10.5281/zenodo.1418233openalex-snapshot
Extracting Ground-Truth Information From Midi Files: A Midifesto.
inferredcites →https://doi.org/10.5281/zenodo.4245489openalex-snapshot
ASAP: A dataset of aligned scores and performances for piano transcription
inferredcites →https://doi.org/10.5281/zenodo.5090630openalex-snapshot
EMOPIA: A Multi-Modal Pop Piano Dataset For Emotion Recognition and Emotion-based Music Generation
inferredcites →https://doi.org/10.5281/zenodo.5624566openalex-snapshot
Building the MetaMIDI Dataset: Linking Symbolic and Audio Musical Data
inferredcites →https://doi.org/10.5281/zenodo.5624597openalex-snapshot
DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Models
inferredcites →https://doi.org/10.5281/zenodo.7316605openalex-snapshot
YM2413-MDB: A Multi-Instrumental FM Video Game Music Dataset with Emotion Annotations
inferredcites →https://doi.org/10.5281/zenodo.7316695openalex-snapshot
ATEPP: A Dataset of Automatically Transcribed Expressive Piano Performance
inferredcites →https://doi.org/10.5281/zenodo.7316793openalex-snapshot
Robust Melody Track Identification in Symbolic Music
inferredcites →https://doi.org/10.5281/zenodo.7316809openalex-snapshot
A Novel Dataset and Deep Learning Benchmark for Classical Music Form Recognition and Analysis
inferredcites →https://doi.org/10.5281/zenodo.8328684openalex-snapshot
Statistical evaluation of abc-formatted music at the levels of items and corpora
inferredcites →https://doi.org/10.5334/tismir.120openalex-snapshot
The IsoVAT Corpus: Parameterization of Musical Features for Affective Composition
inferredcites →https://doi.org/10.5334/tismir.58openalex-snapshot
Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures
inferredcites →https://doi.org/10.5334/tismir.80openalex-snapshot
GiantMIDI-Piano: A Large-Scale MIDI Dataset for Classical Piano Music
inferredcites →https://doi.org/10.54364/aaiml.2023.1161openalex-snapshot
Extending F1 Metric, Probabilistic Approach

What points at this work

Incoming claims: where this work appears in other papers’ reference lists and arguments.

inferred← uses_datahttps://doi.org/10.5281/zenodo.21670078zenodo-depositor-declared
inferred← citeshttps://doi.org/10.1007/s10212-026-01128-8openalex-snapshot
Perceptual-motor synchronization and motivation in structured piano training: A mixed-methods study of MIDI-based learning tools
inferred← citeshttps://doi.org/10.1016/j.neucom.2026.135133openalex-snapshot
ESMG: An efficient LLM-based symbolic music generation model with discrete piano-roll tokens
inferred← citeshttps://doi.org/10.1109/southeastcon63549.2026.11476165openalex-snapshot
Interval Mover's Distance: Melodic Stylistic Comparison using Interval Distributions
Editorial review for independent work. ICSAC — the Institute for Complexity Science and Advanced Computing — runs a structured editorial panel for researchers publishing outside journals, and publishes on CiteStamp rails. Submission is free and goes through ORCID: icsacinstitute.org/submit.